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Underground Favorites Parallel to the Artistry of Going Places with...

Author

Senior Film Conservator

13 June 2026

4 min read

The evocative power of Going Places with Lowell Thomas, #20 (1936) continues to haunt audiences with its unique vision, the artistic provocations of Going Places with Lowell Thomas, #20 demand a follow-up of equal intensity. Explore the following titles to broaden your appreciation for Documentary excellence.

The Going Places with Lowell Thomas, #20 Phenomenon

The visceral impact of Going Places with Lowell Thomas, #20 (1936) stems from to transcend the limitations of its 1936 budget and technology.

Narrator Lowell Thomas takes us to Havana in usual Competent fashion. We see the pleasant parks, the hot night life; the beautiful landmarks; the ancient streets; and even a glimpse of the Cuban dictator, Colonel Batista.

Stylistic Legacy

The influence of Charles E. Ford in Going Places with Lowell Thomas, #20 can be felt in the way modern Documentary films handle unique vision. From the specific lighting choices to the pacing, this 1936 release set a high bar for atmospheric immersion.

How Not to Dress scene — Scene from How Not to Dress

A visual fragment from the archive: The thematic resonance of How Not to Dress perfectly mirrors the editorial trajectory of our deep dive.

Underground Favorites Parallel to the Artistry of Going Places with Lowell Thomas, #20

Based on the unique unique vision of Going Places with Lowell Thomas, #20, our vault has identified these titles as the most compelling follow-up experiences for fans of Documentary cinema:

How Not to Dress

1. How Not to Dress 1920

Dir: Lasse Ring

Mr and Mrs Stockholm visit the Paul U. Bergström (PUB) department store to buy a new wardrobe for a journey. They visit different departments, where the future Greta Garbo (Gustafson at the time) is one the models showing outfits for Mrs Stockholm.

On Strike

2. On Strike 1920

Dir: Bud Fisher

On Strike scene — Scene from On Strike

A visual fragment from the archive: The thematic resonance of On Strike perfectly mirrors the editorial trajectory of our deep dive.

Mutt and Jeff go on strike and make their own film.

The Great Cheese Robbery

3. The Great Cheese Robbery 1920

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Don't Weaken!

4. Don't Weaken! 1920

Dir: Malcolm St. Clair

The Great Cheese Robbery scene — Scene from The Great Cheese Robbery

A visual fragment from the archive: The thematic resonance of The Great Cheese Robbery perfectly mirrors the editorial trajectory of our deep dive.

A dancing instructor gets involved with a newly rich family.

In the River

5. In the River 1920

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Shipwrecked Among Cannibals

6. Shipwrecked Among Cannibals 1920

Dir: William F. Adler

Don't Weaken! scene — Scene from Don't Weaken!

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.

A Fitting Gift

7. A Fitting Gift 1920

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Kids Is Kids

8. Kids Is Kids 1920

Dir: Charley Chase

In the River scene — Scene from In the River

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Cinderella Cinders

9. Cinderella Cinders 1920

Dir: Frederick J. Ireland

An unemployed cook takes her shot at working for an upper class family. When none of their fancy guests show up to a party, she and the butler impersonate them.

'A mala nova

10. 'A mala nova 1920

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Cinematic Comparison Matrix

Analysis relative to Going Places with Lowell Thomas, #20

Film Title	Atmosphere	Complexity	Similarity
How Not to Dress	Gothic	Abstract	96% Match
On Strike	Gothic	Linear	92% Match
The Great Cheese Robbery	Surreal	Linear	87% Match
Don't Weaken!	Tense	Dense	89% Match
In the River	Gritty	High	92% Match

* This matrix is generated based on structural DNA and genre proximity to the 1936 classic Going Places with Lowell Thomas, #20.

This guide was algorithmically generated using the cinematic metadata of Charles E. Ford's archive. Last updated: 6/13/2026.

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