The Global Archive Complementing the Tone of Points West: Cult Guide

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

Jack Towne, who has just inherited one million dollars, is warned by his Uncle Mark to beware of strangers. Heedless of his uncle's advice, Jack becomes involved with Doris Ames whom he casually meets in a café. Unknown to Jack, Doris, who is in desperate need of money to pay the mortgage on her mother's house, is working for Mrs. Ames, The Menace and Laughing Louie, a gang of grafters hired by Uncle Mark to teach Jack a lesson. With the aid of the gang, Doris traps Jack in a compromising situation and then threatens blackmail. She refuses to go through with the scheme however, when she falls in love with Jack and realizes that the gang is out to blackmail him in earnest. Jack then proves the most cunning by hiring his own detectives to ensnare the grafters. Thus, he demonstrates to his uncle that he can handle his own affairs while also freeing Doris from the clutches of the crooks.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dreamer dairyman Phineas Dobbs of Cow Hollow suddenly acquires a fortune when oil is discovered on his ranch, and celebrates by throwing a party for the whole town. One day a young woman comes to town, delayed by train trouble. Dobbs rescues her from the town bully, and agrees to follow her to San Francisco. The woman is actually a princess who is being forced into a marriage with a man who wants to share her throne. Dobbs rides by Market Street to the St. Francis Hotel in his Western garb, and performs daring stunts to rescue the princess in distress. Together they free the princess' father. Dobbs then returns to Cow Hollow, and the princess gives up her throne to become Mrs. Phineas Dobbs.

Dir: Arthur Rosson

Doc Saunders, an alcoholic, leaves his little daughter Mayme in the care of his sister and goes West to start a new life. In the little town of Sago, Doc becomes an avowed prohibitionist, thus earning the enmity of Art the saloon keeper. Back East, Mayme grows to adulthood and marries reporter Jimmy Baggs who has just been hired by the newspaper in Sago. When Jimmy begins to drink heavily, Mayme appeals to the town doctor for help. Doc Saunders, recognizing her, chooses not to disclose that she is his daughter, but instead invites them to move into his house for treatment. Jimmy reforms until one day he is sent to the saloon to get a statement on the liquor question for his paper. When Jimmy returns home drunk, Doc, enraged, invades the saloon brandishing a gun and shooting wildly. Doc is arrested and tried, but pronounced not guilty by a jury that sympathizes with him. With Art's power finally broken, Doc confesses to Mayme that she is his daughter, and the family sees an end to their troubles.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.