The Global Archive For Devotees of Bell Boy 13: Cult Guide

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of In and Out perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of Love and Lunch perfectly mirrors the editorial trajectory of our deep dive.

A young couple quarrel and make-up and quarrel again and it is here where they determine to save the scandal of divorce by placing a white tape through the house to divide it into two parts, each section of which will be exclusively sacred to the other. In the meantime, an almost invisible Cupid hovers about trying to placate them and a little Mephisto with a pitchfork tries to prod the couple along to more troubles.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of Why Divorce? perfectly mirrors the editorial trajectory of our deep dive.

A newly married couple decide to spend their first Sunday at home. Mr. Newlywed boasts to his office associates of his wife's cooking and they immediately invite themselves for a Sunday dinner. Some friends of his wife decide to make their first Sunday at home anything but a quiet one. They advertise in the papers for a cook, giving the Newlywed's address, with the result that many applicants call for the position. Their cook, thinking that she is to be fired, packs her grip and in a huff leaves them. Nothing is left for the Newlyweds now but to cook their own dinner. The antics in the kitchen and the resulting dinner which is served to their guests are very funny. In the end they all proceed to a lunch counter where they eat a hearty meal.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of In a Pinch perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.