Editor's Top Picks Following the Footsteps of Her Maternal Right: C...

Dir: John Ince

Young society girl Joyce Lyndon is engaged to energetic Grant Garrison, who lures the judge's daughter to a roadhouse for the night and meets his death at the hands of an abandoned wife. Joyce escapes in fright and meets Martin Antrim, who protects her in exchange for an introduction to her circle of friends. Antrim elicits a confession from Garrison's widow, and Joyce recovers an incriminating handbag from the innkeepers when they attempt to blackmail her.

Dir: John Ince

Wealthy, beautiful Juanita Holland leaves the comfortable surroundings of her home in the North and journeys to the Cumberland Mountains to educate the illiterate mountaineers. Finding herself in the middle of a fierce feud between the McBriars and the Haveys, Juanita urges the clan members to end the violence and settle their differences in the courtroom. She and clan leader "Bad Anse" Havey fall in love, and under her influence, he convinces his followers to let the law punish the murderer of Jeb Havey's father. After one of the McBriars is found guilty and hanged, "Old Milt" McBriar swears that his family will obtain revenge and organizes a party to go after Bad Anse. When they shoot the young man, seriously injuring him, Juanita seizes a rifle and opens fire. Fearing that Anse will not recover, she marries him that night, but he eventually regains his health.

A visual fragment from the archive: The thematic resonance of Her Man perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

Philip Eaton is a passenger in a Pullman sleeping car headed to Chicago. However, he's not quite what he seems to be--he's actually Hugh Overton, who has just escaped from prison to clear himself after having been falsely convicted of murdering Matthew Latrone, a corrupt financier who cheated Hugh's mother out of her estate. It turns out that Latrone is still alive and sends out a killer to eliminate Hugh. Complications ensue.

Dir: John Ince

Joe and Eleanor Woodbury lead an unhappy married life: she is fond of the gay life, and he is not. Together, they visit Nadia, a lovely young woman who tells the future by gazing into a crystal ball, and Joe and Nadia fall in love at first sight. Although Eleanor is having an affair with Gene Deering, a lounge lizard, she wants to stay married to Joe and therefore tells Nadia that she is pregnant. The diminutive crystal-gazer promises to stop seeing Joe, and Eleanor resumes her illicit relationship with Deering. Following a raid on a roadhouse where they are carousing, Eleanor and Deering are involved in an automobile accident and she is slightly hurt. The doctor who attends her later informs Nadia that Eleanor is not expecting a child, and Nadia telephones Joe to tell him of his wife's double deception. Joe then tells Eleanor that he is going to divorce her and goes to Nadia.

A visual fragment from the archive: The thematic resonance of Blind Man's Eyes perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

A serious-minded fool named Stradivarious O'Day because his music-loving mother says he "fiddles his time away," acquires his nickname because of his motto of "one thing at a time and that done well." Falling in love when he first sees circus bareback rider Prairie-Flower Marie, O'Day, living off his inheritance, follows the circus until the pestered manager gives him a job cleaning his Ford. With the help of a manual, O'Day learns to drive and secures employment with the circus as a chauffeur. After strong man Gorilla Lawson, who also loves Marie, beats him up, O'Day contacts his friend, boxer Roughneck M'Dool, to teach him to fight. Lawson, frightened by O'Day's daily development, steals the circus receipts and the Ford on the day of their scheduled fight, but O'Day overtakes and whips him. After O'Day weds Marie, he unwittingly goes against his motto when he becomes the father of twins.

Dir: John Ince

Janet Newell learns that her husband Raoul is a crook and leaves him. However, when he offers her a position as companion to the wealthy Richard de GIles and his wife, she accepts, believing that they hold a property deed that rightfully belongs to Raoul's friend Langstreet. Janet is established in the de Giles' Long Island estate, where she falls in love with the kind old couple's nephew, Hugh Maxwell. Soon Raoul appears, and although Janet now realizes that she has been a pawn in his plan to rob the de Giles' jewels, she is forced into silence by his threat of revealing her marriage to Hugh. On the appointed evening, Ross, the butler, drugs the de Giles' coffee and joins Raoul, who has opened the safe with ease. As they are about to escape, however, the de Gileses--who are actually detectives assigned to capture Raoul's gang--appear, bearing guns and pronouncing the crooks under arrest. Raoul grabs a gun but is shot and killed. Janet is left a single woman, but only temporarily.

A visual fragment from the archive: The thematic resonance of If Marriage Fails perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

On a visit to the city of Boston, a village girl is taken advantage of by a man there and returns home feeling sullied and ashamed. A young man who had once sought her hand returns from years away in Europe and reiterates his suit. She returns his love and agrees to marry him, but has difficulty telling him the truth about her misadventure. When she finally does, his response seems to doom the pair to tragedy.

Dir: John Ince

Carew, surgeon at an army post, is in love with Marjorie Caldwell, but Marjorie, who is all for social stuff, thinks her feeling toward him is only friendship. Dames comes to the post as junior surgeon, and supersedes Carew in her regard, marrying the girl. Mrs. Drew, a widow, comes to the post and an intrigue begins between Dames and the widow. Carew sees it, and to save Marjorie tells her that his absences are matters of duty. He asks to be transferred to Manila, and he and Dames are both sent there. On the way Carew warns Dames that he will lose Marjorie's love, and they quarrel, Dames being partly drunk. The ship hits a reef, and Dames, in an effort to save himself, wrenches a life preserver from a woman. Marjorie and Carew are left on the ship, but Carew rescues her, and in the morning they are on the shore of an island with an overturned boat and the bodies of their fellow passengers in the surf. On the shore of another island Dames is rescued by an Abbot, but his wounds cause him to lose his identity. On the first island, Marjorie comes to see the strength of Carew's character but he refrains from telling her of the actions of her husband. A ship is sighted, and Carew, after a struggle, lights the beacon that will save them both but probably take Marjorie away from him. In San Francisco they learn that Dames is reported missing. He asks her to be his wife, but she thinks Dames may still be alive. Dames is on the island with lepers, and works with the monks as Father Fabrician. Carew comes to the island and finds Dames at work among the lepers. He recognizes Dames, but the latter denies his identity. He goes to the monastery, tells the Abbot the truth, and Dames leaves with Carew for Manila, and an operation that will restore his memory. After the operation Dames returns to his drunken habits, and reading some of Carew's letters he learns of the feeling of his wife, giving it a sinister turn. As he prepares to assault Carew he sees the marks of leprosy on his arm, becomes agonized with fear, jumps overboard and is lost. In San Francisco Carew finds Marjorie, tells her of the occurrences and of Dame's death, and while she feels sorry that he has gone as he did, she finds her true happiness with Carew.

A visual fragment from the archive: The thematic resonance of One-Thing-at-a-Time O'Day perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

Unknown to her, Mary Manchester is a double for the ailing Mrs. Adelaide Rutherford, a wealthy woman who has been driven insane by her husband's cruelty. Rutherford is in league with Jasper Haig and Dr. Babcock. Together these men hold in trust sixty million dollars which upon Adelaide's death will revert to her brother Stanford Gorgas. Fearful of Adelaide's imminent death, the conspirators plan to substitute Mary in her place, thus preventing Gorgas from inheriting the money. After imprisoning Mary in Adelaide's house, their plan backfires when Gorgas meets her and, suspecting something is wrong, learns of Mary's plight. After Gorgas helps Mary escape, she is recaptured by Haig, who decides he must now eliminate Gorgas. Assuming that a fluttering behind the curtain is his adversary, Haig takes aim and shoots, only to kill Rutherford instead, thus freeing Mary to spend her future with Gorgas.

Dir: John Ince

Alias "the Dancer," fashionable society crook Jimmy Burke is hot on the trail of the Brent diamonds. Upon learning that Molly Brent and her diamonds are the stars of an amateur play, Jimmy obtains the leading man's part and devises a plan to steal the jewels. Molly falls in love with her leading man, who plans to switch the gems with fakes during the performance. After the play, the police question the couple and Molly declares that the robbery was part of the drama. When she discovers Jimmy's deed, she begins to cry and "the Dancer," realizing that he is in love with his victim, renounces his profession.