Summary
In the ochre-dust crucible of Cinnabar—a frontier blister where the Mojave exhales its hot sigh against splintered clapboard—two peripatetic ink-slingers, Pinto Peters and Chuckwalla Bill, trade their saddle sores for a hand-cranked Washington press whose lead type still smells of last week’s blood and bourbon. The town’s arteries are clogged by Joe Reedly, a velvet-gloved kleptocrat who keeps the mayor’s gavel in his hip pocket and his ward Jane draped in Parisian lace as insurance against her conscience. Print becomes powder: each broadside rolled out by the newcomers is a detonator, and when the paper’s ink still glistens they ride a populist surge into the star-shaped badge and the seal of office, shepherded by a circuit-court sphinx, Judge Fay, whose drawl can unmoor truth from perjury without ever raising his voice. Yet Jane’s pupils dilate not for civic virtue but for the roulette-spinner Blackie, whose gambling palace is a gilded aquarium where gold dust and human dust swirl under green felt skies. A single punch—Pinto’s fist like a comet across Reedly’s jaw—upends the chessboard; the boss is banished under threat of worse than death, only to reappear horizontal, throat smiling with a knife’s grin. Eliza, the judge’s dove-eyed daughter, watches her betrothed Nathan dragged away in irons while the real night-rider prepares to elope with Jane and the Reedly fortune stitched into a Saratoga trunk. From the jailhouse to the gallows-tree the distance is a heartbeat; from suspicion to proof, a canyon only Pinto can leap, spurred by love, newsprint, and the stubborn conviction that a six-gun is merely punctuation in a much longer sentence of justice.
Synopsis
Pinto Peters and his pal Chuckwalla Bill acquire a newspaper in the town of Cinnabar, which is run by the mayor and boss Joe Reedly, guardian of Jane, with whom Pinto is in love. They decide to wage a reform campaign and are elected sheriff and mayor respectively, through the efforts of Judge Fay, who speaks in their behalf. Jane, however, is won over by Blackie, owner of a gambling house. Pinto thrashes Reedly for bothering the judge's daughter Eliza and orders him from town. When Reedly is mysteriously killed, Eliza's fiance' Nathan is blamed, but Pinto suspects Blackie and catches him trying to abscond with Jane and her fortune. He is jailed, and Jane is reunited with Pinto.
Review Excerpt
"
The first thing that hits you—once the organ chords subside and the 4K scan settles—is the smell of wet ink that no digital file can convey. Director Mack V. Wright turns that abstraction into cinema: close-ups of lead slugs being assembled, tiny steel glyphs sliding into a composing stick, the press thundering like a drunken locomotive. In 1928 most Westerns were still herding cattle or Indians; Red Courage opts to herd words, and the gambit pays off with the same kinetic frisson you feel dur..."
