The Definitive Guide Inspired by the Vision of The Faded Flower: Cu...

Dir: Ivan Abramson

A fascinating piece of cinema that shares thematic elements.

Dir: Ivan Abramson

A visual fragment from the archive: The thematic resonance of When Men Betray perfectly mirrors the editorial trajectory of our deep dive.

Despite the pleading of his wife Marion and his little daughter Vivian, Raymond Edwardes intensifies his affair with a charming adventuress named Lucille Stanton. Marion attends a reception with Frederick Barton one evening, leaving Raymond free to visit Lucille and leaving Raymond's younger sister Alice alone in the house. Bob Gardner, who is engaged to Raymond's elder sister Florence, rapes Alice, and that same evening, Raymond finds Frederick in Lucille's room. Realizing the great pain he has caused his wife, Raymond asks for Marion's forgiveness. Bob is killed in a fight with Frederick, whereupon his brother, Dick Gardner, offers to marry Alice to atone for Bob's wrong.

Dir: Ivan Abramson

Henry Patterson, living in Chicago with his wife, Lola, and infant boy, Harold, receives disturbing news regarding his mining interests at Denver. He goes there to investigate, and to avoid publicity, assumes the name of Henry Donovan. At Denver, he finds the mine is worthless, and faces ruin. He meets Louise Douglas, a wealthy woman, who becomes attracted to him. She makes overtures of marriage, unaware of his real identity. Henry, in a wild belief that he can save his family from poverty, marries Louise. He invents excuses to Lola, whom he still loves, for his long absence. The poor woman receives his money and affectionate letters, ignorant of his folly. In due course, Louise gives birth to a daughter, Muriel. The months lengthen into years, Lola in her solitude, has formed a strong friendship for Fred Warren, an artist, for whom she poses. The artist, believing Lola to be a widow, presses her to marry him. Her refusals arouse his suspicion, until one day Lola receives a letter which, Warren notices, agitates her. The letter is, indeed, from her husband, a confession of his bigamous union with Louise, and promising to make early reparation. Taking advantage of Lola's absence from the room, Warren purloins the letter and learns her secret. Meanwhile, Louise has entrusted Henry with a large sum of money for investment in New York. He goes instead to his wife at Chicago. In a touching scene, past sins are confessed and forgiven, and the couple make preparations for a hasty departure. At the moment of leaving, Warren pays Lola an unexpected visit. Furiously Warren denounces Henry, calls him "Bigamist," and threatens to turn over his letter of confession to his wife Louise. Henry, demanding the letter, draws a revolver, and in the struggle, the pistol is accidentally discharged, killing the bigamist. With a plea for forgiveness as he dies. Henry hands over to Lola Louise's money. In order not to implicate her in the murder. Warren orders Lola away from the scene. She, having in mind the $50,000, heeds his advice and immediately leaves with Harold for New York, where she assumes the name of "Gibson." Warren telephones the police, giving himself up as the murderer. Louise, notified by the Chicago police of her husband's death, comes to Chicago. Seeking revenge, she secures permission to see her husband's murderer. She enters the cell with a concealed weapon. There she learns for the first time the truth, from the written confession of her husband which the prisoner has concealed on his person. She is prostrated by grief, and her vow of vengeance becomes a promise to help the prisoner. The trial takes place. Warren, aided by Louise's counsel and her testimony, is declared "not guilty." With gratitude on the one side, and sympathy on the other, a strong bond of friendship is formed which soon gives way to love. Warren and Louise marry and come to live in New York. With the passing of years, Lola, giving way to extravagance, becomes penniless. Harold, now at Milan studying music, requests funds, and with her son's need in mind, Lola at a dance steals a necklace. Her theft detected, she is tried and sent to prison for two years. Harold, who has made a name for himself in Milan, meets a charming student, Muriel Warren. Unaware of each other's antecedents, they form a deep attachment and finally arrange to return to America to marry. Lola's prison term expired, she comes to New York. There, sitting on a park bench, she picks up a discarded newspaper, in which she reads the wedding announcement of Harold and Muriel, to take place that afternoon. She rushes to the church, breaks through the crowd, and in a most dramatic scene, before the altar, makes her confession to the priest. Muriel now learns for the first time that her stepfather, Warren, killed her father. Her soul, embittered by the guilt of her parents, she leaves her mother's house and becomes a nun. Harold, learning that his, father's misdeeds nearly caused the marriage of brother and sister, forgives his broken-hearted mother, takes her with him and makes a home for her.

Dir: Ivan Abramson

A visual fragment from the archive: The thematic resonance of A Mother's Confession perfectly mirrors the editorial trajectory of our deep dive.

After becoming a Supreme Court justice, Peter Graham is visited by Olive Martin, a singer from New Orleans, Louisiana, with whom he had an affair in his youth. Although Peter has been sending money to maintain Olive's silence and to support their son, she now sees an opportunity to join high society, and demands that Peter divorce his wife to marry her. Meanwhile, in Boston, Massachusetts, Olive's son, Harold, becomes engaged to Peter's daughter, Anita, but the young lovers are soon devastated by the news that they were both sired by the same man. Olive's dissolute brother-in-law, Thomas Donald, finds Peter on the brink of suicide and reveals that he is Harold's father. Thomas goes on to explain that Olive adopted the boy as a means to blackmail Peter. Harold and Anita marry, while Peter confesses to his wife and Olive leaves town.

Dir: Ivan Abramson

A struggling artist in Greewich Village is devastated when his wife dies. Left with two children and with little money to support them, in desperation he sells one of them to a childless but wealthy couple. When he realizes what he has done, he determines not to go through with the "deal".

Dir: Ivan Abramson

A visual fragment from the archive: The thematic resonance of The Echo of Youth perfectly mirrors the editorial trajectory of our deep dive.

Ignored by a husband who dedicates all his time to improving a universal language, Laurette Maxwell decides to try her youthful ambition of becoming an actress. Wealthy Charles Prescott offers to bankroll Laurette's debut and to clear all obstacles in her road to stardom, and Laurette files for a divorce from Maxwell on the grounds that their daughter Ruth is not his. Discovering the cause for her parents' divorce, Ruth decides to ensnare Prescott. Her mother discovers the affair and denounces Prescott who, in anger, assaults Ruth. Attempting to protect herself, Ruth kills Prescott and is arrested for the crime, but Laurette establishes on the witness stand that her daughter acted in self-defense. After Ruth is acquitted, Laurette confesses that Maxwell really is her father and the family is reunited.

Dir: Ivan Abramson

A story of the difference in fate of two young girls caused by the difference in their home lives and training. This shows vividly the criminal folly of allowing a girl to reach womanhood without knowledge of certain facts essential to her welfare and happiness. A worse-than-foolish mother keeps her daughter in ignorance. In her efforts to avoid the consequences which follow, she places the girl in the hands of an unscrupulous doctor with whom she is in partnership.

Dir: Ivan Abramson

A visual fragment from the archive: The thematic resonance of A Child for Sale perfectly mirrors the editorial trajectory of our deep dive.

In order to provide for her widowed mother, Louise Mordyke, Ethel marries Arthur Woodridge, a wealthy philanthropist who is considerably older than she. Although she respects her husband, Ethel resumes an affair with Howard Rosedale, the husband of her cousin Helen. Helen hires a detective, who discovers the lovers at a roadhouse. Rushing from the inn, Ethel is caught in a thunderstorm, after which she contracts pneumonia and dies, repentant but unconfessed. Arthur grieves so deeply that Louise and Helen fear for his sanity, and when Louise learns that he is contemplating suicide, she reveals the truth about Ethel's infidelity. Arthur, incredulous, denounces her. Following Howard's sudden death, however, Helen confirms the story. Louise and Arthur marry, and Helen weds an old friend.

Dir: Ivan Abramson

Stockbroker Henry Taylor becomes insanely jealous when wealthy South African jeweler Charles Bryant shows friendly attentions to Taylor's wife Regina and adopted daughter Vivian. Henry banishes Bryant from the Taylor home. In order to lavish riches on his wife, Henry speculates wildly and then uses a client's stocks to raise funds. The client threatens Henry with arrest, but agrees to withdraw the charge if Regina raises the appropriate funds. Bryant comes to her aid, but Henry believes another friend is responsible. When he learns the truth, Henry drives Regina and Vivian from home and they seek shelter from a heavy rainstorm in the asylum in which Regina was reared. Vivian contracts pneumonia and dies. Meanwhile, Henry seeks out Bryant and shoots him. In the ensuing trial, Bryant reveals that he is Regina's father and that he had been compelled to flee to South Africa after being accused of a murder of which he was innocent. Examination of the criminal record reveals that his innocence has been made clear. Bryant brings about a reconciliation between Henry and Regina.

Dir: Ivan Abramson

Wealthy capitalist, Clinton Reynolds, and his wife, Laura, have lost their son, Arthur, kidnapped and possibly dead. Attempting to write a wrong in his factory, he adopts the daughter of one of his workers who is killed on site. The girl, Rose, grows up resentful of her adoptive father and as she grows older, seduces him in order to break up his marriage. Long lost Arthur returns and, finding his parents' married life in disarray, becomes romantically involved with Rose in order to end the relationship she has forged with his father. Reynolds comes to his senses and makes amends with Laura, at which point Arthur leaves Rose.