Essential Cult Cinema Drawn from the Same DNA as Not Guilty: Cult Guide

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Alice Grayson's uncle develops a wireless torpedo that can be controlled by radio. After he announces his invention to several of his colleagues, two of them murder the scientist, steal the blueprints and prototype, and make plans to sell both to the highest bidder. When Alice discovers the identity of the thieves, the intrepid heroine, with the help of Bob Moore, her two-fisted boyfriend, desperately tries to recover the plans and torpedo before enemy countries can unleash the torpedoes against American ships.

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A visual fragment from the archive: The thematic resonance of The Price perfectly mirrors the editorial trajectory of our deep dive.

A young girl, reared in luxury, is thrown penniless upon her own resources. She becomes secretary to a great artist, who, in younger and poorer days, married the landlady's daughter. In need of inspiration, the artist turns to his charming secretary. Believing that she loves him, the girl submits, but finds her mistake, when, meeting a flourishing physician, she learns true love. Both the physician and the artist want to marry the girl, the latter promising to get rid of his present encumbrance. Fearing that the physician will learn of her past, the girl refuses his offer of marriage. The artist, having a weak heart, drops dead at her feet upon learning that she does not love him; whereupon the girl becomes the physician's bride. The artist's widow, seeking vengeance, after a protracted discussion between the physician and his wife, secures the position of housekeeper in their home. She plants seeds of jealousy within the wife by telling her the physician loves his adopted child, whom he has brought up from infancy. The wife flies in a rage, charging her husband with infidelity; whereupon the widow, making her revenge complete, reads a diary to husband and wife foolishly kept by the artist, telling of his relations with the former secretary. In her frenzied protestations, the wife also reveals the fact that it was her rejection of his love that caused the death of her lover. Attempting suicide, the wife is prevented by her maid, who shows her the folly of such an act. The wife, impressed by the recital, decides to live down the past, and try to win back her husband's love.

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A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.

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A visual fragment from the archive: The thematic resonance of The Count of Monte Cristo perfectly mirrors the editorial trajectory of our deep dive.

The husband is bored to death by years of association with his wife, whom he deems old-fashioned and settled. A governess, young and beautiful, comes to the house. The father, master of the house in every sense of the word, is infatuated with the governess's description of life in the city where one remains young even at four-score years. Many conversations occur between the man and the governess, and one day he tells his wife that he is tired of her and that he is going away to the city with a younger and prettier woman. Time passes and the master of the house sees the other side of the governess. Her family is a lot of parasites who live on him. The man, broken in health, his spirit revolting against present conditions, feels a longing away down in his heart for his old-fashioned wife and their three children and the old home that is a home. In a frenzied burst of anger he strikes her, casts aside the woman and the unpleasant associations with her and, older, wiser, sadder and penitent, he returns to his wife and fireside.

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of The Master of the House perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

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An actress with a wild reputation finally settles down to a sedate, pleasant marriage. One of her former lovers, an architect, arrives to disrupt her happiness by renewing their affair. She humiliates this suitor in public with her rejection, and he seeks revenge--revenge that catapults her into tragedy.

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A visual fragment from the archive: The thematic resonance of The Whirlwind perfectly mirrors the editorial trajectory of our deep dive.

Tom, the son of John and Mary Landers, an old-fashioned country couple is in love with a pretty country girl, who is also being courted by Walter Terry. Tom surprises the latter making violent love to her and, crazed with jealousy, strikes Walter and in the fight that ensues Tom accidentally pushes Walter over the edge of a cliff. Fearing that he had killed his rival, Tom leaves the farm for the city. Unable to secure a position there, he appeals to his mother, who sends him money. He finally secures a position with Grant and Co., stockbrokers. The Wall Street fever soon gets the better of him and he tries his luck in the stock market. Being successful in his first venture, he plans to make a fortune. He writes his mother informing her that he has an opportunity to go into a good business for himself and begs of her a loan of $1,000. The devoted mother having faith in Tom's promise of a speedy return of the money, takes the money which they had saved to pay off the mortgage on the farm. Tom loses it in speculations and is ashamed to reply to his mother's appeals for the promised return of the money. Meanwhile, Pa Landers is killed by an accidental discharge of his gun while out hunting. The poor widow is now unable to meet the payment of the mortgage and is forced to leave the old home. Miss Elsa Norman, a society girl in the city, is attacked by a thief, but is rescued by Tom and a close friendship is the result of this incident, which later develops into mutual love. Tom's mother arriving in the city visits him in his office. He is ashamed of her appearance and takes her to a boarding house in the suburbs and asks her not to call on him. Terribly hurt at the indifference of her son, she resolves never to annoy him again. Alone in her grief she is forced to move to a poor tenement house. She visits daily the lobby of Tom's office building, where she is seen one day by Elsa Norman, who in deep sympathy for the poor old woman gives her a bunch of violets, not knowing she is the mother of the man she loves. Ma Landers' money gone, she is in actual want and is overcome one day by weakness and faints in front of the building, where she is picked up by Elsa and her chauffeur and carried to her miserable lodging. There she tells her story to Elsa, who is horrified to learn that the old lady is Tom's mother; Elsa 'phones Tom to come at once and he is brought face to face with the terrible result of the neglect of his mother. Elsa touched by the heroic acceptance of the old lady's sad fate, purchases the old farm and presents it to her. Tom returns to the old homestead and in a touching love scene which follows Ma Landers forgives Tom, who wins back Elsa's love.

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Inez Valenti is the niece of Grant Thorne, who runs a gambling house. She acts as a lure for her uncle's den. Barry King becomes infatuated with her, and this gives her a violent aversion to the life she has been living "behind closed doors." Elsa Montford, daughter of the Judge, is saddened by King's attentions to Inez. Thorne also becomes jealous of King. They fight in the gambling house; Thorne is shot, and King throwing the pistol away, runs, but is caught. Elsa has seen the affair and tells her father who takes her to the police station, where she identifies Barry among the other prisoners. Inez is in despair when she learns that there was a witness to the affair whom the State has in charge, and refuses to leave the city while he is in danger. She sends for Elsa, and tries to bribe her to keep silent, but on refusal offers her a glass of wine which has been drugged, but Elsa breaks the glass and escapes. Inez tries to get Barry to jump his bail, but Elsa pleads with him to stay and fight it out. He agrees and writes to Inez telling her he loves Elsa. Inez, in despair, writes out a full confession of her life, and declares that she and not Barry killed Thorne, Barry having kept silent as to having taken the pistol from her in order to avoid incriminating her. Elsa reads the confession. When she has finished she phones to the district attorney and together they go to Inez's room where they find her a suicide.

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Senator Rivers of the State of Missouri comes to the United States Senate, and meets Silas Denman, who has been unsuccessful in the prosecution of the Denman Claim, a relic of the Revolutionary War. Denman's daughter, Mabel, who teaches music, meets Mrs. Hillary, a widow, who aids her in many ways. At Mrs. Hillary's home she meets Count von Strahl, and Armstrong, the Secretary of State, at whose home she is introduced to Senator Rivers. Mabel develops a liking for von Strahl. Her father is excited over the prospect of such valuable aid in getting his claim through, and Rivers makes a powerful speech in its favor, incited by regard for Mabel as well as by the justice of the claim. The Senator is stunned by the remark of Mrs. Hillary that Mabel is engaged to von Strahl, but in order to give her a dowry, redoubles his efforts on the Denman bill. The Senator and Mrs. Hillary are on good terms, and learn that Mrs. Armstrong and von Strahl are planning an elopement. The Senator sends Ling Ching, the Chinese Ambassador, to the Armstrong home to intercept Mrs. Armstrong, and before she can get rid of him, her husband arrives, he having been told that von Strahl's carriage had gone to his house. Senator Rivers turns the tables on von Strahl in a neat way, and hurries back to the Senate. By a neat trick he puts the Denman bill through, but is afraid of Mabel's marriage with the Count, as he knows his character. Developments satisfy Mabel as to the rascality of the Count. She realizes that she is in love with Senator Rivers, who in spite of his age, appeals to every particle of her nature. She appreciates the force of his actions regarding Mrs. Armstrong and Count von Strahl, and at the end the Senator has won the claimant as well as the claim.