Recommendations
Senior Film Conservator

The evocative power of Par habitude (1932) continues to haunt audiences with its artistic bravery, the artistic provocations of Par habitude demand a follow-up of equal intensity. Explore the following titles to broaden your appreciation for Short excellence.
The visceral impact of Par habitude (1932) stems from to transcend the limitations of its 1932 budget and technology.
Valentin Bourgeasse is an inveterate drunk. He takes the matter so far that one day he is evicted from his apartment. A few evenings later evening, as he has drunk too much (what else?), he forgets that he doesn't live there anymore so imagine his surprise when he finds a lady in "his" bed.
The influence of Maurice Cammage in Par habitude can be felt in the way modern Short films handle artistic bravery. From the specific lighting choices to the pacing, this 1932 release set a high bar for atmospheric immersion.
Based on the unique artistic bravery of Par habitude, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Ralph Ince
A fascinating piece of cinema that shares thematic elements.
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Dir: Mason N. Litson
Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Victor Heerman
The night of the Policeman's Benefit is at hand and all the coppers with their wives are in the audience. On the stage is a magician. Everything goes well until he asks for the officers' watches. Presumably he will turn them into eggs or something. He has a charming confederate and both enter compartments. When they don't reappear, the curtains are lifted and the fakirs are absent. They escaped through a trap in the stage. Then the chase is on.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
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Dir: Lasse Ring
Mr and Mrs Stockholm visit the Paul U. Bergström (PUB) department store to buy a new wardrobe for a journey. They visit different departments, where the future Greta Garbo (Gustafson at the time) is one the models showing outfits for Mrs Stockholm.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Unknown Director
The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.
View DetailsAnalysis relative to Par habitude
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Fitting Gift | Surreal | Layered | 96% Match |
| The Land of Opportunity | Gritty | Layered | 87% Match |
| Get-Rich-Quick Edgar | Tense | Abstract | 95% Match |
| His Royal Slyness | Gothic | Layered | 92% Match |
| Chicken à la Cabaret | Tense | Linear | 86% Match |
This guide was algorithmically generated using the cinematic metadata of Maurice Cammage's archive. Last updated: 5/28/2026.
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