The Global Archive Complementing the Tone of Broadway After Midnigh...

Dir: Maurice Tourneur

Having endangered his life by foolishly gambling away funds entrusted to him by the Carbonari, an Italian secret society, London banker Bernard Huddlestone appeals to Northmour, an adventurer, for protection. Northmour takes Huddlestone and his daughter Clara to his castle in Scotland, offering them safety in return for Clara's hand in marriage. There Clara encounters Frank Cassilis, an old adversary of Northmour's, and falls in love. Trouble brews between the two men, but when the Carbonari discovers Huddlestone's hiding place and storms the castle, the fugitives band together to fight the avengers. Coming to the realization that only his sacrifice will appease the attackers, Huddlestone steps out and meets his death. Northmour, deciding that married life would prove too monotonous, gives up his claim on Clara to Cassilis.

Dir: George D. Baker

A visual fragment from the archive: The thematic resonance of Heliotrope perfectly mirrors the editorial trajectory of our deep dive.

A prison inmate obtains his release from prison in order to rescue his daughter from the clutches of her unscrupulous mother's plot to implicate the girl in a blackmail scheme.

Dir: Jack Conway

Lucy Hegan, the proprietor of a settlement house for the poor, is engaged to Hugh Gordon, the head of a large pharmaceutical and chemical firm who, unknown to Lucy, is also the ringleader of a powerful drug and white slave operation in the Chinese quarter. While conducting an investigation into illicit drug traffic for his paper, newspaper reporter Allan Martin meets Lucy and falls in love with her. In the course of her work, Lucy has befriended reformed crook Monk Mullen and his mother, and when Monk learns that she is to marry Gordon, the ex-crook provides Allan with proof of Gordon's underworld drug trafficking. Armed with his information, Allan leads a raid on Gordon's headquarters, and in the ensuing battle, the drug king is killed by his henchman, Ling Choo Fang, thus freeing Lucy to marry her young reporter.

Dir: Emil Justitz

A visual fragment from the archive: The thematic resonance of The Money Changers perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Chester M. De Vonde

Eileen O'Hara lives as a member of a cult in a remote retreat in the Adirondacks with her father, an embittered man since his wife's infidelity years earlier. One day, Peyster Sproul, the man responsible for her transgression, appears, and as president of the millionaire Sagamore Club, attempts to buy O'Hara's land for a summer resort. O'Hara recognizes him and a quarrel ensues, which results in the old man's death. Sproul then secures an illegitimate hold on the land by bribing Amasa Munn, the dishonest leader of the cult, with a small sum of money while pocketing the balance of the purchase funds. Upon receiving orders to produce the deed, Sproul attempts to steal the document from Eileen. His plan is thwarted, however, by Dr. Lansing, a young man who has fallen in love with Eileen. When Sproul's fraudulence is discovered, he is dishonorably dismissed from the club. Eileen retains her land and marries Lansing.

Dir: Harry F. Millarde

A visual fragment from the archive: The thematic resonance of Das rote Plakat perfectly mirrors the editorial trajectory of our deep dive.

Desperate because a wealthy man has reduced her father to thievery, Rhoda agrees to rob the poor box of the church, although she finds the act abhorrent. During the robbery, Rhoda's father is shot and dies in the priests's arms, seeking absolution, while the man who ruined him looks on. Penitent, the man appoints Rhoda as his representative to return the ill-gotten gains to those he has robbed. Rhoda enters the underworld as an angel of mercy, gaining the sobriquet of "The White Moll." After many thrilling escapades, she brings The Dangler, the leader of a gang of crooks, to justice, saves others from death and finally wins The Pug, the man of her choice.

Dir: Harry Southwell

A fascinating piece of cinema that shares thematic elements.

Dir: George Archainbaud

A visual fragment from the archive: The thematic resonance of Even as Eve perfectly mirrors the editorial trajectory of our deep dive.

Upon leaving prison, an ex con vows to go straight, but circumstances force him to return to crime. Meanwhile, a gang of crooks kidnaps a visiting British aristocrat, but the ex-con has an incredible likeness to the Englishman, and his intended hosts take him home to their mansion.

Dir: George Beranger

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

Dir: Joseph Henabery

When respectable Lloyd Norwood becomes infatuated with moll Goldie Lewis, he falls into a life of debasement that results in his being accused of the murder of gangland henchman Joe the Swell. Norwood's wife Mary, convinced of her husband's innocence, determines to clear his name. Disguising herself as a vamp and infiltrating the underworld, Mary extracts a confession from the real murderer, Pussyfoot Connor, whom she dupes into believing that he sees the ghost of the murdered man. Later, to have witnesses to the story, Mary takes a midnight dinner with gang leader Jack Frost, arousing the jealousy of Connor, who enters and accuses Frost of instigating the murder. The police, alerted to the scheme, rush in and arrest the criminals. Finally, a phone call to the prison warden results in Norwood's release as a wiser man.