Recommendations
Senior Film Conservator

The evocative power of Kiss Me Again (1925) continues to haunt audiences with its cult status, the artistic provocations of Kiss Me Again demand a follow-up of equal intensity. Explore the following titles to broaden your appreciation for Comedy excellence.
The visceral impact of Kiss Me Again (1925) stems from to transcend the limitations of its 1925 budget and technology.
Gaston Fleury's (Monte Blue) wife, Loulou (Marie Prevost), takes a perfunctory interest in music but a deeper one in a musician named Maurice (John Roche). Although Gaston has no intention of releasing his wife into the hands of Maurice, he feigns willingness to give Loulou a divorce. Loulou then becomes bored with Maurice, and clever maneuvering on the part of Gaston brings her to want desperately a reconciliation with him. He happily fulfills her wish.
The influence of Ernst Lubitsch in Kiss Me Again can be felt in the way modern Comedy films handle cult status. From the specific lighting choices to the pacing, this 1925 release set a high bar for atmospheric immersion.
Based on the unique cult status of Kiss Me Again, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Ernst Lubitsch
A teenaged tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun, but discovers that being the opposite sex isn't as easy as she had hoped.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Ernst Lubitsch
Comical variation on the Shakespeare play, featuring two feuding farmers families.
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Dir: Ernst Lubitsch
The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.
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Dir: Ernst Lubitsch
Forced into marriage by his uncle, a man decides to fool him by marrying a life-like mechanical doll instead.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Ernst Lubitsch
A girl is kidnapped and held captive in an ancient Egyptian temple. She is rescued and flees to England, but soon finds that her mysterious captor is still haunting her.
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Dir: Ernst Lubitsch
Sally Pinkus is an German-Jewish boy who takes a job as a shoe store clerk after being expelled from school for goofing around. Soon fired for trying to court the owner's daughter, Pinkus lands another job in a more 'upmarket' shoe salon, only to be fired again, before charming a rich benefactress to fund his ultimate dream: Pinkus' Shoe Palace.
View DetailsAnalysis relative to Kiss Me Again
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Striking Models | Tense | High | 96% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| I Don't Want to Be a Man | Tense | Layered | 93% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| Romeo and Juliet in the Snow | Ethereal | Layered | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Ernst Lubitsch's archive. Last updated: 6/17/2026.
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