Curated Recommendations Similar Cinematic Experiences to Mussolini ...

Dir: Antoni Bednarczyk

The north-eastern Polish province of Vilnius is after WW1 plundered by savage Bolsheviks. The heroic Polish army is bound to stop them.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of The Tavern Knight perfectly mirrors the editorial trajectory of our deep dive.

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

Dir: Anthony Young

A visual fragment from the archive: The thematic resonance of For the Soul of Rafael perfectly mirrors the editorial trajectory of our deep dive.

Films shot by newsreel companies and army cameramen are featured to tell the story of what it was like for soldiers during World War I.

Dir: Unknown Director

The true story of Sir Ernest Shackleton's dramatic exploratory journey to Antarctica aboard the Endurance, during which the ship and all aboard became icebound.

Dir: Donald Crisp

A visual fragment from the archive: The thematic resonance of Heroes All perfectly mirrors the editorial trajectory of our deep dive.

During the Civil War, young widow Rachel Hayne is among those "held by the enemy" when her old family home is within the lines occupied by the Northern troops. Protected by Colonel Prescott from looters and the unwelcome attentions of Surgeon Fielding, Rachel begins to fall in love with the gallant Yankee officer. Their romance is disrupted when Rachel's husband Gordon, long reported dead, is captured as a spy and condemned to death. When Gordon is wounded during an attempted escape, Rachel's loyalty impels her to try to save him by feigning his death. As Gordon's stretcher is carried through the hospital, Fielding demands an examination of the body, charging that Prescott is involved in a plot to smuggle the spy out of the hospital alive. General Stanton lifts the cover from the body, only to find that death has really come, freeing both Rachel and Prescott.

Dir: J. Gordon Edwards

Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.

Dir: Frederic Zelnik

A visual fragment from the archive: The thematic resonance of The Bottom of the World perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Paul Scardon

1860 ushers in the era of iron ships, Richard Sibley, a builder of wooden ships, stubbornly resists the change, which leads him to forbid the marriage of his daughter Rose to John Rhead, a proponent of the new method. This injustice outrages John's sister Gertrude so much that she breaks off her engagement to Sibley's son Sam. Meanwhile, John and Rose elope. Twenty-five years later, John has grown rich and conservative and has a daughter named Emily. Gertrude, still single, tries to help her niece Emily marry the man she loves, Arthur Preece, rather than her father's choice, old Lord Monkhurst, but Gertrude fails. Twenty-five more years pass, and John again attempts to interfere by opposing the marriage of his granddaughter Muriel to Richard Sibley, Jr., an engineer. This time, however, Muriel's independence wins and she marries the man of her choice, and after the death of Monkhurst, Emily and Preece are finally together.

Dir: Claude Friese-Greene

A fascinating piece of cinema that shares thematic elements.