Recommendations
Senior Film Conservator

The United States-born brilliance of Gift o' Gab offers a unique unique vision, the profound questions raised in 1917 still require cinematic answers today. Our curated selection of recommendations echoes the very essence of Gift o' Gab.
In the Pantheon of cult cinema, Gift o' Gab to provide a definitive example of W.S. Van Dyke's stylistic genius.
Tom Bain was born with a tongue so glib that his parents, early in his career, predicted he would be a second Chauncey Depew. In college it developed until he was capable of selling Liberty Bonds in a poor house. But Tom was ambitious to be an inventor and so built a tunneling machine that "would start at one side of a mountain and propel itself through to the other without man's assistance." His gift of gab sold the rights to the machine to a big manufacturing firm, but they soon found it worthless and instead of building machines, Tom was placed on the payroll as a salesman. And then, after an exciting series of adventures, Tom finally wins the hand of Peggy, whom he had met and courted in his college days. The wedding occurs in a hospital where the couple meet accidentally as patients.
Based on the unique unique vision of Gift o' Gab, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: W.S. Van Dyke
Hugh Whittaker believes he is terminally ill, and, as an act of mercy, weds a young woman named Mary, who has been deserted by her lover. He travels to Europe, recovers his health, and returns to New York City, where he meets and falls in love with musical star Sara Law, unaware that she is actually his wife. Sara is abducted by kidnappers and Hugh undertakes a harrowing rescue before discovering her true identity.
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Dir: W.S. Van Dyke
Bob Cross is a newspaper reporter who, in trailing "Painter" Paul, a notorious crook, gets wind of a plot to kidnap Martha Steadman. The girl is grandniece of a millionaire named Biddle. Bob invades the Biddle premises, just in time to discover the body of Mr. Biddle after he has been murdered by his business associate, named Jules Fernol, who is in reality leader of a gang of crooks. Fernol has embezzled Martha's fortune and is trying to cover up one crime by committing another. Bob is so like the dead man's son, Dick Biddle, that the gangsters charge the crime to him, thinking to get him out of the way. Bob, realizing that he has been mistaken for another, allows himself to be sent to jail, but later, through collusion with the police, makes a getaway. He then begins an effort to rescue the girl from her danger and find the real murderer of Biddle.
Dir: W.S. Van Dyke
Real life outlaw Al Jennings tells a "real" story about how he came to the aid of a woman who was abused by her alcoholic husband.
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Dir: W.S. Van Dyke
A minister's son trains to be a champion boxer.
Dir: W.S. Van Dyke
When Perry Blair's foreman fires him for fighting, fight promoter Charles Dunham hires him and takes him east to enter the boxing ring. Perry becomes a star boxer but breaks his contract and returns home when he is ordered to fight a crooked match. Sometime later Dunham again comes west and engages Perry to fight one more contest on a winner-take-all basis. He wins the fight and Cecil Manners, who has believed him to be a coward.
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Dir: W.S. Van Dyke
Little six-year-old Sadie O'Malley, a child of the tenement district, has a vision of heaven awakened within her by the teaching of a settlement worker, so when she sees a handsome limousine in front of the settlement laundry near her home she thinks it is a heavenly chariot, climbs into a clothes hamper in the interior of the car and is whisked away to the home of Mrs. Welland Riche. The latter has left earlier in the day on a trip, so when Sadie and. her dog, George Washington Square, who has been her companion in the hamper trip, are dumped down the clothes chute of the Riche home while concealed in the basket, they find easy access to the upper regions of the mansion and then, indeed, Sadie thinks she is in heaven. Sadie soon is discovered by the servants, but they believe she is just another of Mrs. Riche's fads when she tells them she is there to stay. Believing Mrs. Riche as desiring that the best of care be given the child, Sadie is dressed in rich garments and is much at home until Mrs. Riche returns. While the servants' explanations have been made, Mrs. Riche, in the meantime having been won over by the child's beauty and sweet manners, decides Sadie may remain. But the tenement child's happiness is short-lived when George Washington Square appears upon the scene. Mrs. Riche orders that the pup be removed and tells Sadie that, instead, she can play with the Riche collection of Poms. Not so for Sadie. She informs the wealthy matron that she wouldn't give up George Washington Square for all the heavens and that if G.W.S. cannot remain she will go. So hugging her doggie close to her she returns to her worried mother with the explanation, "I have been to heaven, but they sent me home because they didn't like my dog."
Dir: W.S. Van Dyke
A woman, engaged to one man, is forced to marry another, who is subsequently arrested, leaving his wife with a terrible decision to make when her former fiancee comes looking for her.
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Dir: W.S. Van Dyke
In the land where the Sun hangs low and the hungry wolves shadows play ominously over the everlasting snow, Joe Mauchin meets Jeanne Verette. He is a trapper, come down to the little post of Mead's Pocket, a vicious mining town, for supplies. She, the daughter of a saloonkeeper who compels her to "drum up trade" among his maudlin patrons. Joe falls in love with Jeanne. A brute of a man seeks to interfere and in the resultant struggle falls dead. Joe and Jeanne flee to his camp miles away and a year's happiness follows. Then the trapper finds Constable McKenzie of the Mounted Police half dead in the snow. Joe revives the officer and carries him to his cabin. Straightway McKenzie arrests the trapper for the saloon death. A desperate fight ensues between the two and the constable, overpowered, flees for aid. He is last seen in the woods, staggering from the effects of a wound, and with a pack of wolves slowly drawing in on him. Joe, in the cabin, draws to his arms Jeanne who is shyly clutching a newly made bit of baby clothes. It is that for which Joe had fought.
Dir: W.S. Van Dyke
Through a forged will, a crook assumes control of a valuable estate. He poses as the brother of a dead man, and endeavors to dispose of the deceased man's two daughters, one of whom is in love with the forger's son.
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Dir: W.S. Van Dyke
Captain Duncan McTeague, ashore in Southport, finds a deserted baby boy with a note and half of a dollar bill pinned to its clothing. The note states that the mother hopes some day to return and identify the child with the other half of the dollar bill. McTeague raises the child. When he is four years old, the captain discharges his mate Martin Webber, who seeks revenge by kidnapping the boy. A woman turns up who proves to be the missing mother. Webber is killed and the mother and Captain McTeague are united.
View DetailsAnalysis relative to Gift o' Gab
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Destroying Angel | Tense | High | 98% Match |
| Double Adventure | Gritty | Linear | 96% Match |
| The Lady of the Dugout | Tense | Abstract | 89% Match |
| The Battling Fool | Tense | High | 88% Match |
| Winner Take All | Surreal | Layered | 96% Match |
This guide was algorithmically generated using the cinematic metadata of W.S. Van Dyke's archive. Last updated: 6/27/2026.
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