Essential Cult Cinema Mirroring the Impact of The Lone Wolf: Cult G...

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Stanner E.V. Taylor

A visual fragment from the archive: The thematic resonance of The Rise of Susan perfectly mirrors the editorial trajectory of our deep dive.

Susan, a young girl, the support of her old uncle, earns her living in Madame Millet's fashionable shop. She almost loses her position through her rebuff of the advances of Madame's son, but the arrival of a rich customer renders he services as model necessary. The customer, Mrs. Luckett, a parvenu, struggling desperately to get into society, is struck by Susan's beauty and ladylike bearing, and when a Countess, whom she intended to use as an entering wedge into society, fails to appear, she prevails upon Susan to assume the role of Countess for a night. Susan is a great success and society goes mad over the titled lady. Mrs. Luckett is delighted and insists that Susan continue to play the role. At first Susan refuses, but Mrs. Luckett's pleas and the sudden death of her uncle cause her to change her mind, and she decided to go through with the part. As the Countess, Susan wins the heart of Clavering Gordon, a wealthy and attractive young bachelor. Mrs. Luckett had hoped to "land" Gordon as husband for her daughter, Ninon, and she resents Susan's rivalry. She tells Susan that the disappointment of losing Gordon is killing Ninon, and urges her to go away. Though now deeply in love with Gordon, Susan decides to sacrifice her own feelings to save Ninon. She is about to leave when La Salle, Mrs. Luckett's scheming social secretary, tells her that Ninon is a confirmed drug fiend, and would only ruin Gordon's life. He persuades Susan that she owes it to Gordon to marry him, and save him from Ninon and at last Susan is won over by his arguments. Just before the marriage ceremony, the scheming secretary reveals his true motives. He demands a large sum of money from Susan on penalty that, if she refuses, he will reveal to the assembled wedding guests that she is not a Countess, but a poor working girl and an impostor. Susan is dismayed. Determining that she will go no further with the deception, and scorning the secretary, she rushes into the midst of the wedding party and confesses all. Before the astonished Gordon or any of the other guests can stop her, she disappears. Seeking to forget he sorrow and unhappiness, Susan becomes a nurse and by her sweet unselfishness, wins the love of all whom she meets. After Susan disappeared, Gordon searched in vain, and finally despairing over the results and giving up all hopes of ever finding her, her marries Ninon, in the hope of reforming her. His hopes are vain, for with the years Ninon has grown continually worse, until she has become a shattered wreck. Susan is called upon to nurse her, and though town with conflicting emotions, when she learns that Ninon is the wife of Gordon, the man she loves, Susan tries desperately to save the drug-crazed woman. After a fierce struggle, the maddened Ninon succeeds in blinding Susan with a pair of scissors and then flings herself from the window to her death in the court below. Gordon meets the blinded Susan, and after a brief courtship, the two are married. In their great love they are rendered doubly happy by indications that Susan's sight is about to be restored.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Stanner E.V. Taylor

A woman realizes that her son is following the same path of corruption pursued by her father, a Civil War traitor, and her husband, an embezzler.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Stanner E.V. Taylor

A prologue shows United States Food Administrator Herbert Hoover in his office and gives excerpts from Mr. Hoover's speeches. The story begins in the country as young farmer Robert Merritt is unable to make a profit because of the low prices offered by the food trust. At the suggestion of his wife Marion, he organizes a society of farmers to fight the trust, but finally sells out to the trust's representative, David Higgins. Disgusted, Marion leaves him and journeys to the city where she undertakes a fight against John Black, the head of the trust and an old suitor. Marion is successful in introducing a bill in the state senate that would make all food distribution centers state controlled, but political boss Bill Garvin inserts a clause that would defeat the bill. Black, experiencing a change of heart, joins forces with Robert to prevent a vote on the false bill, substituting the original one in its stead. Her duty done, Marion is reconciled with Robert.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Seed of the Fathers perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Stanner E.V. Taylor

Young Englishman Peter Waverton loves his fiancee Beatrice Dainton, but can't get Margaret Summers, with whom he had an affair eight years before, out of his mind. Peter's sister Lady Hurley broke up the Peter/Margaret affair by convincing Margaret, her maid, that Peter, who had traveled to the Continent on business, had actually abandoned her. However, Peter is shocked when Margaret accidentally runs into him in London shortly before his wedding is to take place. He's even more shocked when he sees who is accompanying her.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.