The Definitive Guide Inspired by the Vision of The Case Against Mrs...

Dir: William A. Seiter

A newly married couple decide to spend their first Sunday at home. Mr. Newlywed boasts to his office associates of his wife's cooking and they immediately invite themselves for a Sunday dinner. Some friends of his wife decide to make their first Sunday at home anything but a quiet one. They advertise in the papers for a cook, giving the Newlywed's address, with the result that many applicants call for the position. Their cook, thinking that she is to be fired, packs her grip and in a huff leaves them. Nothing is left for the Newlyweds now but to cook their own dinner. The antics in the kitchen and the resulting dinner which is served to their guests are very funny. In the end they all proceed to a lunch counter where they eat a hearty meal.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of In and Out perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Jack wants to spend their vacation in the mountains and Daisy wants to spend it at the beach in Santa Barbara.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of Close to Nature perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of His Own Medicine perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.