The Recommended Vault Parallel to the Artistry of O Descobrimento d...

Dir: Francis J. Grandon

A raft carrying a little girl and a dead woman drifts in from a shipwreck to Devil's Island. There, a band of thieves and smugglers name the girl Rose Marie, though she grows up as "nobody's girl." Living in a cave, she learns to read through the kindness of Jason, who is soon killed by the cruel leader, Red Gull. In Red Gull's power, and urged on by Jason's jealous wife, Rose Marie makes her escape in a rowboat, where she is spotted by an aviator flying above the sea. He rescues her, taking her to be cared for at his home where she is well treated. When newspapers report a mysterious shipwreck on Devil's Island, Rose Marie reveals the way in which Red Gull lured ships to their doom there. She guides the authorities to the island, where, after a fierce battle, the thieves are wiped out. Eventually the aviator falls in love with Rose Marie, and "nobody's girl" is somebody's sweetheart at last.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of The Tavern Knight perfectly mirrors the editorial trajectory of our deep dive.

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: William F. Adler

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of Shipwrecked Among Cannibals perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Josef Stein

Bela Lugosi plays a lascivious Arab sheikh confronting European travelers in the desert in an adventure story set in the Sahara.

Dir: Cecil M. Hepworth

A visual fragment from the archive: The thematic resonance of The Adventures of Bob and Bill perfectly mirrors the editorial trajectory of our deep dive.

A soldier's tunic button, made from Aladdin's lamp, grants his wishes.

Dir: George Beranger

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Wallace Worsley

A visual fragment from the archive: The thematic resonance of Caravan of Death perfectly mirrors the editorial trajectory of our deep dive.

An orphan boy from the Kentucky hills joins the Union Army and rescues his adopted family from Morgan's raiders. He learns his real identity when he returns after the war.

Dir: Charles Swickard

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: Paul Scardon

1860 ushers in the era of iron ships, Richard Sibley, a builder of wooden ships, stubbornly resists the change, which leads him to forbid the marriage of his daughter Rose to John Rhead, a proponent of the new method. This injustice outrages John's sister Gertrude so much that she breaks off her engagement to Sibley's son Sam. Meanwhile, John and Rose elope. Twenty-five years later, John has grown rich and conservative and has a daughter named Emily. Gertrude, still single, tries to help her niece Emily marry the man she loves, Arthur Preece, rather than her father's choice, old Lord Monkhurst, but Gertrude fails. Twenty-five more years pass, and John again attempts to interfere by opposing the marriage of his granddaughter Muriel to Richard Sibley, Jr., an engineer. This time, however, Muriel's independence wins and she marries the man of her choice, and after the death of Monkhurst, Emily and Preece are finally together.