Recommendations
Senior Film Conservator

In the vast archive of cult cinema, Crown Jewels stands as a unique vision beacon, it's essential to look at the contemporaries that shared this unique vision. Our cinematic experts have identified several titles that reflect the spirit of 1918.
Few films from 1918 manage to capture to leave an indelible mark on the history of United States film.
When a revolution breaks out in a small European monarchy, the king sends his crown jewels to an American banker, Maxwell Grey, to keep them out of danger. However, Madame Levine, the head of an international jewel theft ring, finds out and plans to steal the jewels. She poses as a wealthy society matron and befriends Grey. Young French refugee Diana De Lille, who at first was taken in by Madame Levine, begins to suspect that the woman is not who she says she is, and confides her suspicions to Kenneth Grey, the banker's son, who has fallen in love with her.
Critics widely regard Crown Jewels as a cult-favorite piece of cult cinema. Its unique vision is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique unique vision of Crown Jewels, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Roy Clements
A story of the West in the days when the sheriff was more powerful than the mayor or governor. It tells of the sacrifices made by a sister for a brother and the virile, big-hearted nature of a stage-driver who is made sheriff and solves a mystery that hangs over the lives of two innocent people.
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Dir: Roy Clements
Velvet Joe, a sinister influence in the town of Moneymint, attempts to frighten mine owners and thus take over their claims; Jack Logan and his partner seek the sheriff's aid, but he refuses to give it, making Jack a marshal and leaving him to fight his own battle. A nearby claim mined by Mollie Benton is also threatened, and when she finds Logan in a compromising situation, she believes him to be her persecutor. Unaware of his design, Mollie solicits the aid of Joe in the town, but Jack rides into the saloon and speeds away with her to the mine, where they are followed by Joe and his henchman. Jack convinces her of Joe's perfidy; and with her aid, he wins a battle against the men.
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Dir: Roy Clements
Silas Warner, Jr., playboy son of a wealthy New York broker, is disinherited and sent from home by his father when he assumes the blame for a near-theft committed by his brother, Archie. In a western mining community, he is inducted into the "Ornery and Worthless Men of the World," a fraternity of fortune seekers, and a compromising situation forces him to marry Sally Bleeker. Sally is sent away to finishing school when her father dies; there she meets Louise, Silas' sister; and the girls become pals. While visiting the Warner home, Sally recognizes Silas, Jr.'s, picture, and when her miner-guardians come to New York to bring her home, there is a final meeting of the order and a happy reconciliation of Silas with his family.
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Dir: Roy Clements
A morals reformer returns from Hollywood to his small town, and shows his fellow citizens the results of his investigation.
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Dir: Roy Clements
The Governor has been invited to dinner, but a stock promoter named McGovern appears at the door at the expected time and the mistake is not discovered until Ambrose signs and becomes the owner of a considerable lot of bricks.
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Dir: Roy Clements
A novice learns to drive on a rental Ford to impress a girl.
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Dir: Roy Clements
A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.
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Dir: Roy Clements
"King Spruce" is personified in John Barrett, lumber magnate of the North woods. His domineering character is shown when his daughter Elva falls in love with a school teacher, Dwight Wade. Barrett conspires with his foreman, McLeod, to entice Wade away to the lumber camps, and finally decides to accompany the gang of men himself. He starts in to eject and burn out all "skeeters" who have settled on the land without domiciliary rights. Wade has shown his fighting blood by thrashing McLeod for an act of cruelty, and he now vainly opposes Barrett from motives of humanity. From the first shack burned emerges a wild girl, Kate Arden, who sets the forest afire in revenge. There is another vengeance awaiting Barrett. Kate is his own daughter by the wife of a woodsman who has waited years to get even. It is he who ties Barrett to a tree, where he must be burned in the fire now raging, but he is rescued by Wade. Barrett now acknowledges Kate to be his daughter. When his daughter Elva comes to take care of him the resemblance between the two girls confirms his confession. Barrett attempts a half-hearted redemption by bribing his foreman to marry the wild girl, but he is brought to his senses by Wade and Elva. Wade has become a power through his feats of strength and kindly humanity, and he finally wins the high regard of the spruce magnate himself. He is given a partnership in a newly organized business by Barrett, and Elva, to use her own terms, is thrown in for good measure. Moving Picture World, March 27, 1920
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Dir: Roy Clements
Happy Hanes, a ranch hand, comes between a crooked foreman and the new ranch owner Frances Powell. The foreman and his "half-breed" accomplice Cholo kidnap Frances.
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Dir: Roy Clements
During World War I, Jane Whiting, a bright young lawyer who is engaged to Senator Wheeler, is assigned by the district attorney to expose a gang of spies who are collecting money for the German government through the operation of a fraudulent charity organization. Wheeler's son Frank has fallen in love with Lola Schram, whose pro-German mother is forcing the girl to work for Frederick Kube, the head of the spy ring, but when Kube learns of the romance, he orders Mrs. Schram to break it off. When Lola finally confesses her activities to Frank, Kube kills her and then frames Frank for the murder. Meanwhile, Jane, through the help of Jimmy and Tilly Ware, has discovered Kube's headquarters and modus operandi . By means of a carefully set trap, she finally succeeds in clearing Frank's name and bringing Kube and his gang to justice.
View DetailsAnalysis relative to Crown Jewels
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| When a Woman Strikes | Ethereal | Abstract | 87% Match |
| The Marshal of Moneymint | Ethereal | Dense | 87% Match |
| A Motion to Adjourn | Gothic | Abstract | 88% Match |
| Uncensored Movies | Surreal | Layered | 86% Match |
| Political Pull | Gothic | High | 87% Match |
This guide was algorithmically generated using the cinematic metadata of Roy Clements's archive. Last updated: 5/14/2026.
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