The Global Archive For Devotees of The Cavalier: Cult Guide

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Irvin Willat

Alain de Montcalm is the son of a French trading post proprietor. When a murder and kidnapping occur, Alain pursues the abducted girl and her captor across the far northern wasteland of ice.

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Dir: Irvin Willat

Wu Fang rules the Chinese underworld with the aid of crooked politician Jim Murdock, who shields the criminal from the police in exchange for a share of the profits. When Wu Fang kills Sergt. Joe Duncan, however, Patrolman Terence Shannon decides to conduct a raid. Wu Fang, who is expecting to receive a large shipment of opium, kidnaps Chinatown mission worker Patsy O'Connell and threatens to harm her if the police interfere in the drug smuggling operation. Although Terence is attracted to Patsy, he places duty before his own feelings and goes ahead with the raid but is captured by Wu Fang. Patsy and Terence are about to be thrown into a rat-infested pit when Officer Michael O'Shea and his men arrive, and in the ensuing battle, Wu Fang is killed and Murdock arrested. Chinatown having been made safe, Patsy agrees to be the wife of the new police chief, Terence.

Dir: Irvin Willat

Marie Dubois, deeply in love with young lawyer Claude Lescuyer, entrusts her honor to him, but shortly before the birth of their child, he abandons her. In order to legitimize her daughter Claudine, Marie weds Flambon, the brutal owner of a Paris café. Eighteen years later, Flambon orders Claudine to work in the café, where she falls in love with Gaston, a waiter. Because Flambon owes a large sum of money to Jean, the café's former proprietor, he promises him the hand of his daughter in marriage. Claudine refuses to part with Gaston, which so enrages Flambon that he beats the girl and nearly kills Marie. To save her mother's life, Claudine shoots her stepfather and is subsequently tried for murder. The prosecutor, Claude Lescuyer, learns to his shame that the defendant is his own child, and in the courtroom, he names himself as the guilty man. The jury exonerates Claudine, and she is united with Gaston.

A visual fragment from the archive: The thematic resonance of The Law of the North perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Irvin Willat

Peter Kennedy, a pernicious landlord who desires his tenant, Nora McCree, realizes that the only way to possess Nora is to eliminate her husband Patrick. To accomplish this, Kennedy arranges a fight between Patrick and another man, in which the latter is badly wounded. Patrick is told that his opponent has died, and at Kennedy's suggestion, joins the army and goes to Africa to fight the Boers. In his absence, Kennedy, unable to win Nora by fair means, does everything in his power to make her feel the pinch of poverty and thus capitulate to him. Things are at their worst for the McCree family when little Eileen, after listening to fairy tales told to her by the Irishman Flynn, dreams of her father and finds him the next day, unconscious under a large tree after having been waylaid by Kennedy upon his return home. With Patrick's return, Kennedy's plans are dashed, and the McCree family is united once again.

A visual fragment from the archive: The thematic resonance of The Midnight Patrol perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Irvin Willat

When cowboy Nick McCredie notices in a second-hand book an inscription to "Emily, the prettiest girl in school," he writes to her and learns that she is a lonely Eastern farm girl living with her grandmother. Instead of sending his own picture to her, Nick encloses a photo of his handsome friend Pen Walton. After Nick sees Walton stealing two horses, Nick agrees to keep quiet, when Walton promises to reform. Meanwhile, Emily's grandmother dies, and her new guardian tries to force her to marry him. She writes to Nick, who proposes by letter. Nick meets her, but identifies himself as "Andy," and when she says she would be disappointed if Nick was not as handsome as his picture, he shows her the way to Walton, and rides off alone. After Walton rustles another horse and plants Nick's glove as evidence, he abducts Emily. She escapes, and riding the stolen horse, she leads the rest to the ranch in time to stop Nick's hanging. After the real identities are revealed, Nick and Emily marry.