Top-Tier Alternatives Exploring the Legacy of Mrs. Temple's Telegra...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: James Cruze

When the brokerage firm of Blatch, Markham and Driggs dissolves, Markham steals company records and the option of a valuable mine. Meanwhile, Blatch, who wants the option to expire so he can then purchase it at a low price, hires attorney Burley Hadden to convince Driggs that he is trying to recover it. Hadden sees John Craig, a bungling construction contractor who needs $800 for his payroll, running nervously from the pop of a paper bag, and offers the supposed "dub" $1,000 to retrieve the papers, thinking he will fail. After Markham tries to dupe John, he meets Enid Drayton, Markham's ward, who is being held a virtual prisoner in Markham's mansion. With the help of a friendly burglar, they retrieve the option and other papers which prove that Markham and Blatch had been cheating Driggs for years. After Driggs rewards John and informs Enid that she owns a million dollar estate, she and John embrace.

A visual fragment from the archive: The thematic resonance of The Dub perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Cruze

An inventor travels to the South Seas, where there is buried treasure belonging to a girl. The girl's father is being held captive by cannibals until she returns a pearl that belongs to one of their idols.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

A visual fragment from the archive: The thematic resonance of Terror Island perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Cruze

When Captain Dieppe, an American agent of French descent, refuses to divulge confidential information he gathered for a small Italian principality until they pay him, he is pursued by secret service agent Guilamo Sevier to Fieramondi in Northern Italy. Dieppe agrees to help the lonely Count Fieramondi convince his wife to return from her isolated wing of their castle. The countess, after convincing her cousin Lucia to take her place in the castle, goes to Rome to raise money to pay Paul Sharpe, who is blackmailing her because of her gambling debts. Dieppe falls in love with Lucia, whom he thinks is the countess, and after he fights Sharpe and steals the evidence of the debts, he sacrifices his own love by preparing a reconciliation between the count and the countess. After Dieppe obtains his money from Sevier, the real identities are revealed. Finally the count and countess are reunited, while Dieppe and Lucia maintain their romance.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Cruze

A young man pursues a young lady with the same energy he applies to his other obsession in life, auto racing.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

A visual fragment from the archive: The thematic resonance of An Adventure in Hearts perfectly mirrors the editorial trajectory of our deep dive.

Dir: James Cruze

Railroad magnate Gordon Rogers agrees to allow his daughter, Helen, to marry wealthy idler Billy Deering, Jr., but only if the latter can hold the same job for one month. Billy is hired for an array of jobs, including office clerk and xylophone player, but always quits just before being fired. He then finds work in a restaurant where he is required to dress as a knight in armor and pose as a statue. On one occasion, Gordon, Helen, and Billy's romantic rival, Tom, enter the restaurant, and Billy is nearly fired when Helen recognizes him. Meanwhile, Gordon plans to merge one of his railroads with a company that is in a dispute with Tom's uncle, an unprincipled financier. Acting on the promise of a generous cash reward, Tom is determined to steal documents relating to the merger. Billy manages to stay at his job for thirty days, and in the process, exposes Tom's scheme, winning Gordon's consent to marry Helen.

Dir: James Cruze

A young man infiltrates the underworld by pretending to be a convicted burglar. While undercover, he meets a young woman who turns out to be no more a part of gangland than he, but with similar reasons for disguising herself.