Hand-Picked Alternatives Movies That Echo the Spirit of Cupid's Ele...

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Noel M. Smith

A visual fragment from the archive: The thematic resonance of Let Fido Do It perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Noel M. Smith

Introduced in a very novel way, we find the villain wooing the heroine, much against her own and father's will. Trapped and captured by the villain and his confederates, the father is bound and gagged until such time as he give in to the villain's demands. The hero arrives, ignores the villain and becomes a target for his anger. Being forced to drink with the villain, the hero does so, and surprises the villain by spitting explosives. His bluff does not hold good for long, and again the villain and he are at war, Finally, with the aid of a bear, they sign an armistice, and the villain goes to his work of studying figures. Hero unintentionally interferes with this, and the armistice is all off. Finally on the "bull-fight " holiday, a temporary truce is reached, and everything goes well, with the hero and the girl, until the hero is called upon to kill the bull, which he does, to the surprise of the villain, who gives orders that the bomb should be set right way to kill the father. The hero and heroine after a thrilling fight with the villain and his confederates, rush to the father's rescue, The three escape from the shack and take refuge on the hero's sea-craft - while the villains, rushing the shack, arrive inside in time to be blown to pieces with it.

Dir: Hal Roach

A visual fragment from the archive: The thematic resonance of Tootsies and Tamales perfectly mirrors the editorial trajectory of our deep dive.

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Lloyd Ingraham

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Noel M. Smith

Of course the very charming daughter of a very lady-like mother simply had to have two sweethearts. These two lovers naturally vied with each other to gain the "edge" on the fair damsel's affections and on a big occasion- the afternoon of a select tea party being given at her mothers home, they both arrive with rival bouquets. The very next drink the lady-like mother takes certainly proves to be something of an eye-opener, for she is not slow to show the effects. Sitting beside her is an intellectual guest who is always inclined to discuss weighty subjects He too imbibes unwisely. After which he is prone to argue and the lady-Slice mother being Irish and naturally adverse to taking insults, soon becomes involved in a veritable altercation with her guest. She expresses the opinion that the world needs a new Moses- one who can crack a rock and bring forth wine instead, of water. The intellectual guest takes issue with her insisting that what the world needs most of all is a new St. Patrick to keep out the new species of snakes known as Hooch snakes. This is the last straw, for the thoroughly irate lady-like mother and she hurls a defi which inspires the intellectual to invite her to remove her eyeglasses. The battle-royal which follows is funnier than it is dangerous but it assumes more threatening aspects, when the mere, little, husband commits the grievous error of undertaking to separate the gladiators. Whereupon his more portly wife turns all her wrath upon him. The couple seem unable to reach conclusions in the usual manner of fistic war-fare and so boxing gloves are brought. The husband gets a very severe drubbing and the revengeful intellectual comes to his rescue by inserting a "tender" iron horse-shoe into one Of the gloves, giving him the necessary "kick". Thus are the tables turned against the woman in the fight.

Dir: Vernon Stallings

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.