Top-Tier Alternatives In the Shadow of The Birth of a Race: Cult Guide

Dir: John W. Noble

After a brief courtship, Louise Joyce is married to her employer, architect Mortimer Grierson, who soon tires of her and begins to see other women. One night, he comes home drunk and informs Louise that the marriage was a fraud, actually only a mock ceremony arranged by Grierson's nephew Howard Hayes, then deserts her for good. Louise becomes an artist's model, and while working she meets Paul Vivian, a protégé of her husband, and the two fall in love. Grierson discovers their relationship and tells Paul that Louise was his mistress. Soon after, Grierson is mortally wounded by one of his lovers and Howard returns from Mexico to visit his uncle's deathbed. As Grierson instructs Howard to put his affairs in order, Howard confesses that Louise's marriage is legal because in an effort to spite his uncle, he secured a real minister to perform the ceremony. After Grierson's death, Paul finds Louise and learns the true story, and together they begin a new life.

Dir: John W. Noble

A visual fragment from the archive: The thematic resonance of A Million a Minute perfectly mirrors the editorial trajectory of our deep dive.

Philip and Miles Quaintance quarrel over the love of Ellen Sheridan; Miles is rejected, while Philip is successful. Philip dies soon after his son is born, and Miles proposes to the widow. When she refuses him, he uses every means to make her unhappy. She leaves the Southland where they live, taking her infant son Stephen. When Stephen has grown to manhood, his mother dies, first telling him the story of Miles' persecution. He is so embittered against his uncle that he avoids meeting him, and he leaves for South Africa. Miles Quaintance amasses a fortune, and in his declining years he hopes to meet Stephen to make restitution for the wrongs he had done his parents. Miles has a ward, Dagmar Lorraine, whom he sends to Paris to study singing. There she meets Etienne, the Duke de Reves, who has an unsavory reputation. He makes violent love to Dagmar and obtains her consent to marry him. After the ceremony a woman enters the church carrying a baby whom she claims is the Duke's son. Horrified, Dagmar flees from the church and returns to America. In a whimsical mood, and partly to atone for the wrongs he had done in his past, Miles makes a will leaving his $10 million fortune to Dagmar and Stephen, provided that they marry and that the wedding takes place before midnight of the following May 31. Miles does not know of Dagmar's wedding and dies before she arrives in America. Stephen is notified of the contents of the strange will at a trading station in Africa. He decides he will take no assistance from his uncle, and with Timothy O'Farrell, a companion, he plans a way out of it. They find the body of a white man floating in the river, and Stephen puts all his papers and trinkets in the pockets of the dead man. Mark Seager, a gunrunner, finds the body and conceives the idea of impersonating the dead man, marrying Dagmar, and claiming the legacy. He sets off for America immediately. Stephen and O'Farrell also leave for America. They are in a restaurant, where they see a man abusing a young girl and using threatening language. It is the valet of the Duke, who has met Dagmar and is trying to blackmail her for his silence. Stephen drives the valet out of the place, and is charmed by the appearance and manner of the girl. She leaves before he can question her. While driving her automobile home that night, Dagmar has trouble with the engine. When she stops to fix it Seager, who does not know her, observes her predicament and attempts to take advantage of it. She frightens him away with a revolver. The next day, Stephen sees an automobile offered for sale, and noticing that it corresponds with the one driven by the girl he met the day before, he answers the advertisement. Dagmar sells the car to him as she is low in funds. That night the valet and the Duke come to her home and she flees, taking passage the next morning on a steamship bound for Paris, where she has left some money in a bank. Seager learns that she has gone, and he follows. Likewise do the Duke and Stephen and O'Farrell. Stephen, taking the name of A. Newman. Seagar finds Dagmar in Paris and tells her he has come to marry her. One look at him and she leaves. The Duke finds her and persuades her to come to him, saying he will lead a better life, and introduce her to his own society. On the night of the reception she is kidnapped by Seager, who takes her to a deserted house where he has arranged for a rascally advocate to come and marry them. The Duke follows to the house and is killed in a fight with Seager. Stephen and O'Farrell have followed the Duke's valet and arrive there just as Seager is forcing Dagmar into a marriage. It is just 10 minutes to midnight, the time assigned for the $10 million wedding. Seager is driven from the place and Stephen and Dagmar tell each other of their love. Both agree not to touch a penny of Miles' fortune, and after the clock strikes twelve they are married.

Dir: John W. Noble

Wood Harding, the illustrator, first sees Margot, the model, at a sale of the effects of a poor old artist who befriended her. The auctioneer is belittling the old man's work when Margot rushes upon the platform and tells how kind he has been to her. Harding buys the picture that has been ridiculed, and makes her a present of it. From that time on she poses only for him, and the two fall in love. Harding has a wife from whom he has been separated for some time, but he marries Margot without saying anything about her. The real Mrs. Harding returns, and threatens to have her husband arrested for bigamy. To save the man she loves Margot denies that she has been married to him. The girl goes to a distant city and poses for Mrs. Hall, a miniature painter. Mrs. Hall introduces her to Austin Bland, a novelist, who falls in love with her and asks her to marry him. She tells him frankly that she already has given all the love she possesses to another man. Bland says he will be content if she will only marry him, and she does so. Bland is writing a novel called "The Power of Decision." Its central theme is that "Every mortal has within himself the God-given power of decision." By his own decision each man must act for himself in every crisis. The publishers have engaged Wood Harding to illustrate Bland's book. It is the author's wish that his wife pose as the heroine, and Harding comes to visit at the Bland residence. Neither Margot nor Harding gives a sign of recognition on meeting, but Harding tries to exert his old spell over her. Her husband's book seems to have a special meaning for her. One paragraph in particular fascinates her: "This was the turning point in her life. The choice between these two men, one bound to her by the holy sanctity of the marriage vow, the other calling from out the darkness of the past. Which road? What lies beyond? The power of decision rests with her." Gordon, the butler, surprises Harding in the act of attempting to embrace Margot, and later when she discovers him trying to open the safe he prevents her from calling the police, threatening to expose her to her husband. Bland learns the truth through Mrs. Harding, who sees Margot's picture in an announcement of the new novel. Bland has been asked by his publishers to take a trip with an arctic explorer, to write a series of articles. He accepts. Harding has been urging Margot to go away with him and she cannot come to a decision. She promises to signal him by switching the library lights on and off when she has made up her mind. Bland leaves in his car for the railroad station, but the machine breaks down and he misses his train. Returning, he sees Harding across the street watching the library windows, and then the lights flash off and on. He goes into the house and confronts Margot, who tells him she has been tempted to go away with Harding, but has finally come to a realization of her love for her husband and has summoned Harding to tell him so. Bland does not believe her. The curtains at the French window move and Bland fires at them. A man falls, enveloped in the curtains. Margot urges her husband to escape, saying she will take the blame. Bland finds he has shot not Harding, but the butler, Gordon, who has come to attempt robbery. Harding has hurried away on hearing the shot. Margot finally makes her husband realize that, like his heroine, she has chosen the right road and has exercised her God-given power of decision.

Dir: John W. Noble

A visual fragment from the archive: The thematic resonance of The Power of Decision perfectly mirrors the editorial trajectory of our deep dive.

In the poorest section of the city lives Nell, who spends her days at her grandfather's bird store, finding constant delight in the companionship of her feathered friends. One day Nell's grandfather is run over by a car driven by Mr. Morris, a millionaire, who offers to purchase a bullfinch at a large price in order to forestall a damage suit. When Nell's grandfather refuses to sell because the bird is his granddaughter's pet, the Morris' son Ned, impressed with Nell's charm, tells her to call if she is ever in need of assistance. It soon becomes evident that her grandfather is in need of expensive medical care, so Nell calls Ned and offers to sell the bird. Later the finch becomes ill and Nell is summoned to treat it. While she is at the house, Nell and Ned fall in love. Nell's happiness is clouded, however, when her misguided brother Carlo attempts to rob the Morris house. All ends happily, however, when through Nell's and Ned's devotion, Carlo is reformed and the grandfather receives the care he needs.

Dir: John W. Noble

To the village of Old Chester comes Helena Richie in search of balm for a broken heart. Her dissolute husband, in a drunken rage, has killed their little child. This tragedy induces Helena to listen to the pleadings of Lloyd Pryor to leave Paris, where the Richies are living, and come to America with him. Pryor makes frequent visits to Helena in the little home he establishes for her in Chester, and the townspeople accept the statement that he is her brother. Old Benjamin Wright, however, has his own suspicions as to the relations between the two. His interest is more than a casual one, for his grandson, Sam Wright, a young poet, is in love with Helena. The old man tells him his belief with regard to Mrs. Richie. Sam asks her whether the suspicion has any foundation, and when she admits that it has he kills himself. Dr. Lavendar, the kindly old minister, has in his charge a child who needs a home. He has decided to send the little boy, David, to Mrs. Richie for a trial visit. She welcomes the boy, who fills the place in her heart left vacant by the death of her own child. Her heart becomes bound up in the boy, though she is torn by conflicting emotions by the thought of her own false position. Helena's husband has been in such feeble health, owing to his dissipations, that she has constantly expected his death to release her so that she and Pryor may be married. Finally the long-expected event happens, but Pryor has tired of her. His promise of marriage has been nothing but a ruse to get her to elope with him. Looking about for an excuse to break the bonds which have become irksome to him, he tells her that she must give up David. She refuses and he says she must choose between the child and himself. Realizing Pryor's unworthiness, she clings to the child, and Pryor leaves her. Helena goes to Dr. Lavendar, tells him the truth about her past relations with Pryor, and asks him to let her keep the child with her always. The old man's answer is: "Can you teach him to tell the truth, you who have lived a lie? Can you make him brave, you who could not endure? Can you make him honorable, you who have deceived all?" Helena is silent in the face of this accusation. She decides to give David up and to leave Old Chester. She tells Dr. Lavendar that on her way to the station next day she will come to bid David goodbye. Next day at the rectory Dr. Lavendar asks her to take with her a parcel which she will find wrapped up in the coach. She promises, and in the coach finds the package to be little David, all wrapped up for traveling. Her willingness to sacrifice her own happiness for the boy has proved her worthiness to keep him, and Helena and little David leave Old Chester to find peace among new surroundings.

Dir: John W. Noble

A visual fragment from the archive: The thematic resonance of Sunshine Alley perfectly mirrors the editorial trajectory of our deep dive.

In a prologue, the relationship between capital and labor throughout history is shown in caveman days, Biblical times, and the feudal period. In the main story John Stoddard, a construction chief building a gigantic bridge for capitalist Courtlandt Van Nest, sympathizes with the workers' dissatisfaction with low salaries and subsistence conditions. When his attempts to negotiate with Van Nest fail, the workers, led by agitator Lavinsky, prepare to strike. Van Nest's daughter Janet, who is engaged to a militia captain, visits the site and is appalled by the squalor. Despite their differences, Janet and Stoddard fall in love. When the strike breaks, Van Nest sends in the militia. As they prepare to fire, Stoddard sees Lavinsky about to throw dynamite, and wrestles it away. He then agrees to Van Nest's demand for settling the strike that he refrain from seeing Janet. After Janet leaves home to help poor families, Van Nest looks for her at Stoddard's house where Stoddard demonstrates that because of their similar ancestry, he and Van Nest are not very different. When Stoddard's sister Edith allows Van Nest to witness the surprise reunion of a worker and his wife from Europe, to whom Janet had sent transportation money, Van Nest softens and agrees to Janet's marriage to Stoddard. An epilogue follows showing blindfolded Justice saying to fat Capital and burly Labor, "Why quarrel? You are worthless without the other."

Dir: John W. Noble

Rhy MacGhesney and her two brothers, Clem and Sonnie, live with their father and their servant Maggie in a small boom mining town in Colorado. The boom has passed to the camps further on, leaving their little camp practically deserted. Rhy still has faith in the claim her father worked up to the time he was killed, some five years before, but her brother hates the life of the camp, and wants to sell for what they can get and go back to New York, where he feels he can have a chance to make something of himself. Their neighbor across the street is Lewis Beresford, whose obvious mission in the camp is one of pleasure, but who is in reality a mining expert, connected with big mining interests. He has ingratiated himself into the affection of the people of this little camp, and shows a great liking for Rhy and her brothers. Steve Towney, the former mine superintendent for "The Three of Us," is in love with Rhy and is jealous of Beresford, as he has been accepted as suitor for Rhy's hand, up to the time of Beresford's coming. Mr. and Mrs. Bix, Rhy's closest friends in the camp, give a Hallowe'en dinner, which is to be the biggest event of the year. On the day that the dinner is to be given, Steven strikes, by accident, mineral. This assures the success of the mine on which he holds an option, and which adjoins "The Three of Us." Overjoyed, he rushes to Rhy to tell the good news, informing her that it will be impossible for him to attend the Bix dinner, as his option expires the next day at noon. Rhy confesses her love for him, and asks him to wait until next morning. She will then go with him. He consents, giving her the option and samples of ore. Clem overhears the conversation. He is bribed by Beresford to reveal it. The latter thus has an opportunity to make an attempt to gain possession of the mine. He is at the recording office waiting to establish a claim the moment that the option to Towney's mine expires. But Rhy saves the mine and proves her loyalty to Steve by a thrilling ride over the mountains. This is shown in a series of exciting pictures. A great explosion for the breaking of ground for a smelter for the two successful mines ends the picture.

Dir: John W. Noble

A visual fragment from the archive: The thematic resonance of The Awakening of Helena Ritchie perfectly mirrors the editorial trajectory of our deep dive.

Cyril Van Cortlandt Hamilton, one of the wealthiest young bachelors in New York, has led a life of ease. He is engaged to be married to Marcia West, the daughter of an Army Colonel. While Cyril and Marcia are at a house party, news comes that the National Guard has been called into service. Cyril, a member of a militia regiment, not caring to be subjected to discomfort, declines to accompany his regiment to the border and resigns his commission. For this Marcia breaks her engagement, and accompanies her parents to the border, where Col. West is to take command of his regiment. Upon his return home Cyril considers his act and later enlists as a private in an Irish regiment and goes to the border. His society manners annoy the rough-and-ready men among whom he has cast his lot, and they proceed to make life miserable for him. Corporal Mallin especially loses no opportunity to bully him. Cyril wanders about by himself when not on duty, and meets Idiqui, a Mexican Indian, whose gratitude he earns by aiding his daughter, Rana, who has fallen and hurt herself. The Mexican bandit chief Navarete comes into camp. He has been educated in the United States, and has fallen in love with Marcia, who has refused him. He gets Mallin to steal one of the machine guns for him. When the theft is discovered Mallin accuses Cyril and Idiqui of the crime. Cyril and Idiqui are ordered to the guardhouse. The Indian attempts to escape to his daughter, whose condition is critical, and Mallin raises a gun to shoot, but Cyril overcomes him. Then, realizing that he has placed himself in a serious position and can hope for no leniency from Mallin, he deserts, Idiqui going with him. They set out afoot on the Mexican side of the river. Marcia has come across the river on her early morning ride and stumbles upon the bandits taking the automatic away. She is seen and captured, and Cyril and Idiqui, unarmed and helpless, follow in pursuit, to find out where she is being taken. Idiqui is struck by a rattlesnake, and Cyril cauterizes the wound. The Indian goes to warn the American troops, and Cyril goes on to the Mexican village, where the Mexicans are carousing in front of Navarete's house, where Marcia is held prisoner. Cyril draws the villagers away from the chief's house by setting the village on fire, and then enters the house in time to save Marcia from Navarete, killing the bandit. They escape. They are overtaken in the morning, and ensconced in a sand pocket put up a brave fight. When one cartridge alone remains, Marcia. now acknowledging Cyril's bravery, asks him to kiss her and then kill her with the remaining cartridge, to save her from falling into the hands of the Mexicans. He is about to do so when he himself is shot down. The bandits swoop upon the two, but are stopped by Col. West and a number of his men. A squadron of cavalry and a battalion of infantry also come to the rescue from different directions, cutting off the escape of the Mexicans. Cyril is lifted into Col. West's auto in a dying condition. By the blessing of Providence and his own vigorous constitution, Cyril recovers, and two months later, as he watches the return of the regiment with his beloved wife, Marcia, the men recognize him and discipline is forgotten while the marching troops turn to cheer him.

Dir: John W. Noble

A fortune-hunting follies star Gloria Dawn ( Olive Thomas ), begins to question her engagement to wealthy Peter Shaw after meeting an amnesiac young man who stumbles into her apartment one night. The doctor instructs that he not be moved, so Gloria nurses the stranger back to health, although his memory fails to return. Gloria falls in love with her patient and, upon discovering that he is millionaire sportsman Jerry O'Farrell, rushes home to restore his identity, only to find that he has gone. Amnesia continues to plague Jerry, and he soon forgets both Gloria's name and address. While he is attending a show at the follies, a fire breaks out, and Gloria, recognizing her lover in the audience, rushes to save him. Meanwhile, Shaw, who has discovered Gloria's feelings for Jerry, accosts her. Jerry, who has finally regained his memory, intercedes and rescues Gloria, and the two fall in love.

Dir: John W. Noble

John Kendall was brought up in a wealthy family, but when his father loses the family fortune and then dies, John is left penniless. He joins the army and rises to the rank of sergeant. He soon meets and falls in love with Edith Ferris, the daughter of Col. Dickinson. When he talks to her at a party, Lt. Burkett upbraids him for fraternizing with an officer's family. Edith's mother, not wanting her daughter getting involved with a lowly enlisted man, conspires with Lt. Burkett to discredit John.