Recommendations
Archivist John
Senior Editor

If you found yourself captivated by the artistic bravery of The Double Standard (1917), the quest for comparable cinema becomes a journey through the fringes of film history. Below, we've gathered a list of films that every fan of Phillips Smalley's work should explore.
The Double Standard remains a monumental achievement to create a hauntingly beautiful cinematic landscape.
Newly elected police court judge John Fairbrother is impassioned when it comes to the laws affecting the dives and cabarets of the city, and promises equal justice for all. The source of his crusading passion is the loss of his own sister to the lure of the notorious Johnson Café years earlier. His wife Grace's two prominent brothers, newspaper editor George Ferguson and Episcopal Bishop William Ferguson, worked hard to elect Fairbrother to office, and although they are initially puzzled by the judge's intent to shut down dance halls and cabarets, they agree to stand behind him after he confides to them about his fallen sister. However, on the day when Fairbrother takes his seat on the bench, he is called upon to sentence Mace and Lily, two young women arrested for disorderly conduct during a police raid on the same Johnson's Café that claimed the purity and ultimately the life of his sister. Lily is a brazen city girl, while Mace is a shy "country mouse" who fell into bad company. When the judge demands to know the names of the men who accompanied Mace and Lily at the time of their arrest and are therefore guilty of the same charge, the arresting detectives shock him with the revelation that one is Charles Ferguson, the son of the editor, and the other is the nephew of the bishop. Enforcing his principles, Fairbrother demands that the young men be sentenced with the women. This causes much consternation, but the judge devises a fair method for solving the double standard. He declares all four defendants guilty, but then suspends their sentences pending good behavior. He convinces Mace to return home to the country, and secures an office job for Lily. Discovering that the young ladies' apartment building is owned by his wife's family, Judge Fairbrother realizes that the roots of evil sometimes grow close to home.
Based on the unique artistic bravery of The Double Standard, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Phillips Smalley
Wally Dreislin commits suicide because his family disapproved of his romance with chorus girl Estelle Ryan, the newspapers, delighting in all the details of the affair, turn Estelle into a national celebrity. Fame only increases her power to attract men, and she soon is involved in a romance with Jansen Winthrop, another young man from a wealthy family. Jansen's alarmed mother then begs Robert, her other son, to end the relationship. Obediently, Robert kidnaps Estelle and takes her to a remote hunting lodge with plans to keep her there until she agrees to leave Jansen. After several weeks, however, Robert realizes that Estelle's reputation as a vamp has been completely engineered by the press. As a result, Robert sends for Jansen to retrieve his sweetheart, but when he arrives, Estelle announces that she has fallen in love with her abductor, and then begins a romance with him.
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Dir: Phillips Smalley
Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.
Dir: Phillips Smalley
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.
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Dir: Phillips Smalley
John Needham is the last of a long line of profligate Englishmen and just in the nick of time to save him from beggary, comes word that he has been appointed guardian of Thomas Creighton, and placed in charge of the millions which have been left as the heritage of the boy. Packing young Creighton off to a boarding school, Needham takes possession of the Creighton estate and begins a life of riotous dissipation. Several years elapse, until one morning Needham receives a letter from America stating that young Creighton is coming home to demand possession of his estate and will require an accounting for every penny. Joseph Norbury lives in a quiet English village and reads the news that Needham has been appointed executor of the Creighton estate. Norbury's wife remarks that with his mustache off. Norbury could easily be taken for Needham. In after years Norbury moves to London, where he and Needham met at the same club and become fast friends. When Needham learns that he is to be called to account for his stewardship, he realizes that imprisonment faces him and to avoid disgrace, he undertakes to devise measures to commit murder. Having sent to the Creighton country seat the servants from the Creighton townhouse, he invites Norbury to visit him. During the evening, Needham contrives to drop poison into the wine which Norbury drinks and after Norbury falls dead upon the floor, Needham changes clothes with the corpse. The murderer then goes to Norbury's home and undertakes to pass himself off as Norbury. The papers next morning relate how John Needham has been found a suicide in the Creighton mansion. Upon discovery of the corpse, Parks, who has been Needham's valet, refuses to believe that the dead man was his master, and through this suspicion and some good detective work by Parks, Needham is subsequently accused of the crime. Taking advantage of momentary opportunity, Needham drinks some of the same poison which he had given to Norbury and dies.
Dir: Phillips Smalley
In 1840, while California is ruled by Mexico, American settlers are in constant danger from Mexican marauders. After a band of Mexican soldiers led by American renegade George Granville kill the parents of Leonardo Davis, he vows vengeance and begins a career as a masked highwayman who terrorizes the Mexican offenders. Because Leonardo gives his plunder to those Americans who have been robbed, and he protects the women, children, poor, and helpless from attacks, he becomes known as "Captain Courtesy." At the San Fernando Mission, Leonardo falls in love with Eleanor, the orphaned ward of Father Reinaldo. For Eleanor's sake, Leonard renounces his mission of vengeance and joins the California Riflemen. When Granville learns about a cache of gold hidden at the Mission, he organizes an attack. Leonardo crashes through the stained glass window on his horse and rides to General Stephen Kearny's troops encamped in Los Angeles, who then rout the Mexicans. When Granville boldly admits that he slew the Davises, Leonardo fights him, but Eleanor persuades him to spare Granville's life.
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Dir: Phillips Smalley
Accustomed to flirting and dropping every suitor at her feet, Cora Madison - a young woman belonging to one of the most prominent families in the city - collides with Valentine Corliss, a newcomer.
Dir: Phillips Smalley
A District Attorney's outspoken stand on abortion lands him in trouble with the local community.
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Dir: Phillips Smalley
When Betty arrives from the Convent to visit her uncle's family they are careful to hide all the extreme low-necked gowns and other worldly things lest they shock the devout convent girl. Instead of shocking, Betty finds them fascinating and they install in her a desire to learn more about the fascinations of the world. When Jim Denning proposes to her, she says she loves him but she must see the world first. Angrily he leaves her as she sits beside the fireplace, whose dreamy flames inspire her to tempt a knowledge of things unknown to her. Out into the world she goes, where she sees and learns many things but with pangs and heartache. At a vital moment when she is about to faint dead away, the faithful Jim arrives and catches her in his arms. Betty awakens to find it has all been just a dream, and faithful Jim has no problem convincing her of the full meaning of a home and that the world and its false promises are not for her.
Dir: Phillips Smalley
A poor shopgirl is offered a "good time" for a week by the son of her employer. She accepts, but the offer is misunderstood by her brother, who informs the girl's parents of her "fling."
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Dir: Phillips Smalley
A woman's husband is taken by his wife's suitor to see a play in which events from the husband's marriage are recalled, in an attempt by the suitor to convince the husband to relinquish his wife.
View DetailsAnalysis relative to The Double Standard
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Saving the Family Name | Ethereal | Abstract | 93% Match |
| The Dumb Girl of Portici | Surreal | Dense | 92% Match |
| The Merchant of Venice | Ethereal | Dense | 89% Match |
| John Needham's Double | Gritty | Linear | 91% Match |
| Captain Courtesy | Ethereal | Abstract | 85% Match |
This guide was algorithmically generated using the cinematic metadata of Phillips Smalley's archive. Last updated: 5/13/2026.
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