When Perry Blair's foreman fires him for fighting, fight promoter Charles Dunham hires him and takes him east to enter the boxing ring. Perry becomes a star boxer but breaks his contract and returns home when he is ordered to fight a crooked match.
The cinematic landscape of 1924 was one of profound transition, a period where the rugged individualism of the frontier began to clash violently with the burgeoning artifice of industrial modernity. In Winner Take All, we witness a fascinating distillation of this cultural friction. Directed with a keen eye for physic...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
W.S. Van Dyke
W.S. Van Dyke
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" The cinematic landscape of 1924 was one of profound transition, a period where the rugged individualism of the frontier began to clash violently with the burgeoning artifice of industrial modernity. In Winner Take All, we witness a fascinating distillation of this cultural friction. Directed with a keen eye for physical choreography, the film serves as a vehicle for Buck Jones, an actor whose screen presence traditionally evoked the wide-open prairies rather than the claustrophobic confines of ..."
Ewart Adamson, Larry Evans
United States
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