The Global Archive For Devotees of The Fighting Stranger: Cult Guide

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

A visual fragment from the archive: The thematic resonance of Trail of the Rails perfectly mirrors the editorial trajectory of our deep dive.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

A visual fragment from the archive: The thematic resonance of The Amateur Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: Webster Cullison

Chemist Carl Evendorr lives happily with his wife Irene, and their little daughter Rose, until he perfects a formula that brings him a fortune and Irene persuades him to move into more pretentious quarters. Here Irene falls into the hands of social leech Mrs. Wharton. At their first entertainment, Irene, persuaded by Mrs. Wharton, appears in the costume of Odalisk, which brings men to her feet. Carl remonstrates, but to no avail. Funds run low and Irene wins large sums intentionally lost to her at cards. Carl, perfecting another formula, leaves to sell it. Mrs. Wharton, pressing Irene to pay her debts, finally tells "Stoney" Brooke, one of her admirers, how to win Irene. Returning home, the formula sold for a small sum, Carl finds his wife in Brooke's arms. To save his life, Brooke falsely confesses his guilt. Irene divorces Carl, he taking the blame, and later, Hillman, a lawyer and friend of Carl's, marries her. Brooke threatens Mrs. Wharton, demands money and she causes his arrest. Ten years later on his release Brooke obtains money from Irene by threats, and about to leave, he is met by Mrs. Wharton. A struggle ensues and Brooke shoots Mrs. Wharton. Carl, now working in a laboratory, plans to see his daughter. He rushes in and is seen bending over Mrs. Wharton, just as Irene and the police enter the room. Hillman gives himself up, thereby saving Carl. Brooke dies and Hillman passes away in his cell. Finally Carl and Irene come together, contented, if not happy, in the love of their daughter, Rose.

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

A visual fragment from the archive: The thematic resonance of Moon Madness perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Webster Cullison

Helen Corning, a rich "Yankee" widow's daughter, antagonizes her Southern neighbors when she speeds in her roadster. After she causes Brett Page's stalled Ford to overturn, Helen rams Judge Carroll's wagon, upsetting his eggs which fly into his whiskers. Furious, the Judge sends Helen to jail for thirty days. Brett, taking advantage of the town's ancient law that allows townspeople to hire prisoners for twenty cents per day, takes the uncooperative Helen into his home to cook and clean. Learning to respect Brett who, she discovers, is an affluent author, Helen resists her mother's efforts to get her released so that she can marry the one hundred and fifteen pound Count Dronsky. After Mrs. Corning and Dronsky hire "Hot Stove" Kelly to break Helen out and take her across state lines, Helen runs Kelly's car into Brett's bungalow. Brett thrashes Kelly, and while Mrs. Corning and Dronsky pursue, he and Helen are married in the car, by a judge riding on the hood.