Hidden Genre Gems In Alignment with the style of Coincidence: Cult ...

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Chester Withey

A visual fragment from the archive: The thematic resonance of The Old Folks at Home perfectly mirrors the editorial trajectory of our deep dive.

Senator John Coburn's son Steve, who associates more with gamblers, criminals and drug addicts than with his father's congressional cronies, impulsively murders his mistress' new lover. The senator tries to use his influence to have Steve acquitted, but all of the evidence firmly and correctly implicates him, and so the jury prepares to find Steve guilty without much deliberation. Before the verdict can be announced, however, Steve's mother rises in court to make an impassioned plea for her son. As a result, moved by the mother's grief, the jurors choose to ignore all of the evidence, and declare that Steve is not guilty.

Dir: Chester Withey

Maggie Pepper, a strong-willed, sharp-witted saleswoman for a dry goods store, raises her deceased brother's daughter, Claire, to shield the girl from her thieving mother, Ada. Unaware that she is speaking to her employer, Joe Holbrook, Maggie shares her ideas for improving the store. Maggie is fired by the insecure manager, but rehired as Joe's assistant, and the store prospers with the help of her innovations. After Ada marries Sam Darkin, she reclaims Claire and teaches the girl to be a pickpocket. The mother and daughter are soon apprehended in Joe's store, and Claire is returned to Maggie's care while Ada is sent to prison. Realizing that Joe's interest in her has ended his engagement, Maggie quits her job and takes Claire to Pittsburgh, Pennsylvania, as protection from Darkin. Joe arrives soon after and rescues Claire from being kidnapped by her stepfather. Although he sustains only a minor wound, Joe pretends to be seriously hurt so that Maggie will nurse him through the night. The next day, Joe proposes marriage and she accepts.

Dir: Chester Withey

A visual fragment from the archive: The thematic resonance of Maggie Pepper perfectly mirrors the editorial trajectory of our deep dive.

A young couple gets married in secret because her family objects to the match. To escape the family, the couple goes into hiding.

Dir: Chester Withey

Society girl Octavia rejects her fiancé, Teddy Westlake, and marries the elderly Colonel Beaupree, a wealthy rancher. When the colonel dies, Octavia discovers that he has left her only the ranch out West. When she goes to Texas to claim her inheritance, she discovers that Westlake has become manager of the ranch. Unknown to Octavia, even the ranch does not belong to her, but Westlake keeps this, and the fact that he still loves her, secret until Jose' Alvarez, the cruel overseer, tries to take advantage of her. In the end, Octavia realizes her love for Teddy and chases after him until he admits his feelings for her.

Dir: Chester Withey

A visual fragment from the archive: The thematic resonance of On the Quiet perfectly mirrors the editorial trajectory of our deep dive.

When anarchist bombs disrupt the engagement ball of Princess Marie Pavlovna, her fiancé, Prince Michail Koloyar, helps her to escape in a carriage. Then Theo Kameneff, secretly in the pay of a foreign government, becomes dictator and, desiring the princess, issues an edict that all women between the ages of seventeen and thirty-two must register and become state property. Outraged, Marie, disguised as a shopkeeper, organizes women to refuse the order. After she is discovered by Orel Kosloff, Kameneff's henchman, Marie declines Kameneff's offer to repeal the edict if she will live with him. Kosloff then initiates mass brutality, killing women who do not register, including to Kameneff's dismay, his beloved sister, whom he tried to save. Meanwhile, Michail, who has infiltrated the Bolshevik ranks, is found out and narrowly escapes a firing squad. After he stops Kameneff's attack on Marie, Kameneff is shot by a potter, revenging his daughter's ravishment. Marie and Michail finally escape across the border.

Dir: Chester Withey

Jim is the leader of the "Slouchy Seven," a gang of small town boys. He takes the gang for a swim in the reservoir, and is reported to his father, who, as a punishment, locks him in his room. Jim, however, escapes and goes to the assistance of Clarence, a "nice" boy, who is vainly trying to secure an apple for his sweetheart, Mary. Mary is won by the prowess of Jim, but he is indifferent to girls. Clarence and Mary go for a walk and Tom, the blacksmith's boy, pushes Clarence aside and takes his place beside Mary. Jim goes to find the gang at the railroad station he meets a girl, who asks him the direction to Mr. Morton's, who, she says, is her uncle. Jim offers to take her bags and show her the house. The boys see him and have fun at his expense. He leaves the girl, whose name is Ruth, at the gate and goes to meet the gang. They have lost a member who moved away, and initiate Clarence, who proves to be a good sport. Unaware of the interest he has aroused in Mary's heart, Jim fights Tom, when he again interferes with Clarence and Mary, and is accused by Ruth of being "stuck" on Mary. This he stoutly denies. He calls on Ruth and her uncle tells her to dismiss him, that he is a bad boy. Jim then joins the gang in a prank on the schoolmaster, and as a punishment his father orders him to chop a pile of wood. Jim is rebellious and, taking his dog, leaves the house. He meets Mary and tells her he is going to the city. His dog deserts him and he falls in with a band of tramps. His mother places an ad in a local paper asking him to come home and Mary takes care of his dog. Later he comes back and is induced by the tramps to assist in robbing the bank, of which his father is vice-president. He dresses up and goes to secure the combination. Mary is impressed by his prosperous appearance, and when he hears his mother talking he almost gives up the idea of aiding the tramps, but his father's gruff remarks determine him to keep on. On going back to the tramps he sees his mother's ad in an old newspaper and refuses to help the hobos, but they take the paper with the combination away from him and bind him in a freight car. He escapes and hurries back to the town and tells the gang. They go to the bank, but are not in time to prevent the robbery, and the tramps escape with the loot. The loss ruins the bank, and although Jim is hailed as a hero his conscience troubles him. Finally he tells his father and is forgiven. The money is discovered in a woodpile, and the next day Jim carries Mary's books to school.

Dir: Chester Withey

A visual fragment from the archive: The thematic resonance of Madame Bo-Peep perfectly mirrors the editorial trajectory of our deep dive.

Living quietly under the assumed name Paul Sernine, reformed gentleman crook Arsene Lupin is summoned to protect his invalid, wealthy friend Henry Forbes. Despite the watchfulness of Paul and Alexandre Mazeroux, a fellow criminal turned detective, Forbes is murdered. French detective Jabot and the New York detective force have many suspects including Paul, Marie Forbes, the dead man's widow who is suspected on the basis of an apple found with an imprint of her teeth on it, Gordon Savage, her lover, and Florence Chandler, Forbes' secretary and beneficiary under his will. After a series of traps, false arrests, chases through secret passageways, and an escape from handcuffs, Paul deduces that the true criminal is Doctor Varney, who cared for Forbes. Paul prevents Varney from blowing up the house, and at the same time wins the affections of Florence.

Dir: Chester Withey

Betty Griffon delays her wedding to Harry Lindsey, because her brother Dick is late for the ceremony. Upon learning that her dear brother has been injured in an accident, Betty refuses to leave on her honeymoon until he has recovered. When Harry objects, Betty proclaims that he is insensitive and demands a divorce. To oblige his wife, Harry hires his friend Tom Robinson to testify as corespondent in a divorce case, and a separation is granted. Betty and Harry realize that they really love each other too late and decide to remarry, but are prevented from doing so by the divorce papers which forbids Harry from marrying again. They finally decide to circumvent the New York law by becoming really married in New Jersey, and all ends happily.

Dir: Chester Withey

When innocent country girl Paula Letchworth comes to the big city she foolishly allows herself to be influenced by her superficial friends while ignoring the wise counsel of Allen Cotter who truly cares for her. Paula's frivolous life leads her into a marriage with Lawrence Topham, a worthless louse who abuses her and squanders her money. Desperate, Paula offers to buy a divorce from Topham, and turns to Allen for the money. After Topham spends his fee, however, he refuses to go through with the deal, and Paula's invalid mother, unable to endure further cruelty to her daughter, shoots him. Paula and Allen both have reason to believe that the other is guilty of the murder, although the evidence points to suicide. Realizing that the lovers' suspicions are keeping them apart, Paula's mother confesses to the shooting shortly before her death, thus eliminating the barriers between Allen and Paula.