The Auteur's Selection Complementing the Tone of Kaiserin Elisabeth...

Dir: D.W. Griffith

Two orphaned sisters are caught up in the turmoil of the French Revolution, encountering misery and love along the way.

Dir: Unknown Director

A public procession with the body of the Unknown Soldier, as registered by the operators of the Italian Film Federation and the Cinema Phototechnical Union. A symbolic tribute on the fallen Italian soldiers killed during World WWI who were buried without identification or in unknown places.

A visual fragment from the archive: The thematic resonance of Gloria: Apoteosi del soldato ignoto perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

Dir: Martin Zickel

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of For the Soul of Rafael perfectly mirrors the editorial trajectory of our deep dive.

Dir: Kinka Kimura

About the tragic love of a young man from a coastal village for a girl from a small island.

Dir: J. Gordon Edwards

Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.

A visual fragment from the archive: The thematic resonance of Die Prinzessin vom Nil perfectly mirrors the editorial trajectory of our deep dive.

Dir: André Antoine

A fascinating piece of cinema that shares thematic elements.

Dir: B.A. Rolfe

In the Roman Coliseum, at the beginning of the Christian era, the Emperor Turnerius, accompanied by his favorite, Nerissa, watches the bestial games in the arena. His son Gordian is asked by Grimaldo the magician to save the life of a Christian girl about to be thrown to the lions. He refuses, whereupon Grimaldo prophesies the fate of the Empire by telling the prince a story of the future: Two thousand years hence, in New York, a parallel situation takes place in which a young man is led to put a stop to the base plans of his father. The prince is so deeply affected by the injustice of the story that he plunges into the arena to save the girl, causing the emperor to die in a fit of rage, thus precipitating the coronation of his son as the new emperor.

A visual fragment from the archive: The thematic resonance of Shima no onna perfectly mirrors the editorial trajectory of our deep dive.

Dir: Jaroslav Siakel

The story of the Slovak highwayman and folk hero Juraj Janosik.

Dir: Franklin B. Coates

Depicts Jesse James' return home to Missouri after the Civil War hoping to live a life of peace, but is falsely accused of robbing a bank. He is forced to take up a life of crime by being branded an outlaw. Crimes are commited and blamed on him, his family is maimed by the Pinkerton Detective Agency, but all the while James is able to perform charitable acts to citizens. James is finally assasinated by Bob Ford. All told in a flashback style by Jesse James Jr. to a eastern baeu asking for his daughters' hand in marrage.