Summary
Janet Barnes, a working-class stenographer with porcelain cheekbones and a spine of spring steel, is discarded like a crumpled dance card when her fiancé Ernest Morgan—slick as patent leather—trades her devotion for the gilded surname Sparks. In retribution she mails him a photograph of the Beaux-Arts palace next door, letting the Corinthian columns and terraced rose gardens speak a lie of inheritance. Ernest, now shackled to Suzette’s trust fund, insists on a honeymoon courtesy call; Janet, cornered by her own bravado, bribes the mansion’s caretakers with bootleg gin and borrowed pearls. For three velvet August nights she glides through marble corridors, a phantom heiress in borrowed silk, while Ernest’s pupils dilate with the slow poison of regret. The masquerade combusts when the true proprietor—an aloof railroad baron—returns ahead of schedule, catching Janet mid-curtsy beneath a chandelier that has witnessed grander fictions than hers. In the ensuing scramble, loyalties invert like gloves turned inside-out: Suzette claws for the exit, Ernest pleads for a second chance, and Janet must decide whether vengeance tastes sweeter than freedom.
Synopsis
Young Janet Barnes is jilted by fiance Ernest Morgan for Suzette Sparks, who comes from a rich family. Angered, Janet sends him a photo of the elaborate and elegant mansion next to her house, implying that is actually her home. Ernest replies that he and his new wife want to stop by for a visit on their honeymoon. Janet finds out that the mansion's owners are out of town and arranges with the estate's caretakers to use the mansion while Ernest and his wife come to town. Her charade comes off so well that Ernest begins to regret leaving Janet and makes a pass for her. To complicate matters, the mansion's real owner unexpectedly returns home early. Complications ensue.
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