The Global Archive Complementing the Tone of Miss Petticoats: Cult ...

Dir: Harley Knoles

Evelyn Carmichael, a poor widow aware that she is about to die, writes to her wealthy father-in-law Lord Carmichael, who had disowned his son years earlier, pleading that he rescue his granddaughter Geraldine, known as Jerry, from a life in the slums. Lord Carmichael, an avowed woman-hater since his wife disappeared years earlier with his brother, expects Jerry to be a boy and is appalled to find otherwise. However, the lord is won over by Jerry's sweetness, and when Jim Dawson, a neighbor of Jerry's from the tenements, arrives at Carnimore Castle with his daughter Sophia, whom he is trying to pass off as Jerry, the lord exposes them as impostors and then expels them from his castle. Meanwhile, Jerry has also won over the hearts of the servants, whom she is drilling into a play army. One day, while on an excursion into an unused tower of the castle, they discover a locked room in which reside two skeletons. A note near one of the skeletons explains that Lord Carmichael's wife and his brother had been exploring the tower when the lock sprung and trapped them, causing their deaths. Lord Carmichael, realizing that his wife didn't betray him, has his faith in women restored and makes Jerry mistress of the castle.

Dir: Harley Knoles

David Clifton is blinded while rescuing Katharine Lambert, the girl he loves, from a fire. Caring nothing for David, Katharine pursues her pleasures while Joan Merrifeld, who loves David, takes her place by his bedside. Believing that Joan is Katharine, David marries her and it is through her support and cooperation that he becomes a noted author. Upon regaining his sight, David is more than surprised to learn the identity of his wife. He is content, however, until Katharine reappears, bored with her husband Brooks. David's old love for Katharine returns and Joan, crushed, offers little resistance until Brooks, in anger, vows to kill Katharine if he discovers her unfaithful. It is only through Joan, who enters into a battle of wits with Brooks, that a catastrophe is averted. Then David at last realizes that he loves Joan, but at her command, leaves her for a year's time.

A visual fragment from the archive: The thematic resonance of The Stolen Paradise perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

When untalented artist Wilfred Barsley is eager for success, he sells his soul to the devil, who first has him kill his uncle for an inheritance. Then, the devil instructs him to commit the sickly, struggling artist Paul La France to a sanitarium and exhibit Paul's paintings as his own. After doing so, Wilfred becomes an overnight modern master, while Paul, during his convalescence, loses his memory and also his sweetheart, Helen Danver, who does not know that he has been hospitalized. Then, when Helen sees one of Wilfred's paintings and recognizes it as Paul's, she bluffs an interest in the fake artist to get information about the real one. After she succeeds, she goes to Paul, and the sight of her restores his memory. Meanwhile, having returned to the vault where he had stashed his uncle's body, Wilfred dies when the door slams shut on him.

Dir: Harley Knoles

Little Carol Montgomery's father, a navy commander, discovers a spy in the house, he earnestly counsels the family not to answer questions regarding themselves. Later, while attempting to follow her mother, Carol becomes lost on the subway, and, taking her father's words to heart, refuses to tell a police officer who she is. Eluding the officer, Carol falls asleep in a tenement hallway where she is found by Beppo, an organ grinder who decides to add her to his show. They travel south, where, becoming separated from Beppo, Carol seeks refuge at the Fairfax plantation. Mrs. Fairfax, estranged from her husband because he had disowned their daughter years earlier when she eloped without his permission, refuses to speak to anyone. However, under Carol's winning influence, the Fairfaxes are reconciled and send for their long-lost daughter, who turns out to be Carol's mother.

A visual fragment from the archive: The thematic resonance of The Devil's Toy perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Following the death of her father, a Maine trapper, Jennie Cox moves to New York to earn her living. She is aided by a close friend, Professor Rolfe, who secures a typing position for her, but just as she loses the job through the schemes of a jealous co-worker, Rolfe dies, and Jennie is left alone and nearly penniless. With her last three dollars, she decides to have a good meal at the elegant Claridge, and there she meets Billy West, a wealthy man who is in the process of obtaining a divorce. Billy offers Jennie a job as his housekeeper, and soon she learns that he is an avid gambler. Billy is accustomed to losing moderate amounts of money, but when Henry Walker fleeces him out of $12,000, both Jennie and Billy's ex-wife Cora come to his rescue. After Cora hands him the money and departs, Billy proposes to his housekeeper.

Dir: Harley Knoles

Divorcée Adrienne Van Couver visited clairvoyant Mme. Melvina, who tells her that a tall dark man, Robert Warren, is excited over a letter he has just received from her, telling him she does not love him. The fortuneteller bids her beware of him, then tells her that Henry Armstrong, the man she loves, will never love her. The clairvoyant then tells Adrienne of a young girl, Lorraine, whose eyes are dim with the tears that she has caused in another part of the city, Lorraine greets her fiancé, Henry Armstrong, with ill-concealed dejection and he tells her he fears she still loves John Dean, but she dispels his suspicions. John Dean shares the secret of his silent love for Lorraine with his mother. Robert Warren goes out into the night; it is then he meets John. In the other's haggard face, John Dean sees traces of his own sorrow and trying to make it easier for this man who has been his friend for five years, he tells Robert Warren his story. Eight years ago he and Adrienne were married. For two years they lived on the money inherited from his father. It was then the baby came and the father found happiness in the touch of baby hands, but to his wife it made no difference. Then the baby became ill, and while its mother was away dancing, the little life slipped away. Six months later Adrienne was given a divorce. Then he and his mother came to New York and a few years later he met and loved Lorraine Barkley. Although Henry Armstrong was a dangerous rival, Lorraine loved him and he did not fear until the day when the Barkleys gave a reception. It was then he met Adrienne again and she taunted him with his love for the young girl. When she demanded money, he gave it to her. Lorraine sees this and misconstrues the situation. It is then her engagement to Henry Armstrong is announced. John finishes his story and Robert is maddened by the destruction of the halo he had built around the woman he loved. Robert makes his way to Adrienne, who has been nervous and ill at ease ever since she returned from the fortune teller. Robert's haggard appearance frightens her and she telephones Henry, but her call for help is only half-uttered when Robert forcibly takes the instrument from her. Alarmed, Henry starts off at once to help her. Meanwhile, John, fearful for Adrienne's safety, goes to warn her. He arrives just after Robert has made his escape after murdering Adrienne. When Henry arrives with two policemen, he finds John bending over the dead woman. He is arrested. Lorraine is brokenhearted when she hears of the arrest and pleads with Henry, who is a lawyer, to take Dean's case. Detectives search Robert's apartment and find here a coat with buttons similar to one found in the dead woman's hand, and one is missing. They trace Robert to the hotel and after a terrible fight he is taken into custody. Happiness came with the morning, for Henry took Lorraine's hand and told her she was released from her promise to marry him. Then she called up John Dean and told him that she was ready to marry him.

A visual fragment from the archive: The thematic resonance of Adventures of Carol perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Richard Barton, a prosperous manufacturer, has an accomplished wife, Helen, and Bess, a child of five. Richard has in his employ a man addicted to gambling. After repeated warnings, he discharges him, fearing that some day he may have a losing streak and take some of the firm's money. Being of a moody, vindictive turn of mind, he vows revenge. The same evening the Bartons are giving a party and it is arranged that Mrs. Barton will recite for her guests. Charles Burham, a theatrical manager, is present and, charmed with her elocution, tells her there is always a position waiting for her should she ever desire to go on the stage. The party is abruptly ended when Richard receives the news that his plant is on fire, having been set by the discharged employee. Richard assists the firemen, gets drenched and catches a severe cold, which turns to tuberculosis. The litigation over the insurance of the plant has forced the little family to hard circumstances and they are compelled to seek cheaper quarters in which to live. During all this time, Howard Barton, a wild young brother of Richard's, who has been seeking his fortune in Australia, has at last achieved success, and decides to return to New York. He has written Richard at the plant, but when he arrives there, finds the place in ruins. He tries in vain to locate his brother's present whereabouts. Richard is discouraged, and during this strenuous time, his wife is like a guiding star, taking discomforts cheerfully and giving him the loving care, tender sympathy and moral support that only a good woman can give. He, however, has not much moral stamina, and adversity breeds peevishness and irritability. After a time they are so impoverished she has to pawn her jewelry. While in the pawn shop one day, she meets a stranger, who is greatly impressed by her beauty, and listening to her pitiable tale, tells her that if she will but let him entertain her that evening, she will not have to want in the future. Helen rebukes him, but not until he has given her his name and address. When she finds later that she cannot raise any more money and must have money to buy medicine, she dresses up for the sacrifice, and goes to Howard's apartment. A few days later, Howard's letter reaches Richard, who sends for his brother. Both brothers are happy at seeing each other, but when Richard introduces his wife, Howard recognizes her and she meets his brother's wife as well as the visitor to his apartment. Howard arranges for the little family to go into the mountains. He sees them off and makes all sorts of excuses for remaining away, until Richard insists that he come, as he has been injured while out sleighing. The presence of Howard is a trying ordeal for Helen as well as himself. Being unable to quell his passions, he resolves to leave for Australia, but while talking about the past, Richard steps into the room and hears the terrible truth. Angry, he turns his wife from the house. She goes to Burnham and obtains a position on the stage, at the same time caring for her child. She is cast in a play very similar to that in which she has figured in real life. Richard and Howard, now both in New York city, are present at the first night. When he sees Madame Bondorti on the stage, Richard is by her resemblance to his own wife, but when he hears her speak, he is sure it is her. A few days later, after Richard learns the great depths of the sacrifice his wife made for him, he realizes how he had been unjust to her, and through Howard's efforts, they are brought together through the pleadings of their child, Bess, who has been in an orphanage during these years of estrangement. After the loving union of the three, Howard leaves for Australia, never to return.

Dir: Harley Knoles

In the little kingdom of Balkany lived a king and queen who were not liked by their subjects. His Majesty was King John the Fifth, and Her Royal Highness was Queen Vesta. To them was born a daughter, the Princess Honore, who was placed in the convent of the Holy Sisters. The little kingdom rebelled against the extravagance of King John, and an attack was made upon the castle. Both the king and queen were assassinated. Princess Honore succeeded to the throne. In love with her and coveting the crown was Baron Stefano, Prime Minister, but his love was not returned. This incurred the ill-will of the Prime Minister, who set out to overthrow the little kingdom and turn it into a republic with himself as ruler. Prince Boris renounced his title and cast his lot with the peasantry. He was loved by the common folk and proved a leader. During the annual fair people gathered in the capital from far and near. There were rumors of an uprising. The young queen had not brought about much change in the conduct of the official household. The extravagance had continued to eat up the revenue raised by the heavy tax, and the people were protesting and demanding that something be done for their relief. These rumors reached the girl queen, and clad in the garments of a peasant girl she went forth during the fair to learn what she could. In this way she soon learned of her disfavor. One day she met Prince Boris, who told her of conditions that existed. One of the government spies, overhearing his conversation, suspected that he was forming a plot against the young queen, who was not recognized by the spy because of her disguise. The spy hastily informed the Prime Minister, who ordered the arrest of Prince Boris. The soldiers were dispatched, and Prince Boris was placed under arrest. The young queen protested. She as his companion was also confined to the prison. The chief of the Royal Guard notified the Prime Minister of the arrest, telling him that during the struggle with the queen she defied him by proclaiming that she was the queen, and this aroused the suspicions of the Prime Minister. Alone he went to the dungeon and discovered that Boris's companion really is the queen. It dawned upon him that now he had her in his power, he will force her to make him her king consort, or bring about conditions that will speedily overthrow the government. Meanwhile Lesbia, a peasant girl, learns of the conspiracy and through her love for one Ivan, sergeant of the Royal Guard, she secured the release of the queen, who escaped in safety to the Royal castle. Next morning the queen heard the tolling of the prison bell. On asking her secretary what it indicated, she was told that her sweetheart, the Prince Boris, was to be executed at sunrise. She rushed into the office of the Prime Minister and forbid the execution. He laughed at her. Back in the village, outside the prison wall, the soldiers were drawn up to execute Prince Boris. But the people saw their beloved leader. rushed forward, overpowered the soldiers and released him from his bonds. An attack was then made on the castle. Prince Boris discovered his peasant girl companion to be none other than her Royal Highness, Queen Honore. The people were for revenge, but the queen told them of the Prime Minister's conduct and followed by her the crowd attacked Baron Stefano, which resulted in his death. The queen accepted Prince Boris as her beloved king consort.

A visual fragment from the archive: The thematic resonance of The Oldest Law perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

On her son David's second birthday, Madge Black witnesses her best chum Nan Westland, kissing her husband Jeffrey Arnold Black, a successful lawyer, and orders Nan from the house. Angered, Jeffrey does not explain that it is his money that maintains their home--not her father's, as she believes. Jeffrey leaves his wife and son. On board a westbound train, Jeffrey meets Nan. She explains that she has been compromised, and that she is going away to hide. Touched by her apparent sorrow, Jeffrey tells her that, though he doesn't love her, he will try to protect her. In love with him, Nan is willing to accept him on any terms. A year later a son is born to Nan and Jeffrey. She pleads with him to divorce Madge and marry her for the sake of their son William's name, but he will not hear of it. Ben Richardson, Jeffrey's client, is a frequent visitor at their home. Richardson's sincerity eventually wins Nan; goaded by Jeffrey's indifference, she leaves him and their son to become Richardson's wife. Twenty years later David Black has developed into a splendid specimen of manhood, while his half-brother William has become the leader of a lawless band. David goes West to take charge of a mining plant. Happily married, Ben Richardson and Nan have become owners of Chanceland, a gambling-house in Colorado. "Rodeo," as William Arnold is known, goes to Chanceland to try his luck, but he loses all his money. He sees Nan in the music room adjoining, and eager to make an impression on her, he saunters in. When Nan asks his name, he says they call him "Rodeo the bandit." His real name, William Arnold, son of Jeffrey Arnold, from whom he had run away at 14. Never knew his mother; he guesses he'd better be going or he'd get sentimental. Not revealing her identity, Nan presses a ring into his hand, and tells him to come to her if he should be in trouble. Believing that he has surely "caught" the Queen, he strolls out. In the same town, his half-brother, David Black, is working on his mining schemes. In the doorway of Chanceland, "Rodeo" passes David Black, and both are struck by their remarkable resemblance to each other. David receives a telegram from his fiancée Kathleen May, asking him to meet her at the train which is to arrive the next morning. That night Rodeo and his men hold up the train. While Rodeo is relieving the passengers of their valuables, the conductor leaps on him, and the bandanna which concealed the bandit's features, is torn away, revealing him to Kathleen, who believes that he is David. The bandit effects a getaway. When David comes for Kathleen the next day, she snubs him and walks past him. Ben Richardson's servant sees Rodeo and his men dividing the plunder and reports to Richardson. The latter intimates to Nan that the young fellow she was interested in is suspected of a number of crimes. She realizes that her son is in danger. Disconsolate, David tries to find solace in Chanceland, where he is arrested on the charge of robbing the mails and holding up the train. Deciding on a bold stroke, Rodeo goes to see Nan. She discloses herself as his mother and pleads with him to be careful, for as soon as the prisoner proves an alibi, the sheriff will be after Rodeo. Hearing Richardson, she pushes her son into her bedroom. Richardson, suspecting that Nan is hiding her lover, dashes into the room and fires at Rodeo, who is taken to court where David is being tried for the bandit's crimes. Nan confesses to Richardson that Rodeo is her son, and hastens to court. Also in the courtroom are Kathleen and Madge, David's mother. The presiding judge is Jeffrey Arnold Black, father of the prisoner. When Rodeo is brought in, a dramatic scene ensues, during which the two half-brothers face each other. Nan embraces her wayward son, while he bewails the fact that he had found his mother only to lose her, and draws his last breath after vindicating David. A tender reconciliation follows among Madge, Jeffrey, and their son David. Richardson seeks and obtains Nan's forgiveness for his suspicions of her. David and Kathleen embrace, then discuss their hopes of a little cottage for two.

Dir: Harley Knoles

Madge Evans, World Film Corp. juvenile star, is sent to her Quaker grandparents, Timothy and Tabitha Mendenhall, when her father and mother go to serve in World War I. After bidding farewell to the World stars, Madge goes to her grandparent's home where she experiences stern discipline. Jonathan Mendenhall, her uncle, is anxious to enlist, but is forbidden by his father, whose religion opposes fighting. Madge creeps into the old Quaker's heart by degrees, but he maintains unrelenting discipline in the household. Jonathan comes of age, enlists despite his father's opposition, and is disowned. When Madge's latest picture comes to town, the child implores her grandfather to take her to see it, but he refuses. Timothy secretly visits the theater, however, and is completely won over by Madge's acting. A change takes place in the old Quaker's nature as he praises Madge, forgives his son and writes to Madge's mother, whom he had cast out when she married against his will, to be sure and bring her husband back safe.