Recommendations
Senior Film Conservator

The United States-born brilliance of Roberta offers a unique artistic bravery, the profound questions raised in 1935 still require cinematic answers today. Our curated selection of recommendations echoes the very essence of Roberta.
In the Pantheon of Comedy cinema, Roberta to provide a definitive example of William A. Seiter's stylistic genius.
An American jazzman and his buddy woo a Russian princess and a fake countess in Paris.
Roberta was a significant production in United States, showcasing the immense talent of Delmon Davis, Jane Hamilton, Randolph Scott. It continues to be a top recommendation for anyone studying Comedy history.
Based on the unique artistic bravery of Roberta, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: William A. Seiter
A fascinating piece of cinema that shares thematic elements.
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Dir: William A. Seiter
Jack wants to spend their vacation in the mountains and Daisy wants to spend it at the beach in Santa Barbara.
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Dir: William A. Seiter
The hero, jilted by his best girl, tries various methods of getting rid of life, but is frustrated at every turn. Finally he lands in jail and is noticed by a pretty philanthropist who gives him the position of butler in her home. After various amusing incidents in connection with a call by one of the girl's admirers, the butler suddenly finds himself heir to a million dollars and wins his benefactress for his wife.
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Dir: William A. Seiter
A newly married couple decide to spend their first Sunday at home. Mr. Newlywed boasts to his office associates of his wife's cooking and they immediately invite themselves for a Sunday dinner. Some friends of his wife decide to make their first Sunday at home anything but a quiet one. They advertise in the papers for a cook, giving the Newlywed's address, with the result that many applicants call for the position. Their cook, thinking that she is to be fired, packs her grip and in a huff leaves them. Nothing is left for the Newlyweds now but to cook their own dinner. The antics in the kitchen and the resulting dinner which is served to their guests are very funny. In the end they all proceed to a lunch counter where they eat a hearty meal.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: William A. Seiter
A fascinating piece of cinema that shares thematic elements.
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Dir: William A. Seiter
A fascinating piece of cinema that shares thematic elements.
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Dir: William A. Seiter
A young couple quarrel and make-up and quarrel again and it is here where they determine to save the scandal of divorce by placing a white tape through the house to divide it into two parts, each section of which will be exclusively sacred to the other. In the meantime, an almost invisible Cupid hovers about trying to placate them and a little Mephisto with a pitchfork tries to prod the couple along to more troubles.
View DetailsAnalysis relative to Roberta
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| An Amateur Devil | Tense | Linear | 98% Match |
| His Own Medicine | Gothic | Layered | 88% Match |
| Close to Nature | Surreal | Layered | 88% Match |
| He Did and He Didn't | Ethereal | Abstract | 85% Match |
| Their Day of Rest | Surreal | High | 98% Match |
This guide was algorithmically generated using the cinematic metadata of William A. Seiter's archive. Last updated: 6/4/2026.
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