Recommendations
Senior Film Conservator

Witnessing the stylistic evolution of Lloyd Ingraham through Jilted Janet is profound, audiences who connected with its message often look for similar thematic gravity. Each of these movies shares a piece of the cult status that made Jilted Janet so special.
The synthesis of form and function in Jilted Janet to establish Lloyd Ingraham as a true visionary of the 1918s.
Young Janet Barnes is jilted by fiance Ernest Morgan for Suzette Sparks, who comes from a rich family. Angered, Janet sends him a photo of the elaborate and elegant mansion next to her house, implying that is actually her home. Ernest replies that he and his new wife want to stop by for a visit on their honeymoon. Janet finds out that the mansion's owners are out of town and arranges with the estate's caretakers to use the mansion while Ernest and his wife come to town. Her charade comes off so well that Ernest begins to regret leaving Janet and makes a pass for her. To complicate matters, the mansion's real owner unexpectedly returns home early. Complications ensue.
Jilted Janet was a significant production in United States, bringing a unique perspective to the global stage. It continues to be a top recommendation for anyone studying cult history.
Based on the unique cult status of Jilted Janet, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Lloyd Ingraham
When the son of a leader of a Paris underworld family known as The Apaches is arrested and tried in court, the boy's mother asks the judge for mercy, but he refuses. In retaliation, the family kidnaps the judge's young daughter and raises her to be one of their own, schooling her in the ways of crime. One day she steals a valuable pin from a young American artist; he catches her, but an attraction develops between them--and her "Apache" family is not happy about it.
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Dir: Lloyd Ingraham
A young woman of wealth revenges herself on a young author whose peculiar ideas about women have led him to act and speak in an insulting manner. This young man isolates himself in the mountains for the purpose of writing a story on the primitive woman, where he is discovered by his friends, to whom he vows that no woman shall cross his threshold. The mischievous young woman of the story, determined to place him at her feet, goes secretly to the home of a mountain woman with whom she lives in the guise of a wild girl of the hills. Purposely sliding over an embankment where she knows she will fall in his path, she is rewarded by having him pick her up and carry her to his cabin, where she pretends to be too much injured to be moved that day. The mountain woman is sent for and the two remain in the cabin of the author for several days. Finally she is discovered by her people, when it also comes to light that the woman-hating author has fallen to the charms of his pretty visitor.
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Dir: Lloyd Ingraham
Charity and her young brother are taken in by Merlin Durand, the son of a penurious millionaire, when their mother, a poor cleaning woman, dies. Charity is a strong believer in the world of fairy tales, and calls Merlin "The Prince". Merlin's cheapskate father cuts off his allowance until he gets a job and earns a salary, then leaves home for a "water cure". His servants immediately take a vacation, leaving the house empty, so Charity and Merlin hide there until Merlin can find a job. Charity begins to call the mansion "Charity Castle". They soon wind up involved with a strange cast of characters, including a burglar and an unemployed Shakespearean actor.
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Dir: Lloyd Ingraham
In China, a man is arrested and tortured for a crime committed years before by his twin brother.
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Dir: Lloyd Ingraham
An orphan girl, believing herself cursed with the hoodoo until she gets married, is adopted by a childless couple after the orphanage burns down. Boy-next-door meets girl-next-door, and all looks great until she finds a loaded gun.
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Dir: Lloyd Ingraham
Young and wealthy Molly Allison can't be "presented" into society until her older sister Julia is married, but that doesn't stop Molly from pursuing her usual wild ways. She finds herself in turn pursued by Count Renaud, unaware that he is a criminal interested in swindling her out of her money. To discourage the Renaud's attentions--and because she already has a boyfriend, Billy Wilcox--she tells Renaud that she is actually an Indian squaw who is just living in the Allison household. That doesn't stop the Count, however, and he turns his attentions to Molly's sister Julia.
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Dir: Lloyd Ingraham
Rosemary van Voort lives in the countryside with her elderly Dutch parents. She carves beautiful wooden dolls, and her work catches the eye of a group of artists who are having a picnic in the area. Among them is Ricardo Fitzmaurice, an aspiring opera singer. The group convinces Rosemary to move to New York City in order to take full advantage of her talent. Soon she becomes wildly successful, but a problem arises--the temperamental Madame Fedoreska, who is in love with Ricardo, has been driven insane by his growing affection for Rosemary and threatens to kill her. When the Madame turns up shot to death, the police look at Rosemary as a suspect--and even worse, she has no alibi.
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Dir: Lloyd Ingraham
As part of a divorce settlement, Theodore Ainsley gets custody of his older daughter Millicent, and his wife Elinor gets their younger daughter Jean. The two girls, normally inseparable, can't bear to be away from each other and run away together, but are soon caught by the authorities. Another custody hearing ensues, during which the girls' attorney Horace Craig makes an unusual, and somewhat shocking, proposal.
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Dir: Lloyd Ingraham
Alys Gilson leaves the complacency of her parents' home to move to the big city and partake in the lofty ideals espoused by the Culture Club. As a member of this Bohemian group, Alys succumbs to the influence of Peyton Le Moyne who preaches that marriages should be founded on absolute freedom. Consequently, when Thurston Bruce, a young lawyer not of the group, proposes to Alys, she accepts on the condition that the marriage be dissolved if either finds their love has ceased to exist. Bruce soon wearies of his wife's "serious thinkers" who occupy his apartment day and night, and their relationship becomes strained. Finally, Bruce informs Alys that they must terminate their marriage because he is in love with his secretary, Marion Hamilton, who will give him a real home. Brokenhearted, Alys returns to her parents' home to find Bruce waiting there for her and discovers that the whole story was a scheme to bring her to her senses.
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Dir: Lloyd Ingraham
Following her grandfather's death, spirited young Susan Gaskell is placed in the charge of her cousin Martha Brown, the housekeeper for wealthy bachelor Bernard Marshall. Distressed by his brother Ted's involvement with adventuress Eva Thornton, Bernard decides to divert the young man's attention with Susan and hires Henri Delafaire to dress the girl in modern clothing and educate her in deportment and manners. Henri is so successful that he, Ted, and Bernard all fall in love with Susan, although Bernard conceals his affection. Susan is in love with Bernard; to please him, she agrees to marry Ted, but the night before the wedding, the young man sends Bernard a telegram stating that he has married Eva. Bernard finally confesses his love for Susan and they become engaged.
View DetailsAnalysis relative to Jilted Janet
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Child of the Paris Streets | Gritty | Dense | 91% Match |
| The Primitive Woman | Gritty | Layered | 98% Match |
| Charity Castle | Ethereal | High | 87% Match |
| The Sable Lorcha | Gritty | Linear | 89% Match |
| Hoodoo Ann | Surreal | Dense | 86% Match |
This guide was algorithmically generated using the cinematic metadata of Lloyd Ingraham's archive. Last updated: 5/19/2026.
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