Curated Recommendations Seeking the Same Brilliance as Redemption: ...

Dir: Joseph A. Golden

A fascinating piece of cinema that shares thematic elements.

Dir: Joseph A. Golden

Ed Andrews, a young shipping clerk, is in love with Dora Birch, and has as rival Tom Matthews, but wins the girl, much to his mother's satisfaction. A raise in salary hastens their marriage and two years later their baby arrives. Andrews, celebrating the event, goes to the corner bar with George Gardner, his chum, and, after several drinks, Gardner gets into a fight with Jim Matthews, Tom's brother, knocking him down with a blow, Matthew's head striking the pavement, causing his death. George runs away, and Ed bends over Matthews, trying to raise him. The crowd threatens him and he starts to run, but is soon caught. In the morning he is fined for disorderly conduct, and is near freedom when word comes that Matthews is dead, and he is held for murder. Tom is a ward detective, and four months after the arrest, swears that Jim was killed while resisting highway robbery. Ed is sentenced to death, and the shock kills his wife, his mother taking the child and rearing her. She pleads with the Governor, and in view of the evidence he commutes Ed's sentence to imprisonment for life. His mother tells him of his wife's death, and, with his nerve crushed, he begins his prison life. Nineteen years later his daughter falls in love with Paul Matthews, son of the man who had sworn away his life. Ed's mother continues her efforts in his behalf, and Gardner, dying in a distant city, tells the truth about the assault. Ed is pardoned and meets his daughter for the first time in the warden's office. Ed and his daughter are having luncheon on the beach when he sees a man fall from a boat, swims out to save him and brings him to shore, but the man is dead and Ed recognized the body as that of Tom Matthews, the brother of the man his friend had killed, and on whose evidence he had spent twenty years in prison. Then he feels that while nothing can give him back his lost youth, his wasted life and the wife he loved, he has overtaken the man who was responsible for his troubles.

A visual fragment from the archive: The thematic resonance of Not Guilty perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph A. Golden

Kate Tripler, the motherless uneducated daughter of the proprietor of a small hotel in a western town, is full of sentiment and has a craving for love. Frank Barclay, a young civil engineer, loved by Aline Webster, comes to the town to build a railroad bridge. Kate meets him at her father's hotel and tries to attract his attention, but he disregards her. Frank saves the life of Jim Travers, an engineer on the bridge, and they become friends. Kate, trying to make Frank jealous, flirts with Jim, but only amuses Frank. Frank tells Jim of his love and shows him pictures of Aline and her sister, Alicia, saying nothing of his preference. Jim goes east, meets the girls, falls in love with Alicia, marries her and plans a surprise for Frank. A newspaper makes a mistake and says he has married Aline. She writes to Frank telling him of the error. Kate gets the mail at the hotel, reads the letter and destroys it, giving the paper to Frank, who takes the story as truth, gets drunk, makes love to Kate, out of spite, asks Kate to marry him and after a rush for a license, they are married. Recovering from his drunken fit, he is horrified to find what he has done, and has a quarrel with Kate. Jim and his wife, with Aline and her father, arrive at the town and the mistake is cleared up. Frank leaves the cabin. Kate sees him meet Aline, and is about to shoot her when she hears Aline tell Frank to go back to his wife. Frank's father dies and he takes his wife back to New York with him, where she learns to be more like the people he associates with. Aline flirts with Frank, but Kate keeps on with her efforts to improve. Later, at a new big job in the west, where all are gathered, there is a labor riot. Aline shows cowardice and Kate surprises Frank by her bravery. Kate determines to be fair, tells Frank about the letter, and they quarrel, Frank leaving. Kate sends a note saying she will go out of his life, and Aline leaves one saying that a divorce will make everything all right. Going to the station, Kate sees strikers planning to blow up the works. Aline has an appointment with Frank, keeps it on the bridge, and is ordered away by Kate, who threatens her. Aline flees. Frank sees Kate's danger and calls her to come back. The explosion injures Kate, and as Aline is comforted by her sister, Frank finds Kate in the ruins, sees that she is the better woman, and tells her that it is she he wants, not Aline. Kate knows that her punishment is ended.

Dir: Joseph A. Golden

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Better Woman perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph A. Golden

A fascinating piece of cinema that shares thematic elements.

Dir: Joseph A. Golden

Alice Grayson's uncle develops a wireless torpedo that can be controlled by radio. After he announces his invention to several of his colleagues, two of them murder the scientist, steal the blueprints and prototype, and make plans to sell both to the highest bidder. When Alice discovers the identity of the thieves, the intrepid heroine, with the help of Bob Moore, her two-fisted boyfriend, desperately tries to recover the plans and torpedo before enemy countries can unleash the torpedoes against American ships.

A visual fragment from the archive: The thematic resonance of The Great Gamble perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph A. Golden

A fascinating piece of cinema that shares thematic elements.

Dir: Joseph A. Golden

A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.

A visual fragment from the archive: The thematic resonance of The Whirlwind perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph A. Golden

The husband is bored to death by years of association with his wife, whom he deems old-fashioned and settled. A governess, young and beautiful, comes to the house. The father, master of the house in every sense of the word, is infatuated with the governess's description of life in the city where one remains young even at four-score years. Many conversations occur between the man and the governess, and one day he tells his wife that he is tired of her and that he is going away to the city with a younger and prettier woman. Time passes and the master of the house sees the other side of the governess. Her family is a lot of parasites who live on him. The man, broken in health, his spirit revolting against present conditions, feels a longing away down in his heart for his old-fashioned wife and their three children and the old home that is a home. In a frenzied burst of anger he strikes her, casts aside the woman and the unpleasant associations with her and, older, wiser, sadder and penitent, he returns to his wife and fireside.

Dir: Joseph A. Golden

Senator Rivers of the State of Missouri comes to the United States Senate, and meets Silas Denman, who has been unsuccessful in the prosecution of the Denman Claim, a relic of the Revolutionary War. Denman's daughter, Mabel, who teaches music, meets Mrs. Hillary, a widow, who aids her in many ways. At Mrs. Hillary's home she meets Count von Strahl, and Armstrong, the Secretary of State, at whose home she is introduced to Senator Rivers. Mabel develops a liking for von Strahl. Her father is excited over the prospect of such valuable aid in getting his claim through, and Rivers makes a powerful speech in its favor, incited by regard for Mabel as well as by the justice of the claim. The Senator is stunned by the remark of Mrs. Hillary that Mabel is engaged to von Strahl, but in order to give her a dowry, redoubles his efforts on the Denman bill. The Senator and Mrs. Hillary are on good terms, and learn that Mrs. Armstrong and von Strahl are planning an elopement. The Senator sends Ling Ching, the Chinese Ambassador, to the Armstrong home to intercept Mrs. Armstrong, and before she can get rid of him, her husband arrives, he having been told that von Strahl's carriage had gone to his house. Senator Rivers turns the tables on von Strahl in a neat way, and hurries back to the Senate. By a neat trick he puts the Denman bill through, but is afraid of Mabel's marriage with the Count, as he knows his character. Developments satisfy Mabel as to the rascality of the Count. She realizes that she is in love with Senator Rivers, who in spite of his age, appeals to every particle of her nature. She appreciates the force of his actions regarding Mrs. Armstrong and Count von Strahl, and at the end the Senator has won the claimant as well as the claim.