Masterpiece Selection that Capture the Essence of Little Miss No-Account: Cult Guide

Dir: William P.S. Earle

During World War I, Kervyn Guild, an American citizen who was born in Belgium, is captured with other Belgian refugees by the Germans. Brought before the commanding officer, General Von Reiter, Guild is offered his own freedom as well as that of the other refugees if he goes to London and returns with the officer's daughter, Karen Girard, who actually is his mistress. In the hope of saving lives, Guild consents and is sent to London where he locates Karen. Guild's suspicions are aroused when he notices that they are being protected by the German agents and hunted by the British. His instincts prove correct when he learns that Karen is carrying dispatches to the general. On their journey back, Karen falls in love with Guild and agrees to join the Belgian cause. Before they can escape, the general arrives and demands both Karen and the papers. Guild duels to defend both and fatally wounds the general. In a breach of military ethics, the dying general then gives the lovers his blessings, and grants them a pass to go through the German lines.

Dir: William P.S. Earle

Mary Turner is a young shopgirl who is unjustly convicted of a crime and sentenced to prison. Upon her release, she does everything possible to make the man who wronged her to suffer, always taking care to stray no further than the extremes of the law allow.

A visual fragment from the archive: The thematic resonance of Within the Law perfectly mirrors the editorial trajectory of our deep dive.

Dir: William P.S. Earle

To avoid marrying the elderly suitor her aunt has chosen for her, young socialite Ivis Van Astor decides to hire Horatio Worthington to pose as her husband. She hopes that as a "married woman" she will pique the romantic interest of Norman Kent, who perceives her as a sweet young thing. Ivis and her hired husband go to Newport, where she begins to flirt with Norman, who discovers her ruse and decides to teach her a lesson. He stages a duel over Ivis with Horatio and pretends to die. Once Ivis is properly chagrined, Norman "recovers," Ivis' aunt falls in love with Horatio, and all ends happily.

Dir: William P.S. Earle

At a London auction, Princess Sonia bids against her husband, exiled Prince Victor, for a Corot landscape in which incriminating letters Sonia wrote are hidden, but it is bought by Michael Lanyard, who is suspected of being the mysterious, international thief "The Lone Wolf." After Lanyard gives Sonia the letters, she divorces Victor, marries Lanyard, and dies after bearing their daughter Sonia. Years later, Sonia, who thinks she is the daughter of the Princess' maid, is found by Victor, now the leader of an underworld gang of Asian crooks and Bolsheviks. Saying he is her father, Victor brings her to his home, hoping to entice Lanyard to make an appearance. When Sonia discovers the gang's plan to pump poisonous gas into Buckingham Palace and the homes of the wealthy so that Victor would be England's dictator, she tells Roger Karslake, Victor's secretary, whom she loves. Lanyard, who has been posing as Victor's Asian butler, and Karslake, both Scotland Yard agents, capture the gang amid fire and fights.

A visual fragment from the archive: The thematic resonance of The Dangerous Paradise perfectly mirrors the editorial trajectory of our deep dive.

Dir: William P.S. Earle

Bradley, who is happily married and loves his family, is called to London on business. There he meets Mercedes, wife of the Spanish Ambassador. The marriage has been forced upon her, and her husband is cruel. Unaware that Bradley is married, she falls in love with him, and he is also infatuated. His better nature finally prevails, and he returns home and is happy until he receives a photograph from Mercedes. On pretext of business, he again goes back to Mercedes, finds there has been a quarrel, and that the ambassador has struck her. She and Bradley go away together, and while crossing the channel, he inadvertently discloses the fact that he is married. Mercedes unwilling to come between husband and wife, flees to a convent, and Bradley, unable to find her, joins an expedition to the forests of South America. Bradley has written his wife that he is a coward. Her health fails and her father takes her and the children for a trip abroad. The children are attacked by an epidemic of fever, and Mercedes, now a nurse, is summoned. She learns the identity of the family, and, when the boy calls for his father, she starts a search for him. After the crisis, Mercedes who has concealed her identity by use of a veil, wins her fight against a renewal of their relations, and warns Bradley, who has recognized her, to keep his wife in ignorance. Recovering from the fever which has now claimed her, she sees the reunited family depart for America, and knows her heart is empty and closed forever to love.

Dir: William P.S. Earle

When heiress Betty Hallowell organizes a Red Cross bazaar to raise money for the American effort in The Great War, she is disappointed that the event is not a success, so she decides to lease her beautiful country house to Mrs. Wentworth, a wealthy widow whose son Tom is recuperating from injuries received overseas. When Mrs. Wentworth suddenly demands the services of a maid for the summer, Betty, unable to secure a servant on such short notice, dons a dark wig and poses as "French maid Bettina." Much to his mother's embarrassment, Tom and "Bettina" fall madly in love, but necessity forces Betty to temporarily drop her disguise and reappear as the mistress of the house. Confused, Tom falls just as madly in love with Betty. Finally, he decides that he prefers Bettina to Betty, but Betty's uncle arrives and her deception is revealed. Tom explains his infidelity by stating that Betty's sweetness caused him to love her in both of her identities, and she is satisfied.

A visual fragment from the archive: The thematic resonance of The Lone Wolf's Daughter perfectly mirrors the editorial trajectory of our deep dive.

Dir: William P.S. Earle

Roger Kendall is sent to Nashville by the editor of his magazine to sign a contract for two cents a word with a woman writer named Azalea Adair. Once there, Kendall realizes that Azalea is very poor and is also the abused wife of Major Caswell, a drunkard who takes from Azalea every cent she earns. Kendall is able to piece their story together by following the movements of a torn dollar bill, which he gives to Azalea's former slave Caesar and which eventually winds up in Caswell's hands. In order to help Azalea, Kendall convinces his editor to increase her stipend to eight cents a word and also to advance her $30. At his hotel, Kendall meets Virginia Rodney, the semi-invalid daughter of a local judge and a good friend of Azalea. Later, Caesar, seeing Caswell violently take Azalea's advance from her, strangles the major. His part in the crime is covered up by Kendall and Virginia's father, however. Now free, Azalea goes to live with Virginia, who becomes engaged to Kendall.

Dir: William P.S. Earle

To please her once-wealthy mother, Amy Terrell fraternizes with members of high society who find her entertaining because of her beauty and charm. At one of Mrs. Van Trant's house parties, Amy is requested by her hostess to amuse Andrew Masters, an influential businessman who has an aversion to society women. Impersonating an old-fashioned girl, Amy wins Masters--until he learns of her deception and denounces her. However, when Mrs. Van Trant attempts to shield herself by involving Amy in a scandal with a young captain, Masters realizes that Amy really is the innocent girl he loves.

A visual fragment from the archive: The thematic resonance of The Courage of Silence perfectly mirrors the editorial trajectory of our deep dive.

Dir: William P.S. Earle

Stewart, an art student in New York City's "bohemian" Greenwich Village, lives next door to his girlfriend Hedda, who wants to be a singer. One night while they are dining at their favorite cafe', wealthy Mrs. Trask comes up to them with a proposition: she knows he is an artist and wants to go to Paris to study and develop his talent, and she will pay all his expenses. He refuses because he doesn't want to leave Hedda, but she eventually persuades him to agree. It turns out that she has an ulterior motive--as does Mrs. Trask.

Dir: William P.S. Earle

To stave off war with a neighboring kingdom, Princess Pat of Paxitania agrees to marry Warburg's King Eric. Still very young and rebellious, the new queen finds it difficult to adjust to court life, and when she accepts an invitation to take a ride with the villainous Count Ladislaus, King Eric's patience gives out and he rebukes her severely. The banished count informs Pat's father, the Grand Duke of Paxitania, that she is cruelly abused, whereupon Pat's three brothers set out to bring her back home. In the end, however, King Eric and Princess Pat come to love each other dearly, and she sends her brothers home reassured of their sister's happiness.