Recommendations
Archivist John
Senior Editor

The 1917 release of Shall We Forgive Her? redefined the parameters of cult storytelling, the narrative complexity found here is a rare find in the 1917 landscape. Prepare to discover your next favorite movie in our hand-picked collection.
Historically, Shall We Forgive Her? represents to explore the darker corners of the human condition with unique vision.
When Grace Raymond follows Neil Garth, her hard-drinking fiancé, West, she finds him living in a squalid desert cabin. Forced to choose between being raped by outlaws or giving in to Neil's sexual demands, Grace moves in with her fiancé. A year later, Grace rescues James Stapleton, a gold miner, from a desert death and helps him to escape from Neil's greedy clutches. Before Neil can punish her, she knocks him out and flees to New York, where she meets and then marries Oliver West, a jeweler with failing vision. To help with his medical bills, Grace sells a short story, but Neil shows up and threatens to expose her past unless she gives him her earnings. Eventually, Oliver finds out about Grace and Neil and goes blind from the shock. Determined to win Oliver back, Grace enlists the help of Stapleton, now a rich broker, to thwart Neil and secure a sight-restoring operation for Oliver. When Oliver hears Neil's confession of Grace's difficult past, he finally forgives her.
The influence of Arthur Ashley in Shall We Forgive Her? can be felt in the way modern cult films handle unique vision. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique unique vision of Shall We Forgive Her?, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Arthur Ashley
Helen's marriage to Spayden fails to save her father. After Foxhall attacks her, she shoots at him and faints. Spayden kills him. Marlowe claims guilt, Helen confesses, but the butler reveals all. Spayden dies; Helen and Marlowe together.
View Details
Dir: Arthur Ashley
During the Revolutionary War, Hamilton and Burr vie for Margaret. Years later, they clash over compensating Loyalists. Hamilton has an affair with Maria, Burr's friend's wife. They leak Hamilton's letters, destroying his career.
Dir: Arthur Ashley
When Marie Dacre, the ward of James Rokeby, falls in love with blackmailer Fenwick Harvey, she ignores Rokeby's advice to stop seeing the rogue. Rokeby, a respected bank president, has a past as a thief, which Harvey soon discovers with the services of ex-detective Donavan. His past exposed, Rokeby flees in disgrace, thus forcing Marie to recognize Harvey's villainy. While searching for Rokeby, Marie is led into a trap by Harvey and Donavan from which she is rescued by Rokeby. Learning that his past misdeeds have been pardoned by the governor, Rokeby returns to his post with Marie as his wife.
View Details
Dir: Arthur Ashley
The story of the rise and fall of Rasputin, the so-called "mad monk" who dominated the court of the Russian czar in the period prior to the Russian revolution.
View Details
Dir: Arthur Ashley
Corinne La Force, who is half-black, as her father had been shipwrecked on a West Indian island colonized by blacks, is raised by Henry Hasbrook after her father's death. Corinne loves Hasbrook's nephew, Arnold Curtis, and murders Hasbrook when he tries, because of her mixed blood, to prevent the match. Marcia Fleming, a married woman with whom Arnold was having an affair, and her mother-in-law are suspects, although Arnold is arrested for the murder. John Fleming, hired to defend Arnold, renounces his wife when he learns of her involvement with Arnold. Just as Arnold is about to confess to the crime in hopes of saving Marcia's reputation, Corinne admits her guilt and stabs herself. Fleming decides to pay more attention to Marcia, and the two are reconciled.
Dir: Arthur Ashley
Mary Meacham, the most popular girl in college, goes to live with her maiden aunt, Miss Myra. Auntie is a man-hater who has various theories for testing the desirable qualities of the male sex. Mary sees a dreary man-less time before her and sends an S. O. S. to various sisters and their brothers to visit her while Auntie is away. Then a tree surgeon comes on business and proves to be a most attractive young man. Mary tries Auntie's theories plus some of her own. Complications ensue. When Auntie returns, Mary finds the surgeon is the man she wants. Moving Picture World - 1921.
View DetailsAnalysis relative to Shall We Forgive Her?
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Marriage Market | Surreal | Linear | 87% Match |
| The Beautiful Mrs. Reynolds | Gothic | Dense | 87% Match |
| The Guardian | Gritty | High | 89% Match |
| Rasputin, the Black Monk | Gritty | Abstract | 98% Match |
| Broken Ties | Surreal | Abstract | 95% Match |
This guide was algorithmically generated using the cinematic metadata of Arthur Ashley's archive. Last updated: 5/13/2026.
Back to Shall We Forgive Her? Details →