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Recommendations
Senior Film Conservator
The cinematic DNA of Nine-Tenths of the Law (1918) is truly one of a kind, the search for similar titles reveals the deep impact of B. Reeves Eason's direction. Our cinematic experts have identified several titles that reflect the spirit of 1918.
As a pivotal work in United States cinema, Nine-Tenths of the Law to capture the existential zeitgeist of 1918.
Leneau and his wife, who live in a cabin, lose their own baby early in the story. Red Adair and his partner have kidnapped Little Roughneck, who starts out alone while they are in a drunken orgy. The child wanders over to Leneau's place and falls into a bear trap, where he is found next morning. Leneau and his wife, still mourning for their own child, at first refuse to give him up or look for his family. Later, after Leneau has had mortal combat with the kidnappers, he learns that the Little Roughneck belongs to a judge living at Vancouver. He leaves his despondent wife to take the child back to the city. Then comes a surprise finish, which is too good to spoil by simply relating it.
The influence of B. Reeves Eason in Nine-Tenths of the Law can be felt in the way modern cult films handle cult status. From the specific lighting choices to the pacing, this 1918 release set a high bar for atmospheric immersion.
Based on the unique cult status of Nine-Tenths of the Law, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: B. Reeves Eason
En route to apply for a job as horse-trainer for Colonel Doon, ex-jockey Billy Decker rescues a girl on a runaway horse and discovers that she is Jennie Doon, the late colonel's daughter and manager of the stables. Jennie hires Billy to train Moonstone for the Kentucky Derby and approves of her brother, Johnny, as jockey. While the Doons work with Moonstone, Harvey Boyd places his hopes on his horse, Bluebell, the derby favorite, so that he may satisfy the demand of Amos Snivens that he repay certain loans. Boyd unsuccessfully offers to buy Moonstone and attempts to bribe Billy. While Billy and Johnny guard the stable, Boyd's men drug them and set fire to the building. Moonstone is rescued, Johnny is injured, and Jennie herself dons the family silks and arrives at the track in time to ride to victory. Boyd must answer to the sheriff for his tactics.
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Dir: B. Reeves Eason
A range boss learns to imitate the hiss of a rattlesnake for humorous purposes, but has occasion to employ this accomplishment with more dramatic effect when seeking to rescue the heroine from some bandits.
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Dir: B. Reeves Eason
Patches, a kindhearted orphan of the slums, finds life unbearable under the cruel abuse of his stepfather, Old Whiskers, for whose support he is forced to steal. Stowing away in a freight car with his dog, he escapes to a neighboring town where he is given a home by Mrs. Lane, sister of the town judge. The stepfather, having turned hobo, kidnaps the boy and holds captive Sally, the judge's daughter, when she finds him. But Patches escapes and returns with a posse to the rescue.
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Dir: B. Reeves Eason
A fascinating piece of cinema that shares thematic elements.
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Dir: B. Reeves Eason
Pinto Peters and his pal Chuckwalla Bill acquire a newspaper in the town of Cinnabar, which is run by the mayor and boss Joe Reedly, guardian of Jane, with whom Pinto is in love. They decide to wage a reform campaign and are elected sheriff and mayor respectively, through the efforts of Judge Fay, who speaks in their behalf. Jane, however, is won over by Blackie, owner of a gambling house. Pinto thrashes Reedly for bothering the judge's daughter Eliza and orders him from town. When Reedly is mysteriously killed, Eliza's fiance' Nathan is blamed, but Pinto suspects Blackie and catches him trying to abscond with Jane and her fortune. He is jailed, and Jane is reunited with Pinto.
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Dir: B. Reeves Eason
A fascinating piece of cinema that shares thematic elements.
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Dir: B. Reeves Eason
An Eastern boy is sent to the West to run the family's sheep ranch. The presence of sheep angers nearby cattlemen, who don't want to share their cattle's grazing lands with them, and their leader has no compunctions about resorting to drastic measures to protect his interests.
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Dir: B. Reeves Eason
A fascinating piece of cinema that shares thematic elements.
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Dir: B. Reeves Eason
Carleton goes off to the mountains after failing to win Mary, who fancies herself in love with another whom she marries. Carleton and some newly-found friends establish a health resort to make money and Mary, a widow, after a time brings her small son there to regain his strength. Carleton's enemies plan to get hold of the property and try to steal his horse before the race, but Carleton is too clever for them and succeeds in saving the race, the property and winning Mary.
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Analysis relative to Nine-Tenths of the Law
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Women First | Ethereal | Abstract | 91% Match |
| The Rattler's Hiss | Tense | Layered | 95% Match |
| The Big Adventure | Gothic | Abstract | 87% Match |
| The Kid and the Cowboy | Ethereal | Linear | 96% Match |
| Red Courage | Ethereal | Abstract | 96% Match |
This guide was algorithmically generated using the cinematic metadata of B. Reeves Eason's archive. Last updated: 5/15/2026.
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