Editor's Top Picks Sharing the Atmosphere of Diamonds and Pearls: C...

Dir: George Archainbaud

Maud March, the rebellious daughter of a a millionaire, goes to New York to see her sweetheart Geoffrey who left town years ago. Her aunt Carolyn wants Maud to marry her son Reggie and sends the girl's brother Percy after her to act as chaperon. Maud, trying to escape, enters a taxi where she meets handsome composer George Bevan. The man falls in love with the young lady who, when she sees Geoffrey has become fat and ugly, soon agrees to marry George.

Dir: George Archainbaud

A visual fragment from the archive: The thematic resonance of The Awakening perfectly mirrors the editorial trajectory of our deep dive.

Twenty-five years ago Jacques Revilly was found on the church steps in a small French village. He grows up into a fine strapping young farmer. His abstinence from rough play after his farm work makes him unpopular, he surreptitiously cultivates his skill at painting within the sacred portals of the church. One of Jacques tormentors discover his art attempts, which suggest a new mode of attack, and then his co-workers make an issue of a little delinquency and refuse to stay at the farm unless he is discharged. Jacques, enraged at this injustice, leaves the hamlet forever. Three years later in Paris Jacques is able to produce some very good canvases. His unkempt appearance, his sulkiness and his apparent distaste for the society of his fellowmen have won for him the nick-name of "The Beast." He goes to the Café Brasserie Murger where the artists are enjoying themselves, among them being Horace Chapron, the bully of the Student Quarter. A dance is being planned for the evening, but the girls do not wish to have "The Beast" present. Jacques that night, knowing nothing about the party enters the café and as usual takes his drink by himself. He is invited to join the party by another student named Varny, but says he prefers to be by himself. Toward morning a girl who has been dancing on a table falls from it, landing on Varny, injuring his arm. Jacques takes him home and nurses him back to health. With the recovery of his friend, who joins his old companions, Jacques realizes anew that in this world he stands alone. He goes to a saloon and as he is drinking he prays God to give him the companionship that his soul craves for. On his way home he finds a frail young girl lying apparently dead in the snow. He carries her to his home, confident that his prayer has been answered. Under the careful ministration of his friend, Varny, and the caretaker, the girl convalesces. Her story relates her unsuccessful attempts to find work after her mother's death. Her strength gave out and she fell almost lifeless in the street. Jacques gives her his room, while he goes across the hall to Varny. Through the aid of the caretaker, Marguerite secures a position in Madame Celeste's millinery shop. Jacques begins to take an interest in his physical appearance. One day Prosper, one of the students, announces that he has just seen "The Beast" sober, clean-shaved and neatly dressed. His friends are incredulous, so he says he will prove it. A few days later when passing under Marguerite's window a book comes down on his head, it having been pushed off the window sill by the girl when dusting. Prosper returns the book to Marguerite, and is about to kiss her when Jacques appears. Prosper is ordered out of the place, and tells the students that Marguerite is beautiful and virtuous. Horace, another student, wagers a dinner that she will be his a month from that date, which, by the way, will be the wedding day of Jacques and Marguerite. One month later the students are all assembled for dinner, Jacques, who has not seen his companion for over a month, enters the café and asks if he may join the party, not knowing the nature. Horace then toasts "His Marguerite, who works in Madame Celeste's shop." As there is but one Marguerite in the shop in question Jacques demands that Horace retract the toast. Horace shows her ring which Jacques insists he stole. Horace challenges Jacques to a duel. Jacques rushes to Marguerite's room, where he finds her directing a letter to him. She hands the missive to him. He reads, "You'll never see me again. I am a defiled creature." Jacques bids her leave. He makes his will leaving all to Marguerite. Marguerite begs his friend to get Jacques to finish reading her letter. Jacques consents and so Varney finishes reading the confession of how she had gone home with Madame Celeste who had feigned sickness, was introduced to a man she called her brother, that after drinking her wine she was powerless to move, and next morning she found herself. Jacques resolves to kill Horace. Varny asks Jacques if he will not see Marguerite. He does, but when Marguerite hears that a duel is to be fought begs Jacques not to go, as she is sure he will be killed. Jacques is not to be swerved from his purpose. On the field of honor Horace says that he is in the wrong and wants to apologize. Jacques strikes him in the face. They fire. Jacques is shot, but not mortally and the doctor tells him he will soon be all right. He is carried back to his rooms. There is a reconciliation, and so Jacques at last has his heart's desire.

Dir: George Archainbaud

Upon leaving prison, an ex con vows to go straight, but circumstances force him to return to crime. Meanwhile, a gang of crooks kidnaps a visiting British aristocrat, but the ex-con has an incredible likeness to the Englishman, and his intended hosts take him home to their mansion.

Dir: George Archainbaud

A visual fragment from the archive: The thematic resonance of The Wonderful Chance perfectly mirrors the editorial trajectory of our deep dive.

Once a wealthy man, John Pollard now resides in reduced circumstances in Washington, D.C. with his pretty daughter Polly. Despite the poor conditions, Polly manages to move in good social circles and meets multimillionaire George Singleton and Lieutenant Richard Travers, at the home of Mrs. Madison Derwent. Also at the Derwent mansion is Baron Wootchi, a Japanese diplomat trying to obtain valuable plans that are in Travers' possession. Old Pollard owes Singleton money and tries to persuade his daughter to marry the millionaire. Polly refuses and accepts Travers' proposal instead, until her father informs her that Singleton can seize their house unless Polly pays off the debt by becoming his wife. Meanwhile the Baron offers Pollard $50,000 to produce the documents in Travers' keeping. Pollard steals the papers and goes to a roadhouse to turn them over to the Baron. Discovering the theft, Polly follows and confronts the Baron at gunpoint. Finally, Travers learns the truth of the affair, pays Pollard's debt to Singleton and wins Polly.

Dir: George Archainbaud

A man discovers that he has two personalities--and one of them is a notorious strangler.

Dir: George Archainbaud

A visual fragment from the archive: The thematic resonance of Yankee Pluck perfectly mirrors the editorial trajectory of our deep dive.

Leontine Maddern is a self-centered, unscrupulous actress, while her twin sister Leona is a serious and compassionate artist. Because of a scandal in which Leontine was involved, Leona uses her mother's maiden name of Rosalie Byrnes. Rosalie meets and falls in love with Lt. Gerald Cromwell and after they marry, Cromwell is sent overseas. His family, desiring that Gerald marry wealth, approaches Leontine and, mistaking her for Rosalie, offers to buy her off, and she accepts. Gerald, now in France, learns that his wife is divorcing him and sends her a reproachful letter. One morning, hysterical and disheveled, Leontine bursts in upon Rosalie insisting that she has killed her lover Vasco Lamar and left her purse behind as incriminating evidence. When Rosalie courageously goes to Lamar's apartment to retrieve the damning evidence, she discovers her husband there. Gerald explains that he has learned the truth from Leontine, including the information about the Lamar killing. After removing the evidence, they find that Lamar is actually alive and the reunited lovers leave on their honeymoon.

Dir: George Archainbaud

Bess Hulette is disappointed and feels ignored when her husband Aleck accepts a partnership in an ad agency owned by Stephen Graves. She tells her neighbor, Mrs. Leonard, about her predicament. One day a young woman, Dorothy Delamore, is injured in a car accident just outside the Hulettes' home. Bess meets Dorothy's brother, Jack, who is attracted to her. Noticing his attraction, Mrs. Leonard--who is cheating on her own husband--urges Bess to take up with Jack. Still feeling ignored by her husband, Bess accepts an invitation to a party at Jack's house, but finds out that things aren't exactly what they seem.

Dir: George Archainbaud

A visual fragment from the archive: The thematic resonance of The Brand of Satan perfectly mirrors the editorial trajectory of our deep dive.

Matters come to a climax in wealthy John Winchell's quarrels with his spendthrift son Craig when the latter becomes involved with divorcée Clara Marshall, and Craig breaks with his father. In the village of South Paradise, Craig happens to meet Mary Murdock, the daughter of a minister, and falls in love with her. They marry and move to the city. When Winchell refuses to meet Mary, believing that she must be the wrong kind of woman, the couple resolve to make it on their own. Craig goes to work, and Mary becomes Winchell's secretary, making a favorable impression. Soon Craig is back to his dissolute ways, seeing Clara. Eventually Mary is revealed as Craig's wife, and she rescues Craig from Clara's wiles, intending to leave him. Mr. Winchell and Craig plead for a reconciliation, and the future looks bright for Craig and Mary.

Dir: George Archainbaud

Spoiled Marion Ainsworth resents the fact that her fiancé, Dr. Paul Carrington, a young surgeon rising rapidly in his profession, devotes more time to his work than to her. Consequently, when an emergency call from the hospital threatens to disrupt their picnic, Marion intercepts the message, causing Carrington to be late for a critical operation, thus ruining his career. On the advice of his friend Dr. Matthews, Carrington breaks his engagement and voyages to a South Sea island where he intends to carry on his research. Carrington is reported lost at sea, and a year later, Marion and her new suitor, Cyrus Carter, undertake a cruise to verify the doctor's death. En route, their yacht explodes, and Marion is washed ashore on the island where Carrington is now living. After a series of misadventures, Carrington forgives her and the couple returns to civilization together.

Dir: George Archainbaud

Dick Allison comes to the aid of Mary Ann Hubbard, a young dispossessed woman in the South, and the two become close friends. Dick leaves the South to move to New York, and Mary soon finds herself in dire financial straits. She decides to ask her friend Dick in New York for help, and travels there to see him. Unfortunately, she arrives at Dick's place on the evening of his bachelor party, but Dick persuades his fiancee, Betsy Caldwell, to put up Mary for the night. Mary soon finds out something about Betsy that Dick doesn't know.