Cinematic Discoveries Resonating with the Themes of Fine Feathers: Cult Guide

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An actress with a wild reputation finally settles down to a sedate, pleasant marriage. One of her former lovers, an architect, arrives to disrupt her happiness by renewing their affair. She humiliates this suitor in public with her rejection, and he seeks revenge--revenge that catapults her into tragedy.

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A fascinating piece of cinema that shares thematic elements.

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A modern man not only woos one woman but masterfully woos many women.

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A young girl, reared in luxury, is thrown penniless upon her own resources. She becomes secretary to a great artist, who, in younger and poorer days, married the landlady's daughter. In need of inspiration, the artist turns to his charming secretary. Believing that she loves him, the girl submits, but finds her mistake, when, meeting a flourishing physician, she learns true love. Both the physician and the artist want to marry the girl, the latter promising to get rid of his present encumbrance. Fearing that the physician will learn of her past, the girl refuses his offer of marriage. The artist, having a weak heart, drops dead at her feet upon learning that she does not love him; whereupon the girl becomes the physician's bride. The artist's widow, seeking vengeance, after a protracted discussion between the physician and his wife, secures the position of housekeeper in their home. She plants seeds of jealousy within the wife by telling her the physician loves his adopted child, whom he has brought up from infancy. The wife flies in a rage, charging her husband with infidelity; whereupon the widow, making her revenge complete, reads a diary to husband and wife foolishly kept by the artist, telling of his relations with the former secretary. In her frenzied protestations, the wife also reveals the fact that it was her rejection of his love that caused the death of her lover. Attempting suicide, the wife is prevented by her maid, who shows her the folly of such an act. The wife, impressed by the recital, decides to live down the past, and try to win back her husband's love.

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A fascinating piece of cinema that shares thematic elements.

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A fascinating piece of cinema that shares thematic elements.

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Alice Grayson's uncle develops a wireless torpedo that can be controlled by radio. After he announces his invention to several of his colleagues, two of them murder the scientist, steal the blueprints and prototype, and make plans to sell both to the highest bidder. When Alice discovers the identity of the thieves, the intrepid heroine, with the help of Bob Moore, her two-fisted boyfriend, desperately tries to recover the plans and torpedo before enemy countries can unleash the torpedoes against American ships.

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Senator Rivers of the State of Missouri comes to the United States Senate, and meets Silas Denman, who has been unsuccessful in the prosecution of the Denman Claim, a relic of the Revolutionary War. Denman's daughter, Mabel, who teaches music, meets Mrs. Hillary, a widow, who aids her in many ways. At Mrs. Hillary's home she meets Count von Strahl, and Armstrong, the Secretary of State, at whose home she is introduced to Senator Rivers. Mabel develops a liking for von Strahl. Her father is excited over the prospect of such valuable aid in getting his claim through, and Rivers makes a powerful speech in its favor, incited by regard for Mabel as well as by the justice of the claim. The Senator is stunned by the remark of Mrs. Hillary that Mabel is engaged to von Strahl, but in order to give her a dowry, redoubles his efforts on the Denman bill. The Senator and Mrs. Hillary are on good terms, and learn that Mrs. Armstrong and von Strahl are planning an elopement. The Senator sends Ling Ching, the Chinese Ambassador, to the Armstrong home to intercept Mrs. Armstrong, and before she can get rid of him, her husband arrives, he having been told that von Strahl's carriage had gone to his house. Senator Rivers turns the tables on von Strahl in a neat way, and hurries back to the Senate. By a neat trick he puts the Denman bill through, but is afraid of Mabel's marriage with the Count, as he knows his character. Developments satisfy Mabel as to the rascality of the Count. She realizes that she is in love with Senator Rivers, who in spite of his age, appeals to every particle of her nature. She appreciates the force of his actions regarding Mrs. Armstrong and Count von Strahl, and at the end the Senator has won the claimant as well as the claim.

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Kate Tripler, the motherless uneducated daughter of the proprietor of a small hotel in a western town, is full of sentiment and has a craving for love. Frank Barclay, a young civil engineer, loved by Aline Webster, comes to the town to build a railroad bridge. Kate meets him at her father's hotel and tries to attract his attention, but he disregards her. Frank saves the life of Jim Travers, an engineer on the bridge, and they become friends. Kate, trying to make Frank jealous, flirts with Jim, but only amuses Frank. Frank tells Jim of his love and shows him pictures of Aline and her sister, Alicia, saying nothing of his preference. Jim goes east, meets the girls, falls in love with Alicia, marries her and plans a surprise for Frank. A newspaper makes a mistake and says he has married Aline. She writes to Frank telling him of the error. Kate gets the mail at the hotel, reads the letter and destroys it, giving the paper to Frank, who takes the story as truth, gets drunk, makes love to Kate, out of spite, asks Kate to marry him and after a rush for a license, they are married. Recovering from his drunken fit, he is horrified to find what he has done, and has a quarrel with Kate. Jim and his wife, with Aline and her father, arrive at the town and the mistake is cleared up. Frank leaves the cabin. Kate sees him meet Aline, and is about to shoot her when she hears Aline tell Frank to go back to his wife. Frank's father dies and he takes his wife back to New York with him, where she learns to be more like the people he associates with. Aline flirts with Frank, but Kate keeps on with her efforts to improve. Later, at a new big job in the west, where all are gathered, there is a labor riot. Aline shows cowardice and Kate surprises Frank by her bravery. Kate determines to be fair, tells Frank about the letter, and they quarrel, Frank leaving. Kate sends a note saying she will go out of his life, and Aline leaves one saying that a divorce will make everything all right. Going to the station, Kate sees strikers planning to blow up the works. Aline has an appointment with Frank, keeps it on the bridge, and is ordered away by Kate, who threatens her. Aline flees. Frank sees Kate's danger and calls her to come back. The explosion injures Kate, and as Aline is comforted by her sister, Frank finds Kate in the ruins, sees that she is the better woman, and tells her that it is she he wants, not Aline. Kate knows that her punishment is ended.

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The husband is bored to death by years of association with his wife, whom he deems old-fashioned and settled. A governess, young and beautiful, comes to the house. The father, master of the house in every sense of the word, is infatuated with the governess's description of life in the city where one remains young even at four-score years. Many conversations occur between the man and the governess, and one day he tells his wife that he is tired of her and that he is going away to the city with a younger and prettier woman. Time passes and the master of the house sees the other side of the governess. Her family is a lot of parasites who live on him. The man, broken in health, his spirit revolting against present conditions, feels a longing away down in his heart for his old-fashioned wife and their three children and the old home that is a home. In a frenzied burst of anger he strikes her, casts aside the woman and the unpleasant associations with her and, older, wiser, sadder and penitent, he returns to his wife and fireside.