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Recommendations
Senior Film Conservator
Witnessing the stylistic evolution of Harry Lachman through Nada más que una mujer is profound, this Drama landmark continues to dictate the rules of its category. If Julian Rivero, Alfredo del Diestro, Lucio Villegas impressed you, these next recommendations will too.
The synthesis of form and function in Nada más que una mujer to maintain its cult relevance across several decades.
David Landeen of San Francisco arrives at the port of Ropangi, British North Borneo, in order to take over his deceased uncle's plantation on the neighboring island of Tilo. Beauregard, who owns the next plantation and who has taken control of the Landeen property, sends a group of island natives to beat David up and take his papers. The natives leave David for dead, and Mona, who sings at a casino, rescues him. She calls Dr. Otto Steiner, who reports that David has been temporarily blinded and that he must convalesce in Mona's room, despite Mona's protestations, because the tropical sun might cause permanent damage to his eyes. At the casino that night, Beauregard asks Mona to live with him on his island, and he tries to give her a pearl. She refuses both offers, and her friend Gilda chides her for not taking advantage of Beauregard's bounty. Beauregard follows Mona home and after forcing his way into her room, sees a figure in bed, whom he does not recognize as David. When Beauregard grabs Mona, she slashes his arm with a knife. Ashamed of her circumstances, Mona tells David, whose eyes are still bandaged, that her apartment is actually a wing of a large plantation house owned by her rich father. When David declares to Mona that he loves her, he prematurely pulls the bandages from his eyes, extols her beauty, and then asks her to marry him. She agrees, but Gilda later insists that David will leave her when he discovers that she is not a rich man's daughter but only a cabaret singer. Mona seeks the advice of her friend, Dr. Steiner, and he recommends that she go to San Francisco, where he will arrange for her a job as a student nurse. Mona decides to take his advice and, in a note she leaves for David, says she is going away to become the girl that he believes her to be. At the boat dock, Beauregard lures Mona on board a schooner by offering her a ride to Sandican, where, he says, she can pick up the boat bound for the States. Beauregard, however, takes her to his plantation on Tilo and keeps her there by force, hoping that eventually she will want him. When he discovers that Mona has left, David tells Dr. Steiner that her past does not matter to him, but the doctor convinces him to give her a chance to remake her life. A week later, David, now recovered, arrives in Tilo to take over the Landern plantation. He is shocked to see Mona at Beauregard's house, and when she acts as if their romance was not serious, David leaves in disgust for his own house. Beauregard then instructs his cohort Hansen to kill David, but Hansen refuses, and Beauregard knocks him out. Mona, who has overheard their quarrel, gets a gun, but Beauregard takes it away. After she pleads for David's life and relates how she came to know him, Beauregard slugs her and goes off to David's with his gun. Mona follows and then struggles with Beauregard as he is about to shoot David. As Beauregard and David fight, David gets the gun. While Mona explains to David that she did not willingly leave Ropangi with Beauregard, Beauregard grabs the gun, and the two men struggle once again. As Hansen arrives, Beauregard knocks David out. Mona gets the gun, and as Beauregard is about to kill David with his machete, Mona shoots Beauregard three times. Hansen then tells the natives that Beauregard died accidentally. While David is unconscious, Mona goes to the boat to leave. David awakens, however, and stops her from going, despite her pleas, by telling her that he needs her. She falls to her knees and they embrace.
Based on the unique emotional resonance of Nada más que una mujer, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
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Dir: Colin Campbell
Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.
Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
Dir: Hugh Ford
The 'dead' wife of a steel process inventor returns, as does her 'dead' husband, a war amnesiac.
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Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
Dir: Tod Browning
Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.
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Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
View DetailsAnalysis relative to Nada más que una mujer
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| 'A mala nova | Surreal | Layered | 92% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| Man's Plaything | Surreal | High | 98% Match |
| Moon Madness | Surreal | Layered | 95% Match |
| In the River | Gritty | High | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Harry Lachman's archive. Last updated: 6/2/2026.
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