Summary
In a labyrinthine tapestry woven from Gilded Age philanthropy and urban squalor, the narrative commences with Rhoda Cortlandt, scion of the magnanimous millionaire Theodore Cortlandt, finding herself entangled in the affections of Webster, son to the equally formidable, yet rivalrous, philanthropist Madeline Stuyvesant. This delicate equilibrium shatters when Burton Woodrow, a Cortlandt employee driven to desperate measures by his consumptive mother's plight, pilfers a modest sum, leading to his year-long incarceration. Concurrently, in the city's shadowed underbelly, Clarice Lee, a cunning thief, navigates her dangerous liaison with gang leader Chicago Jim. A chance encounter during a slum visit by Mrs. Stuyvesant and Rhoda brings them to Clarice's apartment, where they witness Jim's brutal assault on Clarice. Exploiting their sympathies with a fabricated tale of refusing to steal for Jim, Clarice secures refuge in Mrs. Stuyvesant's opulent home. Here, amid a burgeoning class conflict between Cortlandt and Mrs. Stuyvesant—fueled by accusations of bribery that rupture Webster's engagement to Rhoda—Clarice develops a dangerous obsession with Webster. Spurned, she manipulates her admirer, Pugsy, into a heinous plot to degrade Rhoda. The resultant violent assault leaves Rhoda critically wounded, necessitating a life-saving blood transfusion. Theodore Cortlandt, blinded by pride and anger, rejects Webster's offer of blood, instead offering a reward for an anonymous donor. It is Burton, freshly released from prison and destitute, who answers the call, unknowingly becoming the savior of the daughter of the man who condemned him. The transfusion, however, precipitates a profound and mystical shift in Rhoda: she is haunted by recurring visions of Burton, realizing that with his blood has come an undeniable, visceral love. This 'blood-love' compels her to break her engagement to Webster, confessing her new devotion to Burton, who, despite his own long-held affection, fears his past will blight her future. The ensuing confrontation sees a heartbroken but noble Webster sacrifice his love for Rhoda's happiness, and a furious Cortlandt ultimately swayed by Webster's impassioned plea, recognizing his own stubbornness as the catalyst for this extraordinary, fated romance.
Synopsis
Rhoda Cortlandt, daughter of Theodore Cortlandt, a millionaire who is interested in charity, is beloved by Webster, son of Madeline Stuyvesant, a philanthropist who is Cortlandt's competitor. Burton Woodrow, employed by Cortlandt in order to send his consumptive mother to Colorado, steals $250 from his employer. He is detected and sent to prison for a year. Clarice Lee, a thief, is beloved by Chicago Jim, a gang leader. Mrs. Stuyvesant and Rhoda are visiting a poor family residing in the apartment adjacent to Clarice's. Chicago Jim discovers Clarice in the arms of Pugsy, a member of his gang, and beats her. Her cries reach Rhoda and Mrs. Stuyvesant, who go to her rescue. Jim escapes. Clarice, to work upon the sympathies of Mrs. Stuyvesant, declares that Jim beat her because she would not steal for him. Mrs. Stuyvesant takes Clarice to her home. Cortlandt, believing that Mrs. Stuyvesant has procured a million dollar contract through bribery, calls her a trickster in Webster's presence; he defends his mother. A quarrel ensues. Cortlandt orders Webster from his home. Clarice while in the home becomes infatuated with Webster, who ignores her. Hearing of his love for Rhoda, she persuades Pugsy, her admirer, to lure Rhoda to his room for the purpose of degrading her. Pugsy entices and attempts to assault her there. Rhoda, defending herself, is severely wounded and suffers great loss of blood. At the hospital to which she is taken the doctors declare that only a transfusion of blood will save her life. Webster, hearing of Rhoda's condition, offers his blood. The offer is refused by the stubborn and angry Cortlandt, who orders the doctors to advertise and offer $500 for the necessary blood. Burton, released from prison, unable to secure employment, reads the advertisement and applies at the hospital, where after a rest he is accepted and a quantity of his blood is transfused to Rhoda's veins. Before his discharge from the hospital Burton learns that the recipient of his blood is the daughter of the man who sent him to prison. Cortlandt and the Stuyvesants become reconciled. Burton in the presence of Rhoda offers to return to Cortlandt the money he stole. Rhoda prevents her father from accepting it, and insists that he re-employ Burton. Cortlandt grants Rhoda's wish. Mrs. Stuyvesant gives a reception in celebration of Rhoda's recovery, during which the engagement of Webster and Rhoda is announced. Rhoda is horrified by constantly recurring visions of Burton. Wherever she goes Burton appears before her, whatever she does recalls him to her mind. His vision constantly calls to her. She struggles against the thought, but realizes that with the blood given her by Burton has come love. Unable to restrain the call of his blood she surrenders herself to it and telephones asking him to visit her. He does so, and she confesses her love for him. Burton tells her that he loved her long before he was sent to prison, but that his past is a shadow that will darken her future. Rhoda pleads with Burton and declares that his shadow will fade in the warmth of her love. That evening Webster finds Rhoda in Burton's arms, and is horrified. Rhoda returns the engagement ring to Webster, telling him, "Condemn me if you will, Burton gave me blood, and with it came love." Webster, realizing the power of true love, sacrifices his own love for Rhoda's sake and takes back the returned engagement ring. Cortlandt enters the scene, learns the truth. He is shocked and in great excitement denounces and orders Burton from his house. Webster tells Cortlandt that his stubbornness of not permitting him to give his blood caused it all. He pleads and moves Cortlandt to consent to the marriage of his daughter to the man he sent to prison.
Review Excerpt
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Step into the tumultuous landscape of early 20th-century melodrama, where societal stratifications were rigid, moral quandaries were grand, and the human heart, in its exquisite vulnerability, was often subjected to the most extraordinary trials. Ivan Abramson's 1918 cinematic offering, Her Surrender, emerges from this era not merely as a relic, but as a fascinating artifact of its time, pushing the boundaries of emotional and narrative audacity. It’s a film that dares to explore themes of ..."
