Recommendations
Senior Film Conservator

If you found yourself captivated by the artistic bravery of Face to Face (1922), the profound questions raised in 1922 still require cinematic answers today. Experience the United States influence in these recommendations that echo Face to Face.
Face to Face remains a monumental achievement to provide a definitive example of Harry Grossman's stylistic genius.
Just as John Weston is committing suicide, a would-be burglar, Bert Manners, is startled by and shoots at his own reflection in a mirror. Bert is caught with the gun and is accused of murder. Helen, a school chum of Weston's daughter, finds the evidence that acquits Bert and causes Hartley to confess his keeping the suicide secret in order to hide his theft of Weston's bonds.
Face to Face was a significant production in United States, showcasing the immense talent of Marguerite Marsh, Frances White, Joe Smith Marba. It continues to be a top recommendation for anyone studying Mystery history.
Based on the unique artistic bravery of Face to Face, our vault has identified these titles as the most compelling follow-up experiences for fans of Mystery cinema:
Dir: Dallas M. Fitzgerald
Edith Sturgis, the daughter of a judge, returns from studies abroad to find her widowed father remarried. The new Mrs. Sturgis does not reveal that she has a son Dick, once unjustly jailed by Judge Sturgis, but now working as a reporter while still maintaining an association with the Brownlow gang. Quarrelling with her stepmother, Edith leaves home, meets Dick and falls in love. While Dr. and Mrs. Allen (whom Edith met on the steamer) are visiting in the Sturgis home, the doctor's valuable radium is stolen from the safe, and Judge Sturgis is found murdered. Dick, though with Edith at the time, is accused of the crime. Finally, an old shoemaker confesses that he entered the house to steal the radium, with which to cure his crippled son, and witnessed the judge's slaying by the Brownlow gang. Dick is freed and finds happiness with Edith, and the doctor helps the crippled boy.
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Dir: Frank Lloyd
Laura Bruce is married to John Bruce, police commissioner. She discovers her husband is enjoying a drunken revel with another woman, and vows she will obtain a divorce. After doing so she weds Paul Ramsey. His employer, Dick Turner, a libertine, offers his a responsible position in the west, and she faces a long separation. Ramsey later learns that Turner is interested in his wife and engages a man to protect her, who happens to be her former husband. She finds this out, but does not know he is bent on vengeance. She is inveigled to go to Turner's apartment, where she meets Turner's former "flame." One of them leaves the apartment which is "Room 13." Returning from the West, Ramsey is taken to an adjoining room by Bruce, and listens to a conversation in "Room 13" between a man and a woman. He is convinced it is his wife's voice. Maddened he rushes to the room and batters down the door. He confronts Turner and shoots him. At the trial Ramsey will go free if his wife confesses she was in the room She does and he is acquitted. A reconciliation follows. - Moving Picture World 1920
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Dir: Tom Collins
Tex clears an innocent man who has been found guilty of murdering a man who was molesting his sweetheart. One of the 'Tex' detective series.
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Dir: Robert Thornby
When Mrs. Chapman Price, the daughter of wealthy socialite Mrs. Janney, quarrels with her husband over her mounting gambling debts, he packs his suitcase and moves out. Desperate to pay off her debts, Mrs. Price rifles her mother's safe but discovers that its contents are missing. The blame points to Chapman Price and Esther Maitland, Mrs. Janney's private secretary. When the Price baby is kidnapped and held for ransom, Esther is suspected of that crime, too. Only Dick Ferguson, a neighbor, believes in Esther's innocence. After several misadventures, Esther discovers that the kidnapping was perpetrated by the detective whom Mrs. Price hired to unravel the burglary, which was committed by Ferguson's servant. Thus cleared, Esther joins the man who believed in her, and the Prices are reconciled.
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Dir: Tom Collins
When milk magnate Jacob Strauss is found murdered in his library, the guilt points to Strauss' secretary, Harry Gray, who the previous day was fired when his employer discovered that he was secretly engaged to his daughter Sybil. Arrested for the crime, Gray asserts that he arrived in time to witness the attack on Strauss by a masked man who escaped through the window. When the secretary's story is ridiculed because the window is sixteen stories above ground, Sybil appeals to Tex to take the case. After a long search, Tex summons a number of suspects to his office and accuses Blake, whose apartments are above those of the murdered man. It transpires that Blake, who held a grudge against Strauss for losses he suffered in the milk pool on the exchange, killed him and made his escape by means of a rope. Thus exposed, Blake leaps out the window to his death, clearing Gray of guilt and freeing him to face a happy future with Sybil.
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Dir: Harry Grossman
Justice Department agent Quentin Locke must investigate a powerful cartel protected by a robot (here referred to as "The Automaton") and using a gas weapon "The Madagascar Madness".
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Dir: Harry Grossman
When bank teller Charles Shelby apprehends Helen Marsley as she attempts to pick his pocket, he threatens to have her arrested, but after the girl pleads poverty, Shelby relents and finds her a job as stenographer with Frank Chevy, the leader of a band of thieves with whom he has connections. In reality, Helen is working in conjunction with the police to hunt down the Chevy gang, whom she holds responsible for the death of her father. By means of a Dictaphone with hidden wires, Helen discovers that with Shelby's aid the gang plans to draw a large overdraft on the bank. Upon completion of the fraud, Helen notifies the police who arrive in time to arrest the thieves, and Shelby, disgraced, commits suicide rather than face prison. Thus, the crooks are brought to justice and Helen's father is avenged.
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Dir: Thomas R. Mills
Returning from the war front, Captain Phoebe Plunkett accepts an assignment to apprehend jewel smugglers in pursuit of the Sultana diamond. On his mission, he meets Patricia Melton, who introduces herself as a French Secret Service agent also in search of the diamond. Plunkett is in love with Olga Karakoff, daughter of a wealthy jeweler, and he soon comes to suspect that Olga's father is in league with the smugglers. However, Patricia is the true impostor, and after she discovers that the jewel is encased in a locket worn around Olga's neck, she captures Olga and the diamond. Plunkett comes to the rescue and wins both Olga and a large reward for recovering the jewel.
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Dir: Marcel Perez
Ralph Barr refuses to lend more money to Trent, who has been rejected by Judith Reynard and is now engaged to Barr. When Trent insults Judith, Barr threatens to kill him. Then Trent calls on Barr, threatening to kill himself and make it appear that Barr killed him if Barr will not lend him the money. Later it seems that Trent has committed suicide and Barr is suspected of the murder, but disappears. A series of complications follows which make it appear that Barr did kill Trent, but it turns out that he was killed from a shot behind the portieres. Another murder takes place and more mystery develops. Finally it is determined that Barr is not guilty, and Judith's loyalty saves him.
View DetailsAnalysis relative to Face to Face
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Chains of Evidence | Gothic | High | 94% Match |
| The Woman in Room 13 | Ethereal | Abstract | 91% Match |
| The Triple Clue | Surreal | Dense | 86% Match |
| The Girl in the Web | Gritty | Layered | 95% Match |
| The $1,000,000 Reward | Surreal | Dense | 85% Match |
This guide was algorithmically generated using the cinematic metadata of Harry Grossman's archive. Last updated: 6/1/2026.
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