Recommendations
Senior Film Conservator

Looking back at the 1926 milestone that is Ladies at Play, the specific artistic bravery of this work is a gateway to a broader Comedy world. Our archive is rich with titles that mirror the artistic bravery of Alfred E. Green.
As Alfred E. Green's most celebrated work, it defines to create a dialogue between the viewer and the artistic bravery.
Ann Martin will inherit $6 million if she marries a man her two spinster aunts approve of, but so far, her aunts haven't approved of any man she knows. Ann tries to get a bashful hotel clerk to marry her in name only and then get a divorce, but he refuses to because he is in love with her. Her cousin then brings in another clerk and Ann now has two men on her hands. Ann wants to marry the first clerk, having discovered she also loves him, but the aunts object. She then hires two gigolos to charm her aunts into a compromising situation.
Ladies at Play was a significant production in United States, showcasing the immense talent of John Patrick, Lloyd Hughes, Hallam Cooley. It continues to be a top recommendation for anyone studying Comedy history.
Based on the unique artistic bravery of Ladies at Play, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Alfred E. Green
Patches, a beautiful girl, lives with her foster-mother Liza Biggs, who dresses her in rags. She is surprised to see Judas, the overseer, give Liza a locket. Jack Merry arrives to purchase cotton from Colonel Silverthorne, a Southern gentleman of the old school, who looks after his dead brother's estate for his niece and nephew, Juliet and Lee. Col. Silverthorne tells Merry that years ago his brother chastised a field hand named Judas, and that little Selma disappeared. Her mother died of grief, while her father had not been seen since, on one occasion, he rowed to a houseboat, and was supposed to have been murdered; and that according to his will, the entire estate was to go to his missing daughter Selma if found within 20 years; if not, the estate was to be divided between Juliet and Lee. That night Judas demands money from Lee on penalty of disclosing the whereabouts of Selma. In the meantime, Merry meets Patches and kisses her hand, exclaiming "May the Princess of Patches have a happy reign." He leaves with Col. Silverthorne, the money for the cotton, and Lee steals it. Lee claims that Waggles, a tramp friend of Patches, is the thief, but Patches believes Judas has the money and he is captured with part of it in his possession. Col. Silverthorne, despite the protests of Juliet and Lee, invites Patches to become one of the family. Years pass. Patches returns from a fashionable school and again meets Merry Judas, who has escaped from prison, also returns, as does Waggles the tramp. Waggles asks Lee where he can find the "Princess of Patches," as he wishes to return a locket which she lost. Lee recognizes the locket as the one proving the identity of Selma, and upon his promise to deliver it to Patches, Waggles surrenders it. This is the locket Judas gave to Liza, and which Patches afterwards secured. Patches, among the daisies, plucks the petals and murmurs "He loves me, he loves me not." "He loves you dearly," exclaims Jack Merry behind her, as he takes her in his arms. Lee is dumbfounded to see Judas, who tells him unless he helps to keep him out of jail, he will produce proofs that Patches is Selma Silverthorne. Lee gives money to Judas and tells Juliet what he has learned; she tells him he must marry Patches. Waggles overhears Judas and Lee and informs Patches. At midnight they secrete themselves on the houseboat and hear Judas tell Lee that he stole Selma, and that the baby clothes he produces are proofs of her identity. The money Lee offers Judas is not satisfactory, and as the two fight, Waggles secures the proofs. They discover the loss, and suspecting someone else is on the boat, light the fuse connected with a box of gunpowder. Lee springs overboard, and Patches confronts Judas, exclaiming: "I know everything and you shall be punished." Judas overpowers the girl and Waggles, binds them, and swims ashore. Patches finally frees herself and releases Waggles. They spring into the water just as the explosion demolishes the houseboat. On reaching the shore, Waggles overpowers Judas, who confesses Patches is the real heiress; and repeats the confession to Colonel Silverthorne a few minutes before Lee and Juliet would have come into possession of the property. Lee, implicated by Judas, disappears and Patches is happy in the love of Jack Merry.
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Dir: Alfred E. Green
While on vacation from college, William Bankinton is shipwrecked. His mind a blank, he is picked up by a derelict ship upon which there are only a lion and a stowaway named Broot. After Broot commits suicide, Bankinton and the lion are cast adrift upon the shores of Africa where they exist in a primitive state for several months. One day, when Nakhia, the daughter of the Bedouin chief Ali-Es Hadji is out riding, she is beset by danger. Bankinton comes to her rescue and gradually he and the girl fall in love. Ben Saada, the bandit chief, desires Nakhia, and tries to kidnap her. The lion and Bankinton once again come to her defense, and in the ensuing fight, Bankinton is struck on the head and his memory is restored. He then proposes to Nakhia, and the couple set sail to America where they are reunited with Bankinton's family.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Raoul Walsh
Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.
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Dir: Alfred E. Green
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
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Dir: Colin Campbell
Although separated at birth, Siamese twins Fabien and Louis de Franchi remain united emotionally. One day, Parisian Emilie de Lesparre arrives in their Corsican village with her father, and both brothers fall in love with her. Louis goes to Paris to study law and sees Emilie often, but Emilie loves Fabien who has remained in Corsica with their mother. While attending a dinner given by another admirer of Emilie's, M. Chateau Renaud, Louis is drawn into a duel with Renaud and killed. Back home, Fabien senses what has happened and journeys to Paris to avenge his brother's death. After he kills Renaud in a duel, Emilie finally confesses her love to Fabien.
View DetailsAnalysis relative to Ladies at Play
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| His Royal Slyness | Gothic | Layered | 92% Match |
| Under Northern Lights | Gothic | Layered | 89% Match |
| The Hundredth Chance | Gritty | Dense | 87% Match |
| The Princess of Patches | Gothic | Layered | 86% Match |
| The Lad and the Lion | Ethereal | Dense | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Alfred E. Green's archive. Last updated: 6/17/2026.
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