Deep Archive Finds in the Vein of The Conqueror: Cult Guide

Dir: Reginald Barker

Mercedes Murphy and her partner, Slick Barney, run a saloon and dance hall in the tough town of Paradise, Nevada. While Mercedes is a hard-nosed businesswoman, she has a soft spot for her sister Olive, with whom she lives. One day a preacher, Rev. McGregor, who is determined to "reform" Paradise, sets up his church right next to the saloon. Mercedes is at first opposed to the reverend, but is eventually won over by his sermons and closes the dance hall. However, she soon discovers that Olive's "virtue" may no longer be so virtuous--and she suspects that the minister might be responsible for this.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of The Bargain perfectly mirrors the editorial trajectory of our deep dive.

The bandit Jim Stokes, wanting to go straight and settle down with his new bride, strikes a bargain with the sheriff for his freedom.

Dir: Reginald Barker

After his wife dies in childbirth, mountaineer Jim Grimsby names his newborn daughter Bill, and raises her as a boy. Remaining a boy in name only, however, Bill soon wants to style her hair and wear the latest fashions. She soon develops a crush on the new sheriff, Waldo Whittier. Appalled at the prospect of his "son" marrying Waldo, Jim decides to test the sheriff's grit, and so, believing that Waldo will be too frightened to come after him, he robs a casino. The sheriff does pursue, however, and, further impressing Jim, Bill pulls a rifle on Waldo to protect her father. Now certain of the sheriff's manliness, and convinced that his daughter has not forgotten how to act like a man, Jim returns the casino's money and agrees to let Bill and Waldo continue their courtship.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of Jim Grimsby's Boy perfectly mirrors the editorial trajectory of our deep dive.

A parson, in love with a girl who is betrothed to a rich Count in her family's hope of partaking in the Count's fortune, uses his pulpit in a scheme to shame the family into allowing the girl to break the engagement and marry him instead.

Dir: Reginald Barker

When San Francisco social butterfly Octavia Van Ness falls into decline, on a physician's advice her grandfather, mining king Ezra Whitney, takes her to Alaska, hoping that she will regain health and find a mate more suitable than the gilded youths of the California city. In the far north they meet "Chuck" Hemingway, whom the girl supposes to be a "sourdough," but whom the grandfather recognizes as a young collegian from the east. When she rejects Hemingway's advances, the caveman instinct wakens within him. The day before she is to return to civilization, Hemingway kidnaps her, enters into a forced marriage with her, and installs her in his cabin--where she suffers no more harm than if she were with her mother. Six months later, Octavia is now well and strong and rejoices in housework, but is still antagonist to Chuck. When Kitty Malloy, the queen of the Arctic Cabaret, suddenly arrives in the city, Octavia's jealousy is excited. She realizes his true worth and for the first time loves her husband. They return to California, where they are united with Octavia's family.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of The Market of Vain Desire perfectly mirrors the editorial trajectory of our deep dive.

Japanese diplomat Tokoramo ( Sessue Hayakawa ), on a mission to Paris, begins a love affair with chorus girl, Helene ( Gladys Brockwell ), who subsequently rejects her American fiance, Richard Bernisky. When the Japanese discover the affair, they try to force Tokoramo to end it, but Helene refuses to stop visiting him. One night, during one of her visits, Bernisky comes to Tokoramo's apartment and, while Helene hides, rebukes her to her lover. After Bernisky leaves, Tokoramo orders Helene out, but when he realizes his love for her, he calls her back. Suddenly, she rejects and insults him to the point that he strangles her. Tokoramo wants to confess his crime, but he must complete his work, and so his countrymen sacrifice a boy, Hironari, who pleads guilty to the murder and eventually is executed. In the end, Tokoramo also dies and his colleagues burn his valuable papers in order to protect Japan.

Dir: Reginald Barker

An American sailor falls in love with a fisherman's daughter and convinces her that Jesus is more powerful than the gods who have cursed her.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of The Iron Strain perfectly mirrors the editorial trajectory of our deep dive.

Denton rides into Yellow Ridge with a money-belt filled after years of toil in the mines beyond the desert. The local gamblers covet the fortune but fail to get Steve to try the roulette table until the enticer, Trixie, comes to exercise her charms on him. He blindly follows her lead and is watching the wheel with stern stare when a telegram is received. He asks the woman to read it. She lies when she says it contains good news, for it tells of his mother's critical illness. In the morning Steve awakes to find his belt is empty. In his feverish search through his pockets, he comes upon the telegram. As the truth dawns he goes to the telegraph office to send home a wire. The operator hands him the news that his mother has died. Wild with rage, he shoots up the town and drives away with Trixie lying limp over his horse before him. His heart is now filled with hate for all women and Trixie becomes his slave in a community where he tolerates only the scum of the section. Across the desert comes a pack train of Mississippi farmers who have left their fertile valleys to hunt for gold. Their water is all but gone and their stock is fagged. Their leaders plead with Steve for aid, but the white race may expect nothing from him. Back to the wailing women and children go the despondent leaders. Mary Jane, a waif among them, is not cowed by the story they tell, and by night she goes to repeat their please to the harsh white man. He looks upon her as another victim to share Trixie's lot, but her innocent, fearless attitude toward him makes him hesitate. Meanwhile, his men have carried off the women of the train. As the men pursue and bloodshed is in the air, Steve yields to the little girl and trades the safety of those people for his rich mine, leaves his wealth to his followers and guides the strangers out of the desert.

Dir: Reginald Barker

A stagecoach robber falls in love with a saloon girl. However, she falls for a pastor, who converts her; she marries him. The robber is so impressed by this that he decides to turn over a new leaf. However, a shady gambler sets his sights on the former saloon girl, and the robber has to protect her from his advances.

Dir: Reginald Barker

Confederate soldier Frank Winslow is terrified of the war and eventually runs away from battle. But when he finds himself behind enemy lines with vital information, he must decide between his fear and his conscience.