The Cult Collection Inspired by the Vision of The Man Without a Country: Cult Guide

Dir: Ernest C. Warde

When the circus comes to town, a mild-mannered man, whose good nature is viewed as weakness by wife, has the chance to prove himself when a lion escapes.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of More Trouble perfectly mirrors the editorial trajectory of our deep dive.

Lemuel Deering's son Harvey graduates from college at the top of his class, then returns home to become a partner in his father's steel business. Because Harvey appears to be an exemplary young man who neither drinks nor smokes, when bills from liquor dealers, tobacconists, and billiard emporia pour in, the proud father is mystified. Harvey stoutly denies having contracted the bills, including one for $25,000, and Lemuel, though puzzled, believes him until the workers threaten to strike and the bank places an attachment on the mill. Lemuel is about to disown his son when Harold Morrowton, Harvey's college roommate, confesses that he forged Harvey's name to the bills because his own father refused to give him spending money, and Harvey adds that because the two were fraternity brothers, he could not betray Harold's trust. Exasperated, Lemuel orders both young men to pay their debts through hard labor in the mill.

Dir: Ernest C. Warde

Sylvia Leigh's only recollection of her father was a dim memory of a distinguished-looking man who brought her to boarding school when she was a youngster. From that time he never came to see her, but letters came from him with foreign postmarks stating that "important business" kept him away. After her graduation an old family servant took her to the home she had never known. Within a few months her father appeared. Not the parent she had pictured, but a broken old man whose mind seemed ham ted by some shadow from the past. One day while they were motoring in the park he suddenly drew a revolver, and aiming it at a passing auto, exclaimed, "That man wrecked my life." But before he could pull the trigger he fell exhausted from the effort and the other car passed before Sylvia saw his face. Her father became seriously ill from the excitement. On his deathbed he made her promise to run to earth the man who ruined his life. With no clues or an inkling of what the secret was, she attempted to locate him by an ad in the papers, only to fall into a trap. A roughly-clad young man came to her rescue. Some weeks later she was surprised to find this same young man as a guest at a dance given by a girlfriend. But this time he was clad in evening dress and perfectly at home among society. Then came the blow. An incident revealed him to her as the man she had vowed to bring to atonement. She shadowed him, caught him in a compromising position, kept him captive and phoned the police. Then the fact that she still loved him rushed over her. She realized also that her father's secret was still a mystery. What will he do? Keep a deathbed promise and turn him over to the law or obey her heart? Love wins out. As a knock comes on the door she tells him she still loves him and to escape. But he only smiles, opens the door to the officers, who greet him familiarly, and then he make some remarkable disclosures to Sylvia, which brings happiness to her troubled heart.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of Her Beloved Enemy perfectly mirrors the editorial trajectory of our deep dive.

In Hong Kong, William Neal helps Kirk Marden fight off a group of rowdies. Back in New York, Kirk again turns to William's assistance when his father's rivals plot to take control of the Marden railroad. William teaches Kirk how to open safes so that Kirk can procure papers outlining the takeover plans. While Kirk is robbing the safe, Janet Leslie, daughter of one of the conspirators, enters, and Kirk forces her to marry him so that she cannot testify against him. Kirk succeeds in reconciling his father with his rivals and in winning his new wife's love.

Dir: Ernest C. Warde

Frank Keenan, president of the Stillwater Railroad, demands that Hugh Tomlinson, an engineer who has been on duty for eighteen hours, make another run. Tomlinson falls asleep at the throttle, and a collision results. The engineer is discharged, and dissension spreads among his co-workers. J. Montgomery Nixon, the scheming president of the Central Railroad, tries to ruin the Stillwater system, but is foiled by Simeon Tetlow, of the latter company. Unknown to Tomlinson he is given aid by Tetlow, but the engineer continues to work against him. The differences between the two men are straightened out by the engineer's little grand-daughter, and after the grievances of the workmen of the Stillwater company have been settled, Tomlinson is appointed to run Tetlow's special train.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of A Burglar for a Night perfectly mirrors the editorial trajectory of our deep dive.

At the request of her dying father, heiress Laura Fairlie marries Sir Percival Glyde, despite her love for Walter Hartridge and the warnings of Ann Catherick, a half-witted girl who bears a striking resemblance to Laura. After the marriage, Glyde schemes to appropriate his wife's money. When he learns that Ann has escaped from an asylum and has perished, Glyde takes Laura to the asylum and commits her, claiming that she is Ann. He then informs everyone that his wife had died, and buries the body of the insane woman in her place. Walter and Laura's half sister, Marian Halcombe, become suspicious, however, and remembering Ann's previous warnings, discover what Glyde has done. After Glyde meets his death in a fire, Walter rescues Laura and the two lovers are reunited.

Dir: Ernest C. Warde

Dr. Primrose, the vicar of Wakefield, enjoys life with his wife and five children. His two daughters, Olivia and Sophia, are courted by two apparent gentlemen, Mr. Burchell and Squire Thornhill, who is Dr. Primrose's landlord. But when Mr. Burchell is supposed to have seduced and abandoned Olivia, the Primrose family finds its fortunes dwindling in every sense. It is learned that Burchell is innocent of the seduction, and the real villain is unmasked, but not before Primrose and his family come very near disaster.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of Ruler of the Road perfectly mirrors the editorial trajectory of our deep dive.

A murderer is driven slowly insane by a sequence of coincidences and suggestive events which will not allow him to escape his own sense of guilt for his crime.

Dir: Ernest C. Warde

A pro at the shell game, Jim Blake practices his skills at country fairs, circuses, and carnivals until he becomes "J. Hatfield Blake," the promoter of phony stock and land deals which provide his beloved daughter Margaret with luxuries. Margaret falls in love with Dick Wilbur, who leaves her because Blake swindles his father out of $100,000 and Margaret sides with Blake. When Margaret meets a poor widow with starving babies to whom Blake sold some worthless desert land, she leaves him, saying she will not return until he rectifies his wrongdoings. She marries Dick, while Blake, shaken by her words, repays everyone who suffered from his dishonesty after he legitimately strikes oil. Alone on Christmas Eve, Blake invites some barroom characters to his mansion for a drunken dinner, after which, at his urging, they take his silverware and paintings. Blake continues to drink and when Margaret and Dick arrive to surprise him, they find him dead.

Dir: Ernest C. Warde

Spoiled, lazy Harold Chester Winthrop Gordon finds that he has been disinherited, barred from seeing his sweetheart, and expelled from his club. He decides to reform himself and begins by crossing out his first three names with an "x." Thereafter known as "Three X Gordon," he says goodbye to pretty Dorrie Webster and sets out with his friend Archie for the West. Because they are penniless, however, they get only as far as a New Jersey town, where they become farmhands. Shocked at first by the long hours and hard labor, Three X and Archie soon find the work so physically and morally beneficial that they decide to establish a farm for the regeneration of millionaires' sons. The plan is a success, and Three X even makes a man of Dorrie's lazy brother. With the declaration of World War I, Three X proudly leads his clients into his country's service, promising to return to Dorrie.