The Definitive Guide Deeply Connected to An Honest Man: Cult Guide

Dir: Frank Borzage

Successful model, Phyllis Clyne, convinces a down-and-out nobleman, Billy, to pass her off in society as titled gentry. They fall in love and when it turns out that her late father actually was a lord, they decide they now can marry.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of The Curse of Iku perfectly mirrors the editorial trajectory of our deep dive.

American sailor Allan Carroll, an American sailor, is shipwrecked of the coast of Japan in the 19th century. He makes it to shore and is rescued by kind Yori. The local ruler, Prince Iku, has ordered that all foreigners who are "trespassing" on Japanese soil should be killed. He hears about a foreign sailor who washed ashore and has been hidden by villagers, so he sends his sister Omi San to investigate. She finds Alan, and instead of turning him in to be executed, she falls in love with him. Prince Iku captures both Allan and Yori and intends to execute both of them. Complications ensue.

Dir: Frank Borzage

After a young inventor discovers a powerful new explosive, agents from a German chemical firm induce him to study at a German university. While there, he is repelled by certain aspects of the people, and he leaves for Belgium. When the war begins, the inventor saves a Belgian burgomaster's daughter from Prussian invaders. The inventor and the girl endure horrible suffering because of the war, but they find happiness at its end, while the formerly fighting nations direct their effort towards world peace at the Paris conferences. The assassination of Kurt Eisner of Bavaria occurs at the end.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of Whom the Gods Would Destroy perfectly mirrors the editorial trajectory of our deep dive.

Prudence's ( Olive Thomas ) parents send her from their Pennsylvania Quaker colony to a fashionable girls seminary, hoping she can learn about the devil's tricks, instead she engages in girlish pranks, but uses her pure appearance to escape blame. Later, Prudence visits her New York aunt, a society matron, and soon attracts an array of male admirers. She falls in love with wealthy Grayson Mills, but John Melbourne, who lives off of his wife's wealth, plots to seduce her. After Melbourne loans Prudence $200 to pay a gambling debt, he forces her to go to a roadhouse by threatening to show her stern father her canceled check. At dinner, Prudence produces a love letter which Melbourne had earlier written to an actress, and says that if she is not back by midnight, her hotel clerk will show Melbourne's wife his nineteen other love letters. After Melbourne hurries her back, he discovers that she only had the one letter. Prudence now becomes engaged to Grayson.

Dir: Frank Borzage

Charmed by the bright smile of Taro San, a Japanese rickshaw boy, Grant Barton takes the young man to the United States as his valet. Grant marries Marion Craig, but when she departs for California to visit her sick mother, he becomes enamored of Tonia Marsh, a vamp. Marion discovers them together and leaves Grant, whereupon Taro resolves to help his kind employer out of his difficulties. Persuading Tonia that he is a member of the imperial family of Japan, Taro pays court to the adventuress, and when Grant finds them in each other's arms, he immediately fires Taro. Grant and Marion are reconciled, while Taro sadly returns to Japan.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of Prudence on Broadway perfectly mirrors the editorial trajectory of our deep dive.

Josiah Pringle, a benevolent old musician, who ekes out his livelihood by giving music lessons, after playing the organ for twenty years in the church of a little New England hamlet, must make way for a younger man, Gordon Howard, who comes from Boston. Faith Pringle, adopted by Josiah and his aged sister, Letitia, is leader of the choir, and when Pringle is replaced, she refuses to sing, but relents at Pringle's gentle insistence. When the new organist appears, Pringle's pupils leave him for the younger man, but he feels no resentment against Howard and compliments him on his playing. A young ruffian attacks Faith, but Howard rescues her and Pringle, deeply appreciative, invites Howard to the house. For many years Pringle has been working upon an improvement in organs. He shows the model to Howard who discovers a point that has baffled the old musician for ten years. The young ruffian, seeking a way to revenge himself on Howard through Pringle, shows Pringle a newspaper bearing the picture of a young man, resembling Howard closely, sought as an embezzler, but Pringle, in his kindly way, says that if Howard has reformed, he will not be the first to persecute him. Pringle places his model in the hands of Howard, to obtain a patent. Howard writes that he has secured an advance of $20,000 royalties and they hear nothing further from him. As the weeks drag by and Pringle's small store of money is exhausted, he and his sister are forced to the decision that Faith must be returned to the orphanage whence she came. The day of her departure comes all too soon. At the last moment, Howard comes in and explains that after receiving the money he placed it in a safe for the time being. In passing a building in the course of construction, he was injured. At the hospital to which he was taken, no means of identification were found on him, and just as soon as he recovered his memory he returned to the Pringles. The cloud on his antecedents is cleared when he looks at the newspaper pictures and says "My brother, the poor fellow is dead now." Through Howard's influence, Pringle is reinstated as organist and the friendship between Faith and Howard quickly ripens into love.

Dir: Frank Borzage

A saloon owner loans her lover the money to buy a house, which he has led her to believe they will live in after they're married. Instead, he takes the money and buys a saloon in another town.

Dir: Frank Borzage

A visual fragment from the archive: The thematic resonance of Who Is to Blame? perfectly mirrors the editorial trajectory of our deep dive.

Brent Brewster, formerly a Yale athlete known for his pole vaulting prowess, is unsuccessful in business. When his wealthy relatives send him out to fend for himself, Brent joins a detective agency. After Craig Lansing, a family friend, hires Brent to investigate the numerous jewel thefts in Poughkeepsie, Brent works undercover at Lansing's house party and recognizes Captain Drake, an English crook. Although Brent temporarily forgets detective work when he meets Ann, the beautiful sister of Lansing's wife Ruth, Ann's remark that $40,000 a year would be enough for her to live on brings Brent back to the job. Meanwhile, Drake is intent on compromising Ruth, who flirts with him while Lansing is away. When Lansing returns unexpectedly, Brent accepts the blame for the flirtation to protect Ruth's honor, because of his love for Ann. After Brent vaults with a clothes pole through a window to prevent Drake's escape, Drake is exposed. Brent then learns that he has inherited a legacy which will enable him to satisfy Ann's monetary needs.

Dir: Frank Borzage

In the Latin Quarter of Paris, American artist David Lane (Norman Kerry) marries his model Yvonne (Olive Thomas), but just prior to the birth of their baby, David's mother dies, and he is forced to depart for the United States. In David's absence, his father hires a lawyer to convince Yvonne that David has abandoned her, and grief-stricken, she dies soon after her little girl is born. Yvonne's trusted friend Pierre rears the girl as a boy, whom he calls Toton, and trains her to become a skilled pickpocket. Meanwhile, David adopts a boy named Carew, and when he grows to manhood, the two move to Paris to establish an art studio. In robbing the studio, Pierre recognizes David, and to avenge Yvonne's death, he claims that Toton has been taught to hate her father. Later, Pierre becomes convinced of David's innocence, and before he dies, he reveals the truth to Toton. Finally, the girl is reunited with her father and marries Carew.

Dir: Frank Borzage

Hester Bevins is a simple country girl who yearns for adventure. Though she has a handsome young man, Jerry, who is devoted to her, she leaves her village and goes to New York in search of a grander life. There she becomes the lover of a wealthy and unscrupulous businessman. But when Jerry returns blinded and dying from the war, Hester must choose between her new life and the man whose loyalty to her has never failed.