Curated Recommendations Seeking the Same Brilliance as The Exploits...

Dir: Louis J. Gasnier

Hazel Kirke, daughter of Dunstan Kirke, a miller, is sent off to be educated by Squire Rooney, who has promised to marry her upon her return. All this in repayment for a small sum which Rodney advanced to save the old mill from the auction block. Five years later, near the end of her school years, she meets Arthur Carringford. At home again, she renews her promise to Rodney. Some days later, Arthur on a hunting trip, meets with an accident near the mill, and is confined there for some weeks, during which time a new friendship springs up between the two. Some time later, when Rodney and Dunstan see Hazel and Arthur embracing, Dunstan denounces them and sends them away. Arthur's mother, to save the family fortune, wishes Arthur to marry Maude, her ward, who is loved by Pittacus Greene, and whose fortune was squandered by the elder Carringford before his death. She sends Pittacus and Arthur's valet to dissuade Arthur from marrying Hazel, and they arrive as the two are coming away. At a nearby village, the valet, thinking the ceremony is to be a fake, goes to a saloon for a "minister." He then notifies Mrs. Carringford by letter. A few weeks later that lady arrives during Arthur's absence and tells Hazel that she has been duped. The girl, distracted, runs away and upon Arthur's return the panic-stricken mother tells of the plot and passes away from a heart attack. After a day or two's search for Hazel, Arthur rides toward home, stopping at a small church. The parson proves to be the one who married them and he tells of his good work in the slums of nearby towns disguised as a "tough." The two ride off to the mill hoping to meet Hazel. Unknown to the young people, Dunstan's terrible denunciation of them has left him sightless and it is before Hazel's blinded father that the two are reunited with parental blessing, only after Arthur has rescued Hazel from the icy millpond waters into which she had thrown herself.

Dir: Louis J. Gasnier

A visual fragment from the archive: The thematic resonance of Hands Up perfectly mirrors the editorial trajectory of our deep dive.

A newspaperwoman finds trouble aplenty when an Inca tribe believes her to be the reincarnation of their long-lost princess.

Dir: Louis J. Gasnier

Margot Le Blanc loses her small fortune at Monte Carlo in Monaco and makes the acquaintance of Hugh Kildair, an artist, who hires her as a housekeeper. A gang of thieves set a trap for Kildair when they find that he knows a mathematical system guaranteed to win at the gambling table. The gang is foiled by the arrival of the police; and Kildair, realizing he has fallen in love with Margot, marries her.

Dir: Louis J. Gasnier

A visual fragment from the archive: The thematic resonance of Poisoned Paradise perfectly mirrors the editorial trajectory of our deep dive.

Pauline, a young maiden, must protect herself from the treacherous "guardian" of her inheritance, who repeatedly plots to murder her and take the money for himself.

Dir: Louis J. Gasnier

About to be married to a wealthy South African mine owner whom she does not love, Lady Andrea Pellor rebels after she gets her bridal gown on, and seeing an airplane of the beach begs the aviator to take her away. He consents and takes her to his home in the jungle, where she is forced to stay, as the henchmen of his enemy the River Pirate have splintered the propeller and it takes weeks to send for a new one. The hero is a disappointed, disillusioned man seeking to forget and is only known as White Man. He respects her but treats he with a touch of brutality. Lady Andrea contracts jungle fever and her nurses her back to health, and they love each other but her training makes her hide it. The River Pirate pays them a visit and after a fight kidnaps Lady Andrea. White Man goes in his airplane, crashes through the roof of the house and rescues her. He then takes her back to civilization. He follows and turns out to be her brother's war buddy. Finally she confesses her love as he is about to return to the jungle. - Moving Picture World, November 22, 1925.

Dir: Louis J. Gasnier

A visual fragment from the archive: The thematic resonance of The Perils of Pauline perfectly mirrors the editorial trajectory of our deep dive.

Oswald Lane is welcomed by his hometown as a war hero and enjoys recounting his adventures to anyone who will listen. He accepts an invitation to stay in the home of his rather colorless brother, Andrew, and is soon not only making love to Martha, the Belgian maid, but is also finding Andrew's wife, Hester, receptive to his flirting. After stealing money entrusted to Andrew by his church, Oswald is on his way out of town when he passes a school fire, rescues several children, and is himself seriously burned. Andrew offers his own skin for grafting, and Oswald directs Hester to return the money.

Dir: Louis J. Gasnier

Maud Barhyte visits Paris with her fiancé, Gerald Welden, and her father. Sally Malakoff, Welden's childhood sweetheart whose marriage to the Duke Malakoff was arranged by her ambitious and title-hungry mother, entertains the three as her guests. By a series of misunderstandings Sally disrupts relations between Welden and his fiancée, causing Maud to return to America. Sally divorces the duke, and Welden, thinking Maud no longer loves him, marries Sally. Later, Welden discovers Sally's maneuverings and denounces her. Now an unhappy drug addict, Sally commits suicide, sending confessions to Maud exonerating Welden, already imprisoned on suspicion of murdering his wife. Maud presents the papers to police authorities, freeing Welden.

Dir: Louis J. Gasnier

A visual fragment from the archive: The thematic resonance of White Man perfectly mirrors the editorial trajectory of our deep dive.

Sedgewick Blynn is a gigolo--albeit a broke one--determined to marry into money, no matter what it takes. One evening he saves a young child from burning to death in a fire and is hailed as a hero. Young heiress Bessie Morgan falls for him and vows to marry him, but her father puts a stop to the elopement. Soon after, Sedgewick is hit by some news that changes his life forever.

Dir: Louis J. Gasnier

Laura Bedford marries poor taxi driver Jim Maberne, and her chum Claribel marries wealthy Richard Smith-Blanton. When the two women accidentally meet sometime later, Laura eagerly accepts Claribel's invitation to an artists' ball. Because of her poverty, Laura is obliged to obtain a ball gown on approval. At the ball she repulses the advances of Smith-Blanton. When her children ruin the dress the next day, Laura takes her husband's savings to pay for it. Jim discovers the loss and orders Laura out. When, later, he comes upon her struggling against Smith-Blanton, Claribel tells him the whole story. Jim gives Smith-Blanton a beating and takes his wife home.

Dir: Louis J. Gasnier

Wealthy Marjorie Stockton marries Monte Covington to protect herself from several overeager suitors. While Monte treats the marriage lightly, Marjorie quickly falls in love with her new husband. Peter Noyes, another of Marjorie's suitors, is blinded and she takes pity on him. Monte mistakes Marjorie's attention to Peter as love and decides to leave her. Marjorie declares her love for Monte, and Peter, who has also misinterpreted her actions, shoots them both in a jealous rage. Fortunately for the couple, their wounds are not serious, and they look forward to a bright future together.