Underground Favorites Parallel to the Artistry of Her Beloved Enemy...

Dir: Ernest C. Warde

When the circus comes to town, a mild-mannered man, whose good nature is viewed as weakness by wife, has the chance to prove himself when a lion escapes.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of One Dollar Bid perfectly mirrors the editorial trajectory of our deep dive.

Toby, a peculiar young man, lives in a shack in the Kentucky hills, spending his days drinking moonshine and whittling toys for the local children. Fearful of his influence, the villagers revive an old Kentucky statute whereby Toby may be sold into servitude for a year. Virginia Dare, horrified by these proceedings, purchases Toby for one dollar and returns with him to her Uncle Poindexter's tobacco plantation. Invigorated by his love for Virginia, Toby forsakes his whiskey habit and labors diligently on the plantation until his old friend Dink Wallerby, a moonshiner, begs Toby to care for his sick daughter Nell. En route to obtain medicine, Dink stabs a revenue officer with Toby's knife but confesses just before Toby is sentenced. Toby, at one time a lawyer, successfully defends Dink, after which a visiting judge proclaims Toby his son. Having regained his good name, Toby proposes to Virginia.

Dir: Ernest C. Warde

John Benton is the head of a company that makes parts for ships. He is a fair and honorable man, but his partner Henry Vance is not. Vance and employee Daniel Grey sign Benton's name to orders for boilers they know to be defective. Their partners in the scheme, which involve installing the boilers in the ship so it will sink at sea and they can collect the insurance, are the agent who carries the ship's insurance and a government inspector. After the ship sinks, the conspirators hire a safecracker to plant money in Benton's safe to make it look like it was he alone who profited from the scheme. Benton is sentenced to prison. He serves 12 years and is released, and when he gets out he finds out what really happened, but the men who were responsible for it are now wealthy and have become powers in city politics. Determined to clear his name, he comes up with a plan to expose the crooks by using their tactics against them.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of The False Code perfectly mirrors the editorial trajectory of our deep dive.

Frank Keenan, president of the Stillwater Railroad, demands that Hugh Tomlinson, an engineer who has been on duty for eighteen hours, make another run. Tomlinson falls asleep at the throttle, and a collision results. The engineer is discharged, and dissension spreads among his co-workers. J. Montgomery Nixon, the scheming president of the Central Railroad, tries to ruin the Stillwater system, but is foiled by Simeon Tetlow, of the latter company. Unknown to Tomlinson he is given aid by Tetlow, but the engineer continues to work against him. The differences between the two men are straightened out by the engineer's little grand-daughter, and after the grievances of the workmen of the Stillwater company have been settled, Tomlinson is appointed to run Tetlow's special train.

Dir: Ernest C. Warde

When Barbara Norton is left orphaned, she goes to live with her aunt and uncle. Time passes, now grown to adulthood, Barbara, becomes engaged to a wealthy young man who believes in pacifism. When the United States declares war on Germany, Barbara's fiance declines to enlist, and so Barbara gives him back his engagement ring and goes to France as a Red Cross nurse. En route, her steamer is torpedoed and Barbara is assumed to be drowned. Even this tragedy does not inspire the young man's patriotism and when solicited to enlist, he declares that the United States be damned. These sentiments shock an old friend of his father's, who brings the young man a copy of the book The Man Without a Country . Upon reading the book, the young man visualizes the story of Philip Nolan and is compelled to serve his country. As he is about to go to war, Barbara returns, and the two lovers embrace.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of Ruler of the Road perfectly mirrors the editorial trajectory of our deep dive.

Sailor Jesse, shipwrecked off the Texas coast, naively becomes involved with a cattle rustler. Because the sheriff believes in his innocence, Jesse finds work as a cowboy, but soon becomes infatuated with Polly, the medium for fake hypnotist Bull Brooks, and marries her. When he learns that Polly married to win a bet, Jesse attempts to take her from the town's influences to open spaces, but Brooks falsely reports that she killed herself rather than go. In the mountains, Jesse meets Kate Trevor, an opera singer who moved there to help her alcoholic husband who abuses her. After Trevor drowns trying to cross a river when he sees Jesse and Kate together, they marry, have a child, and are happy until Polly and Brooks arrive. Kate and Jesse separate, but when Jesse learns that Brooks is attacking Kate, Jesse fights him. Polly shoots Brooks, but before he dies, he reveals that Polly was married to another man when she married Jesse.

Dir: Ernest C. Warde

At the request of her dying father, heiress Laura Fairlie marries Sir Percival Glyde, despite her love for Walter Hartridge and the warnings of Ann Catherick, a half-witted girl who bears a striking resemblance to Laura. After the marriage, Glyde schemes to appropriate his wife's money. When he learns that Ann has escaped from an asylum and has perished, Glyde takes Laura to the asylum and commits her, claiming that she is Ann. He then informs everyone that his wife had died, and buries the body of the insane woman in her place. Walter and Laura's half sister, Marian Halcombe, become suspicious, however, and remembering Ann's previous warnings, discover what Glyde has done. After Glyde meets his death in a fire, Walter rescues Laura and the two lovers are reunited.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of The Man Without a Country perfectly mirrors the editorial trajectory of our deep dive.

Burke Harlan an artist, saves Anne Warren from auto thieves, but he is wrongfully arrested and accused of stealing her car. The girl's father is a criminologist and has Harlan released into his custody as he would like to try to reform the young man. Harlan finds this highly amusing and goes along with the idea, mainly because it will allow him to be nearer lovely Anne. He does his best at convincing he is a delinquent, however Anne has a beau who is the police commissioner. But the clever Harlan outwits everyone and elopes with Anne before revealing his true identity.

Dir: Ernest C. Warde

After learning that her stepfather, John Braun, is a spy, Ruth leaves him and starts out upon a cross-country journey. In her travels, she sees a plane crash to earth and rushes to assist its pilot, John Barker. The two fall in love and are married. In the midst of their honeymoon, war breaks out and John is called to his post, leaving Ruth alone with only the servants to protect her. In John's absence, the enemy invades the countryside, commandeers the Barker house and imprisons Ruth in her room. Meanwhile, John takes leave to search for his wife. Managing to get through the enemy line, he arrives just as Ruth, enraged at the action of the invaders, dynamites the cellar of the house. As the building explodes, Ruth and John escape in his plane.

Dir: Ernest C. Warde

A murderer is driven slowly insane by a sequence of coincidences and suggestive events which will not allow him to escape his own sense of guilt for his crime.