Masterpiece Selection that Capture the Essence of Jack and the Bean...

Dir: Chester M. Franklin

Ali Baba, a poor Turkish wood chopper, discovers that a robbers' cave, concealed in the mountains that surround his house, opens to the magical phrase, "Open Sesame." Learning that the cave is filled with stolen treasure, he takes home as much as he can carry, but his greedy brother forces him to reveal the cave's location. After gaining admittance to the cave, Ali Baba's brother is seen by the thieves and killed. Meanwhile, Ali Baba falls in love with Morgianna, a slave girl forced to dance in the local inn, and by securing her freedom, he wins her love and loyalty. The leader of the band of robbers suspects that Ali Baba knows the secret of the treasure cave, and in the guise of an oil merchant, he visits Ali Baba with his forty thieves concealed in oil jars. When Morgianna discovers the robbers, she fills the jars with boiling oil, thereby killing them all. Ali Baba defeats the robber chief in combat and then marries his beautiful Morgianna.

Dir: Chester M. Franklin

A visual fragment from the archive: The thematic resonance of The Toll of the Sea perfectly mirrors the editorial trajectory of our deep dive.

While visiting China, an American man falls in love with a young Chinese woman, but he then has second thoughts about the relationship.

Dir: Chester M. Franklin

The little school ma'am has come out to a Western town from her home back in Virginia. The townspeople just can't help making life miserable for the little schoolteacher, and when a young playwright who happens to be from Virginia himself, arrives in the town and meets the lonely little teacher, old Mrs. Grundy just runs riot. To make matters worse, the young people go off for a ride and when they wander off to a spring to get a drink, the horse runs away,, so they must stay out in the woods all night. Then there is a crash, and the school teacher is summarily dismissed from her position.

Dir: Chester M. Franklin

A visual fragment from the archive: The thematic resonance of The Little School Ma'am perfectly mirrors the editorial trajectory of our deep dive.

Millionaire Hamilton fakes death to test wife's loyalty. His wife and brother plot to kill his children for inheritance. Hamilton warns kids through Hansel and Gretel story. Wife overhears, realizes her evil plan. Family reunites.

Dir: Chester M. Franklin

Following the death of her fiance and the birth of her baby, Dorothea, to avoid even the hint of a scandal, gives the child to her best friend Martha, who has arranged to have the infant raised by her old nurse. Soon, having kept her child a secret, Dorothea marries Deacon Hunt, while Martha becomes engaged to John. When unconscionable Sell Hawkins remembers having seen Martha bring the baby to the nurse, accuses her, before the church congregation, of being an unwed mother. Dorothea remains silent, and Martha, hoping to protect her friend, refuses to tell the truth about the child. Just as Martha's guilt seems assured, however, the child is brought to the church with an injury, and when a concerned Dorothea rushes to the infant, her actions and expression betray her own secret.

Dir: Chester M. Franklin

A visual fragment from the archive: The thematic resonance of The Babes in the Woods perfectly mirrors the editorial trajectory of our deep dive.

Adopted by the Kellys from an orphanage, Nancy is reared in dreadful surroundings and mistreated as the household drudge. She accidentally makes the acquaintance of Jack Halliday, son of a wealthy city family who is fishing near her home. When Mrs. Kelly beats Nancy for accepting the attentions of her husband, the girl escapes into the woods and conceals herself in the rear of Jack's car as he drives into the city. Arriving home, Jack discovers her and orders a beautiful new wardrobe for her. Jack's fiancée, Elizabeth, angered, recalls his parents from their trip, and while he is out buying flowers for Nancy, they persuade her that she can bring only unhappiness to their son. In her old garments she returns to the Kelly shack, where Jim Kelly tries to attack her; but Jack arrives to rescue her, and they are happily united.

Dir: Chester M. Franklin

The story of Aladdin and the Princess Badr al-badr's adventures as told through child actors.

Dir: Chester M. Franklin

A visual fragment from the archive: The thematic resonance of Martha's Vindication perfectly mirrors the editorial trajectory of our deep dive.

Rowena Jones attracts the attention of wealthy playboy William Vaughn, when trying on an expensive fur coat belonging to one of the guests at the hotel where she works as a hat check. Determined to marry a millionaire in order to alleviate her family's financial woes, Rowena accepts Vaughn's dinner invitation. That afternoon, while modeling at a fashion show, Rowena is attracted to a young man, but because he appears to be a poor chauffeur, she continues her pursuit of Vaughn. However, when Vaughn's wife appears at dinner, Rowena consents to go to a masked ball with her chauffeur. Arriving at the ball, she is pleasantly surprised to discover that her sweetheart is not a chauffeur but a millionaire, that meets her standard for a husband.

Dir: Chester M. Franklin

Young Jim Hawkins is caught up with the pirate Long John Silver in search of the buried treasure of the buccaneer Captain Flint, in this adaptation of the classic novel by Robert Louis Stevenson.

Dir: Chester M. Franklin

Katie Standish is the family drudge on a New England farm. Her elder sister "enjoys" poor health and her mother sees to it that Katie not only does her own work but that of the weak or lazy Priscilla. Oliver Putnam, a husky young farmer lad, comes courting Katie, but her parents interfere so much that he is discouraged. Oliver finally goes to Mexico with Ben Standish, uncle of Katie and Priscilla, who owns a valuable mine there. Priscilla marries Caleb Adams, a young man who bought a farm adjoining that of Standish. Father and Mother Standish die and Katie goes to live with her sister. Soon she is doing all the housework, and as Priscilla rapidly becomes the mother of seven, each and every one of them is turned over to Katie's care. Then Priscilla and her husband are killed by an express train while driving to the city. Then Katie must teach school to help keep the wolf from the door. She writes to her uncle, telling of her sister's death and how the care of the children had fallen to her. The uncle invites her to bring the motherless brood with her and they can all make their home with him in Mexico. Oliver Putnam is expecting Katie, but the information about the children has been withheld from him. He is overjoyed when he sees Katie step off the train, but is flabbergasted when he sees the many children--only the first time the children get between Oliver and Katie, and Oliver comes to resent them. He sees two of them fussing and spanks one of them; Katie catches this and gives him a scathing rebuke. Then she happens to hear him tell Dan that he hates children; this lands him squarely in her bad graces. Uncle Ben likes the youngsters. He shows them how a series of guns in their little home could be discharged at once by pulling a lever and how a mine around the house could be discharged in a similar manner. He is careful to lock the room where the weapons of destruction are placed, but one of the children finds out where he has hidden the key. While Katie and Oliver are away on an errand of mercy, Mexicans attack the little house. The children are all there but one. The missing one happens to be outside and escapes to the road, where he is saved by a cowboy who goes after help. Meanwhile the children defend themselves by discharging the guns and firing the mines as their uncle had shown them. Katie and Oliver have a desperate fight when they are attacked by another band of Mexicans, but hold them off in a deserted cabin, till the cowboys rescue them. Oliver can't help admiring the brave way in which the children have defended the house, and is grateful also for the fact that the silver under the floor has been saved from the Mexicans. So Oliver and Katie forget their differences and make a home for the children in a mansion in the United States.