Deep Archive Finds in the Vein of The Conqueror: Cult Guide

Dir: Reginald Barker

Denton rides into Yellow Ridge with a money-belt filled after years of toil in the mines beyond the desert. The local gamblers covet the fortune but fail to get Steve to try the roulette table until the enticer, Trixie, comes to exercise her charms on him. He blindly follows her lead and is watching the wheel with stern stare when a telegram is received. He asks the woman to read it. She lies when she says it contains good news, for it tells of his mother's critical illness. In the morning Steve awakes to find his belt is empty. In his feverish search through his pockets, he comes upon the telegram. As the truth dawns he goes to the telegraph office to send home a wire. The operator hands him the news that his mother has died. Wild with rage, he shoots up the town and drives away with Trixie lying limp over his horse before him. His heart is now filled with hate for all women and Trixie becomes his slave in a community where he tolerates only the scum of the section. Across the desert comes a pack train of Mississippi farmers who have left their fertile valleys to hunt for gold. Their water is all but gone and their stock is fagged. Their leaders plead with Steve for aid, but the white race may expect nothing from him. Back to the wailing women and children go the despondent leaders. Mary Jane, a waif among them, is not cowed by the story they tell, and by night she goes to repeat their please to the harsh white man. He looks upon her as another victim to share Trixie's lot, but her innocent, fearless attitude toward him makes him hesitate. Meanwhile, his men have carried off the women of the train. As the men pursue and bloodshed is in the air, Steve yields to the little girl and trades the safety of those people for his rich mine, leaves his wealth to his followers and guides the strangers out of the desert.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of Golden Rule Kate perfectly mirrors the editorial trajectory of our deep dive.

Mercedes Murphy and her partner, Slick Barney, run a saloon and dance hall in the tough town of Paradise, Nevada. While Mercedes is a hard-nosed businesswoman, she has a soft spot for her sister Olive, with whom she lives. One day a preacher, Rev. McGregor, who is determined to "reform" Paradise, sets up his church right next to the saloon. Mercedes is at first opposed to the reverend, but is eventually won over by his sermons and closes the dance hall. However, she soon discovers that Olive's "virtue" may no longer be so virtuous--and she suspects that the minister might be responsible for this.

Dir: Reginald Barker

A young Italian immigrant girl, uneducated and superstitious, finds an abandoned baby on the stairs of her tenement, with a note attached explaining the baby is illegitimate. A young newspaper reporter, whom the girl knows from waiting on him at the restaurant where she works, reads the note for her. But the police arrest her, at no evidence whatsoever other than possession of the baby, for kidnapping. She refuses to tell them the baby was abandoned and fatherless, because she was herself, and confesses, in order to save the baby from being branded a bastard, that she stole it. The reporter goes to the jail and elicits the truth from her. And then proposes to her and adopts the baby.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of The Criminal perfectly mirrors the editorial trajectory of our deep dive.

Confederate soldier Frank Winslow is terrified of the war and eventually runs away from battle. But when he finds himself behind enemy lines with vital information, he must decide between his fear and his conscience.

Dir: Reginald Barker

Japanese diplomat Tokoramo ( Sessue Hayakawa ), on a mission to Paris, begins a love affair with chorus girl, Helene ( Gladys Brockwell ), who subsequently rejects her American fiance, Richard Bernisky. When the Japanese discover the affair, they try to force Tokoramo to end it, but Helene refuses to stop visiting him. One night, during one of her visits, Bernisky comes to Tokoramo's apartment and, while Helene hides, rebukes her to her lover. After Bernisky leaves, Tokoramo orders Helene out, but when he realizes his love for her, he calls her back. Suddenly, she rejects and insults him to the point that he strangles her. Tokoramo wants to confess his crime, but he must complete his work, and so his countrymen sacrifice a boy, Hironari, who pleads guilty to the murder and eventually is executed. In the end, Tokoramo also dies and his colleagues burn his valuable papers in order to protect Japan.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of The Coward perfectly mirrors the editorial trajectory of our deep dive.

Doris Wingate is featured in a Sunday magazine supplement as the most snobbish girl in America. In reality, Doris is lovable and eager for friends, and it is her Aunt Priscilla who deliberately cultivates the false impression. Realizing this, her uncle ships Doris off to a co-educational college, but unfortunately, her reputation preceded her and she is snubbed by the other students. However, in Robert Lee Hollister, a fellow student who takes in washing to earn his tuition, and his little helper Dolly Temple, Doris finds true friends. Entering into a business partnership with her new friends, Doris spends her happiest hours sorting linen until her Aunt Priscilla arrives to break up the match. Doris defies her aunt and elopes with Bob, thus shattering her image as a snob, and the two settle down to a happy life together.

Dir: Reginald Barker

When San Francisco social butterfly Octavia Van Ness falls into decline, on a physician's advice her grandfather, mining king Ezra Whitney, takes her to Alaska, hoping that she will regain health and find a mate more suitable than the gilded youths of the California city. In the far north they meet "Chuck" Hemingway, whom the girl supposes to be a "sourdough," but whom the grandfather recognizes as a young collegian from the east. When she rejects Hemingway's advances, the caveman instinct wakens within him. The day before she is to return to civilization, Hemingway kidnaps her, enters into a forced marriage with her, and installs her in his cabin--where she suffers no more harm than if she were with her mother. Six months later, Octavia is now well and strong and rejoices in housework, but is still antagonist to Chuck. When Kitty Malloy, the queen of the Arctic Cabaret, suddenly arrives in the city, Octavia's jealousy is excited. She realizes his true worth and for the first time loves her husband. They return to California, where they are united with Octavia's family.

Dir: Reginald Barker

A visual fragment from the archive: The thematic resonance of The Typhoon perfectly mirrors the editorial trajectory of our deep dive.

An Italian immigrant and his sweetheart search for a better life in America, but the harsh realities of life in the slums of New York City lay waste to their hopes and dreams.

Dir: Reginald Barker

Billy, who is the little son of Captain Andrews, commandant of a western army post, has one ambition in life, and that is to become a good soldier. This he has confided to his friend, Sergeant Hogan, and the sergeant takes pains to foster the idea. He really needs all his courage to face a new situation that has come up in his life. His father is going to marry again. While he knows absolutely nothing about his prospective stepmother, he can conceive of no one worthy of taking the place of his beloved mother, who lies in the little cemetery outside the fort. In spite of Billy, however, the wedding takes place. The newcomer tries in every way to win over the little fellow, but beyond politeness his friendship stops. Soon after the wedding his father is called at the head of his regiment to quell an uprising of the Sioux Indians, forty miles away. He leaves his bride in little Billy's care. The distant trouble is but a ruse on the part of Lame Bear, the Indian chief, and now, with his picked braves, he swoops down on the weakened garrison at the fort. The defenders of the fort are so few in number that it is but a question of time before they must surrender. Billy, bearing in mind the admonition of his father to take care of his stepmother, takes her away from the fort by a secret passage and hides her in a cave in the hills. Suddenly he observes the wavering men at the stockade. Bethinking himself of his bugle and hoping to lead the Indians to believe that his father and the regiment are returning, he blows the signal to charge from a distant knoll outside the fort. The outcome of that bugle call saves the garrison and draws Billy and his stepmother together.

Dir: Reginald Barker

Richard Deering, a wealthy New Yorker, spends his holidays in a magnificent lodge in the heart of the Adirondacks. His daughter, Evelyn, Donald Greene, his ward, and Robert Ross, his confidential secretary, are his companions. On the eve of Thanksgiving, Greene is called to New York on business. He leaves reluctantly as he is deeply in love with Evelyn and jealous of Ross. The next morning, while at breakfast, Donald receives a telegram from Evelyn that her father has been shot and begging him to come at once, and bring a detective. Greene goes to Horace Lee, a crime specialist, and returns to Deer lodge accompanied by the detective and his assistant, Joe. They find Deering unconscious attended by the country doctor, and Dr. Adamson, a specialist from New York. The detective and his assistant set to work to unravel the mystery. Suspicion lights on the family butler, who was the last to see his master alive, and who had been acting strangely. Through adventures and deduction the detective unravels the mystery. The butler is exonerated as his worried demeanor is found to be the result of an effort to shield his son, an escaped convict, who had sought refuge in the lodge on the eve of the shooting, and the charge of attempted murder is brought against Donald Greene, who had brought in the aid of mechanical science to perform the deed in his absence. Donald Greene, who has inherited a trace of madness, becomes hopelessly insane. Evelyn gives her hand to the man of her choice, Horace Lee, who is completely restored to health.