Recommendations
Senior Film Conservator

Ever since Sol over Danmark hit screens in 1936, fans have sought that same stylistic flair, it's essential to look at the contemporaries that shared this stylistic flair. Prepare to discover your next favorite movie in our hand-picked collection.
Whether it's the stylistic flair or the thematic depth, this film to leave an indelible mark on the history of Denmark film.
The summer holidays have just begun, there is sun over Denmark, and four young fates are intertwined by a downpour: Ebba and Kirsten cycle around the country and are made wet by Jørgen and Poul's car. Later they meet again on the ferry to Grenå, and sweet music occurs. What they do not know, however, is that Ebba's mother is heavily indebted to Poul's father.
Critics widely regard Sol over Danmark as a cult-favorite piece of Family cinema. Its stylistic flair is frequently cited as its strongest asset, solidifying its place in Denmark's film legacy.
Based on the unique stylistic flair of Sol over Danmark, our vault has identified these titles as the most compelling follow-up experiences for fans of Family cinema:
Dir: Holger-Madsen
Spoiled Ysabel marries a man of respectability but he later turns out to a criminal. Consequently, her mother breaks down, and on her deathbed, Ysabel wows to become an evangelist.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Holger-Madsen
A young architect is restoring a castle but falls in love with the baron's daughter, and when the baron discovers the affair, they have to flee together to make their dream of a marriage come true.
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Dir: Holger-Madsen
A man has to choose between two women. One that is bad for him and one that is quite the opposite. Fate says that one tends to choose the wrong one.
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Dir: Holger-Madsen
The social storm after World War I divides the people. In the eye of the storm are three brothers fighting for the lower classes, each in his own way.
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Dir: Holger-Madsen
A peace-loving prince and his followers dream of eternal peace. So far, they have been successful only within the realm. Is the vision of global peace just a naive dream, or will his followers be able to see it through?
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Dir: Holger-Madsen
The princess is presiding at a reception being given in the old castle during the absence of her venerable father. The prime minister announces that the old soldier has again overcome his warring neighbors. The princess does not appear to be over elated, because she recalls that a young captain, whom she had once met in times of peace, might be among the dead or the wounded. Sure enough he is brought to a hospital, a wounded prisoner, and Elena volunteers to act as his nurse despite the protests of the prime minister. As he regains some of his normal strength he chafes under the restraint imposed upon him, and in her efforts to ease his lot, the princess issues orders that he may have use of the castle grounds. In his walks he frequently comes in contact with the princess, and while their intimacy ripens, the prime minister arrows more jealous. At length he clearly indicates his aversion to her companionship with an avowed enemy of her country, and in the name of the king seeks to restrict the captain from exercising in the grounds of the castle. The princess dismisses him and continues to secure an occasional tete-a-tete with the captain. He persistently pleads to her to help him escape from the confinement that is so galling to him and at length she accedes. She forwards to his apartments a rope ladder and a revolver hidden beneath a consignment of books. In the silence of the night he lowers his rope and makes his perilous descent to the foot of the walls. A sentry spies him, fires a warning shot, and engages the captain in a stern struggle. The captain manages, however, to break away; but soon he has a troop of cavalry on his track. He swims a river and rushes pell-mell through woodland country, but his mounted pursuers gradually gain upon him and, still weak from his wounds, he falls panting to the ground as they reach him. A court-martial quickly follows his recapture, and the dread verdict is summarily issued. Princess Elena sends for the prime minister, who has already signed the death warrant, and pleads to him to revoke it. He says he is ready to do so, but imposes, as a condition, that she should become his (the prime minister's) wife. She returns abruptly to her apartments and determines on a course which seems to her to offer the only possible way out for her and the man she loves. Under the cover of the night and closely veiled she steals to the prison and then gains admission to the cell in which the condemned man is crouched in an attitude of hopelessness. At first he thinks she is but a vision of his disordered mind, but when he folds her in his arms he understands the depth of love which has prompted her to come to him. She tells him that the chances of escape are too forlorn to attempt, and knowing that she cannot save him, she has decreed there is only one thing to do, to die together. She takes a paper knife, from her dress and hands it to him, but he recoils, and in an outburst declares that he will not die, but must go back to his country. His country comes first, and recognizing the inevitable, and the futility of their love, the princess rushes from the cell and secures a uniform of a prison warder. The captain kisses her and makes his escape. Later she is found on the floor of the cell, a victim of her own stiletto.
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Dir: Holger-Madsen
The members of the "Sidi" sect are informed that the Chancellor of State intends to submit to the Prince a bill calling for their persecution. Judith, the daughter of Samuel Hurst, a wealthy jeweler and member of the sect, is in love with the Prince, but is rebuked by her father for being in love with their persecutor. Gregory, a clerk in the employ of Hurst, whose infatuation with Judith is not reciprocated, discovers a letter from the Chancellor asking Hurst to call to do some work for him, and brands him a traitor at the meeting of the sect. A frenzied mob storms the old man's house, but the Prince himself appears and quickly disperses the crowd. That night, observed only by Gregory, Judith elopes with the Prince. Though ignorant of the fact, Samuel Hurst is denounced, but is promised exoneration if, through his daughter, he can influence the Prince to reject the bill. In this he succeeds and is exonerated. But the Chancellor orders his henchmen to gather all the soldiers they can rely upon. The Prince and Judith, realizing that the joy of life for them is ended, ascend the highest mountain peak, bid "Fare-Well" to the world, and leap to Eternity. The order for the expulsion is put into the effect that night, and as the vast numbers of the sect leave the country, Samuel Hurst comes upon the lifeless bodies of his daughter and her royal sweetheart.
View DetailsAnalysis relative to Sol over Danmark
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| En kunstners gennembrud | Surreal | Layered | 97% Match |
| Mod lyset | Surreal | Dense | 90% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| Livets Gøglespil | Gritty | Dense | 95% Match |
| Retten sejrer | Surreal | Dense | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Holger-Madsen's archive. Last updated: 6/9/2026.
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