The Essential Watchlist that Capture the Essence of For Liberty: Cult Guide

Dir: Bertram Bracken

Gambler Dave Garrison has caused the fury of James Riddle and Mary Ballard by seducing the former's sister Bessie and by deceiving the latter's brother Billy out of thousands of dollars. As a result, Mary and James join forces and come up with a plan to outsmart Dave. In effect, Mary bets herself against Dave's money, agreeing to sleep with the gambler if his horse, the favored Shooting Star, wins a race, while Dave must pay her $10,000 if the horse loses. To make the odds more in her favor, Mary switches horses, putting the lumbering lookalike May Belle in place of Shooting Star. As a result, Mary and James gain their revenge on Dave, after which, made confident by their good fortune at the racetrack, they decide to try their luck as husband and wife.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Primitive Call perfectly mirrors the editorial trajectory of our deep dive.

A rich society girl holds an Indian boy in contempt, but when an important land deal with his father arises, She pretends to be interested in him, long enough for him to persuade his father to sign.

Dir: Bertram Bracken

Harry Larrabee, a young playwright, lives in the same studio apartment house with Carolyn Vaughn, a painter of miniatures, with whom he falls in love. "The Wolf," a famous criminal, supposed to be dead, returns and communicates with his wife, a friend of Carolyn's. He forces his wife and her brother to aid him in a plot to rob Carolyn of her valuable jewels. Harry, by one of his famous "inspirations," discovers that a crime is being committed, rescues Carolyn and bears her away in a taxicab. He is himself suspected of the crime, but, undisturbed by the web of circumstance by which he is entangled, his wonderful inspirations give him the key to the conspiracy which led up to the crime. In an unusual and powerful finale the guilty parties fight among themselves and justice triumphs in an exciting climax.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Inspirations of Harry Larrabee perfectly mirrors the editorial trajectory of our deep dive.

A young man just released from prison can't find work because no employer will hire an ex-convict. Broke and hungry, he steals money off of a painter. The painter, however, takes pity on him and decides to help him get his life back together.

Dir: Bertram Bracken

Millionaire meat packer Peter Cameron, greedy for more money and power, maneuvers an alliance between his daughter Rose and George Gray, the son of Cameron's business rival Max Gray, in order to increase his control of the food industry. George, a lawyer, opposes the trust, and as a result is professionally ruined by Cameron, disinherited by his father, and jilted by his fiancée. Out on his own, George gets a job at a mill and starts at the bottom. When an epidemic breaks out among his fellow laborers due to their eating spoiled meat from the trust, George secures evidence of criminal practices which ultimately brings about the conviction of Cameron and the trust. In championing the rights of the downtrodden, George wins back Rose and reforms Cameron.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of Parted Curtains perfectly mirrors the editorial trajectory of our deep dive.

Jean Dubois, who has discovered a gold mine in the Canadian Northwest, seeks revenge on the man who ruined his sister. Jean befriends "Faro" Telford, a gambler who sends for a gang of crooks to take over the mine. Jean's wife runs off with a member of the gang, and Jean, heartbroken, is about to leave the village when "Goldie," a gang member, reveals that it was gang leader Dan Cregan who wronged Jean's sister. Jean is about to murder the crook when lightning strikes a tree, causing it to fall and crush Cregan. Jean's wife returns to him and the two begin anew.

Dir: Bertram Bracken

A thousand dollar prize is offered to the winner of a dog race, and Jan Ducet would have used the money to doctor up his little child's bad leg if he had won. But he lost; and the winner, Otto Franke, runs away with Jan's wife. A priest takes care of the little girl while Jan gives chase and finds the regretful woman in the snow. A fight follows and Jan hurls Otto from a high cliff and returns home with his wife.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Boomerang perfectly mirrors the editorial trajectory of our deep dive.

Dr. Guy Hartwell, a young and wealthy Louisiana physician, was a man of strange personality. Five years previous to the opening of the story he married and bestowed sincere love upon his wife. In return she basely played him false and shortly afterward died. From that moment he was a changed man. Embittered against the world, mankind and even distrusting God, the silent and melancholy man lived on. With the doctor lived his widowed sister and her daughter, whom everyone considered as the heir of the physician's wealth. In the same city lived Beulah Benton, who was sent from the orphan asylum out into the world to earn her living as a servant girl, while her little sister Lillian found a home as the foster daughter of a rich lady. At the orphanage Beulah learned to love Eugene, another inmate, but he, too, was adopted by a wealthy family and sent abroad to be educated. He promised upon his return to make Beulah his wife. Beulah yearned to see her sister, but Lillian's foster parents forbade the two to meet. This affected Beulah deeply, but the crushing blow was about to descend. Lillian fell ill, and in spite of every effort of Dr. Hartwell the younger sister died. Beulah, seeing the crepe on the door, forced herself in and for the first time met the doctor. The kindness of his nature was reawakened by the grief-stricken girl, and he took her to his home, attended her through a serious illness, then placed her in school. But Beulah found her new surroundings far from pleasant. While the doctor as yet refused to trust any woman, he treated her with marked respect and consideration, but his sister fearing that the adopted girl would become the heir instead of her own daughter, lost no opportunity to humiliate Beulah. It was more than she could bear, and at last the girl sadly left the doctor's house and returned to the orphanage, but the doctor, however, brought her home again and provided other quarters for his sister and her daughter, both of whom were wholly dependent upon him for support. The years passed and Beulah's lover, Eugene, returned from Europe, a dissipated wretch, his love for the orphan girl forgotten and his hand pledged to the frivolous niece of Dr. Hartwell's false wife. The physician warned the foolish youth to give her up, pleading with him to remain true to his promise to Beulah, but without avail. It was now that Hartwell realized that he himself loved her and declared his affection. Beulah expressed her great gratitude, but still grieving over her false lover told him that she could not return his affections. Hartwell went North and Beulah became a school teacher. An epidemic broke out and people were perishing by the score. Doctor Hartwell returned to the stricken city. The doctor and Beulah met and side by side they fought the ravages of the disease. Clara Saunders a friend of Beulah's fell in love with Hartwell but becomes a victim of the plague, and with her departing breath joined the hands of the two, and bade them be happy. Through comradeship with Beulah, the doctor's faith in God and Man was restored, and his life made still brighter by her voluntary confession of her love for him. Their marriage followed, and Beulah and her husband fearlessly faced the future.

Dir: Bertram Bracken

From Alphonse Daudet's 1884 novel comes a variation: A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.

Dir: Bertram Bracken

Dave Scott, a wealthy mine owner, is killed. His daughter, Marie, goes to her father's old friend Richard Clark, knowing that he will take care of her interests. Clark and his grown son, Ted, become attached to Marie. Innocent in manner, she sees no necessity for concealing her preference for the elder Clark. In time, Ted's attachment culminates in a proposal, which is rejected. Ted accuses his father of standing in his way and the father makes Marie promise that she will accept Ted. A few minutes before the time set for the ceremony, a note from Ted explains that he realizes the love that exists between Marie and his father, and rather than exact the sacrifice, he has left his father's home, leaving them free to marry.