The Auteur's Selection In the Shadow of Sapho: Cult Guide

Dir: Léonce Perret

Valentin Marquis de Sombreiul, alias Monsieur Simon, is known as the great master because he is the leader of a band of Parisian Apaches who mete out their own private justice to individuals who have violated their code in a secret tribunal known as the court of St. Simon. In an effort to cure Eugene, a young American longing for excitement, Valentin induces the young man to witness these horrors with the result that the youth is drawn into the Apache gang and sentenced to prison for one of their crimes. Later, after the master has disbanded his secret society and married Virginia Arlen, a charming girl from an aristocratic family, he discovers to his horror that the boy whose life he has ruined is his wife's brother. When Virginia learns the truth, she refuses to forgive Valentin, but after a period of separation, the two are reconciled by their child.

Dir: Léonce Perret

Robert Hyde is a confirmed bachelor who has sworn never to marry. Not even the pleading of his two close friends, the pastor and the lawyer, will move him. But an automobile accident brings Clarice to his home and during her recovery, she and Robert fall in love. After their wedding, Clarice's happiness is marred by Robert's preoccupation with hunting and fishing. The pastor then advises her that she will never know real happiness until she has children. Shortly after this, Clarice's aunt, Mrs. Grosvenor, brings a large party of friends to the Hyde estate for a visit. They all plan to give a performance of William Shakespeare's Othello for charity, but the count annoys Robert by his lovemaking scenes with Clarice. After a startling dream in which Robert's Othello kills Clarice's Desdemona, Robert finds the count making advances in earnest, and throws him out. Robert then begins to pay more attention to his wife and soon Clarice finds herself pregnant and happy.

A visual fragment from the archive: The thematic resonance of The Mad Lover perfectly mirrors the editorial trajectory of our deep dive.

Dir: Léonce Perret

Leroy Trenchard loves Therese Verneuil, and when Leroy enters the army goes to France to fight, Therese follows as a Red Cross nurse. But suspicion arises that Therese is actually Princess Sonia, a German spy.

Dir: Léonce Perret

Vania, the daughter of Russian revolutionary Serge Ostowski, escapes to America when her father is blown up by one of his own bombs. There she marries Clifford Howard, a drug-ridden man whom she comes to despise. One night while in a drunken rage, Howard attacks her, and Vania shoots and kills him. Her attorney, Hugh Mason, believing her innocent, falls in love with his client. Vania does not tell him the truth for fear of losing his love. Meanwhile, revolutionaries have pursued Vania to America to obtain her father's papers. In defense, Hugh hires detectives to protect her. One night, a revolutionary breaks into her house and is shot by the detective. Before dying, he confesses that it was he who fired the shot that killed Vania's husband, thus freeing her to accept Hugh's love.

A visual fragment from the archive: The thematic resonance of Lafayette, We Come perfectly mirrors the editorial trajectory of our deep dive.

Dir: Léonce Perret

A moneylender kidnaps the young son of an rich widow as part of a plot to cheat her of her fortune. The boy is sent away on a fishing boat with the intention of drowning him, but a kindly old fisherman intervenes.

Dir: Léonce Perret

Young Kitty runs away from home to avoid marrying a man she doesn't love. Her car breaks down on a country road and she meets Robert, a young artist who has just been turned down by a woman he loved madly and is about to commit suicide by lying on the railroad tracks. He sees Kitty in trouble and decides to help her. They get the car running, but it runs out of gas in front of a farmhouse. The farmer, mistakenly believing that the two are married, has them share a bedroom for the night. The next morning Kitty's father shows up looking for her and discovers that she has "spent the night" with a stranger. Complications ensue.

A visual fragment from the archive: The thematic resonance of Lifting Shadows perfectly mirrors the editorial trajectory of our deep dive.

Dir: Léonce Perret

Playwright Harry Bryant while driving in a rural area, happens upon orphaned Kate astride a white horse, he is so charmed that he arranges for her to work at a nearby inn. Unable to tolerate the cruelty of the innkeepers, Kate runs away and seeks out Harry at his house in Story Brook farm. Charmed by her youthful exuberance, Harry falls in love with the uneducated girl and they marry. Harry soon becomes disenchanted with his illiterate wife, however, and seeks solace in his former sweetheart Diana Nelson. When he discovers that Diana is using him to further her social ambitions, Harry returns to Kate, who provokes his jealousy by paying daily visits to a mysterious apartment house. Finding out that Kate's secret rendezvous was with her tutor, Harry's love for his wife is rekindled.

Dir: Léonce Perret

When her father's death leaves Virginia Hastins facing a life of poverty, she breaks her engagement to Robert Monti to marry millionaire James Vandam. Unaccustomed to wealth, she entertains lavishly and flirts with many men, although her husband's secretary Harry Torrence remains immune to her wiles. Using her old love letters, Monti attempts to blackmail Virginia, and when he attacks her, she throws the blame on Torrence, who is then discharged. As a result of the incident, Torrence loses his wife, child, and home and becomes a tramp. Later, upon seeing the wreck of a man that she ruined, Virginia dreams that she is Salome of the Bible; awakening full of remorse, she confesses the truth, and Torrence and his wife reconcile.Upon learning of his wife's plight, Vandam thrashes Monti, rehires Torrence, and forgives Virginia.

A visual fragment from the archive: The thematic resonance of The Curse of Greed perfectly mirrors the editorial trajectory of our deep dive.

Dir: Léonce Perret

A story of the First World War, told in semi-documentary style, focusing on the iniquities of the German war machine, and with its dramatic center the sinking by a German U-boat of the passenger liner Lusitania in 1915.

Dir: Léonce Perret

Separated since birth, twins Violet and Daisy White are unaware of each other's existence. Violet, the idol of her indulgent father Harry has everything her heart could desire while Daisy, reared by her indigent mother, is poorly clad and underfed. This fragile child of the slums is not aware that John Bent possesses certain papers which confirm her true relation to Harry White. By hiding from Daisy's father the truth of her existence, Bent is able to manipulate the twins to his own best advantage; they become his pawns. After hiding Daisy away in school, he substitutes her for Violet, whom he has forced into marriage, when the latter dies. Then he disposes of Daisy by declaring her insane and placing her in an asylum. It appears that Bent will win the game until Bob Anderson, who is in love with Daisy, comes to her rescue and checkmates the black knight.