Curated Recommendations Seeking the Same Brilliance as Haunted Range: Cult Guide

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Paul Hurst

A visual fragment from the archive: The thematic resonance of A Lass of the Lumberlands perfectly mirrors the editorial trajectory of our deep dive.

Episode 1: "The Lumber Pirates" "Dollar" Holmes, so called because of his greed for money and power, is a small timberland owner in a region where both the trust and a tribe of Klamath Indians hold similar lands. He is under contract to the combine to deliver to it 10,000,000 feet of timber by a specified date. It is a rich deal. His wife is about to become a mother, and Holmes has set his heart fiercely on a boy to inherit the fortune he means to pile up. A forest fire sweeps away half of Holmes' standing timber. Greer, president of the trust, learning of this, writes a sneering letter hinting at Holmes' ruin unless he fulfills his contract on time. This he cannot do unless he obtains possession of the Indian lands adjoining his. Sleepy Dog, chief of the tribe, refuses to sell. Holmes' wife gives birth to a daughter, and he in a wild rage of double disappointment curses her and the babe, and rushes out of the cabin into the deep woods. He comes upon Dill, a bootlegger, surreptitiously selling whiskey to his loggers. Holmes promises to forebear punishing him if he will go into the Indian camp, from which Sleepy Dog is absent on a trip, and sell his stuff to the savages. The Klamaths are made drunk, and when they demand more whiskey Holmes offers them $100 apiece if they will deed their timber lands to him. They do so, and Holmes wires Greer that he will fulfill his contract; also that with acquisition of the Indian lands he has obtained exclusive right to use of the region's one river for log-floating purposes, thus cutting off the trust's lands from the market. The trust capitulates and accepts Holmes' terms, by which he is given a heavy interest in the combine and made a director. Sleepy Dog returns. Holmes quarrels with him, murders him and throws his body over a cliff. The crime is witnessed by Holmes' wife, a fact which he discovers. In terror of her life, the woman flees the cabin, carrying her infant in her arms. In trying to reach the farther bank of the river over a jam of logs she is hurled into the stream when a blast of dynamite blows up the king-log, and is whirled away in the current, clinging to a log and holding the babe in her arms.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of Trail of the Rails perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Paul Hurst

Two prospectors, one the father of Skye "Lightning" Bryce and the other the father of Kate Arnold, find a large gold deposit belonging to an Indian tribe. They head for home but each sends a note to their respective off-springs advising them of their good fortune. One of the fathers conceives a plan of taking a dagger and wrapping a piece of string around the blade, after which he prints on the string with a lead pencil, the exact location of their find. If something happens to them, the string goes to the son and the knife to the daughter. That night an Indian approaches their camp and blows some mysterious wolf powder which causes a man to see wolves in place of human beings. Lightning's father see his partner as a wolf and stabs him to death; later he is brought into town in a dying condition but before dying, hands the knife and the string over to the sheriff with instructions to deliver to Lightning and Kate. The sheriff also informs Kate that Lightning's father killed her father, and she immediately turns against Lightning. "Powder" Solvang also knows the story behind the knife and the string, and is determined to gain possession of both, even to the extent of making Kate his prisoner in an opium den in Chinatown.