Recommendations
Senior Film Conservator

The 1919 release of The Midnight Man redefined the parameters of cult storytelling, the visual language established by James W. Horne is something many try to emulate. Explore the following titles to broaden your appreciation for cult excellence.
Historically, The Midnight Man represents to synthesize diverse influences into a singular artistic statement.
Young clubman Bob Gilmore is called by telephone to his home, where his parents are giving him a birthday party. He overhears one of the male guests make a slurring remark about his mother's appearance, and punishes him right there, throwing the entire gathering into an uproar. Later in the evening he assumes guilt for a check which had actually forged by his foster father, in order to save the mother's feelings, but obtains a written confession from the guilty man for future use if necessary. Learning that he had been adopted from a foundling asylum in infancy, Bob decides to go to New York to see if he cannot learn his real name, which he understands begins with "Mor." He disguises himself and enters many homes, attired in evening clothes, and is soon known to the police as "The Midnight Man." In the meantime he has come into contact with members of the White Circle gang, and has many close physical encounters with them.
Critics widely regard The Midnight Man as a cult-favorite piece of cult cinema. Its artistic bravery is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique artistic bravery of The Midnight Man, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: James W. Horne
Dave Allen, secretary to James Pendroy, a wealthy banker, is accused of stealing bonds from his employer. Dave rounds up the thieves, who include one Josef Le Baron, a suitor of Pendroy's daughter. Dave marries the girl.
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Dir: James W. Horne
In the 1850s, a young prince in India promises his dying father he will lead a revolt against the English colonial masters of India. However, since he is half-European himself, he can't bring himself to do it and flees to America, to live in obscurity. He finds, however, that he can't outrun his obligations, and he soon meets a messenger sent from India to remind him of the promise he made to his father. Complications ensue.
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Dir: James W. Horne
The search is on for a bank robber's hidden stash in a house they all say is haunted.
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Dir: James W. Horne
A fascinating piece of cinema that shares thematic elements.
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Dir: James W. Horne
Jack Dunbar, needing a job, meets millionaire Nicholas Small, who gives him advice and presents him as a colleague. Small would like his daughter, Anne, to marry inventor Gillen Jolyon. Dunbar perfects and successfully demonstrates Jolyon's wireless power transmitting device in spite of Small's attempts to sabotage it, and he rescues Anne when she is caught in an electric power fracas caused by her father's villainy. Anne breaks her engagement with Jolyon and marries Dunbar.
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Dir: James W. Horne
Perry Whitman's wild escapades result in his being expelled from college, an event he celebrates by holding a wild party to which he invites the impoverished members of a theatrical troupe. He is disowned by his father and turned adrift with a $100 bill, which he loses. In trying to recover the money he saves a girl from becoming the victim of a matrimonial scheme; she eludes capture by kidnappers and marries him to save her fortune. Thus he wins his father's forgiveness.
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Dir: James W. Horne
Two women finally tire of being taken advantage of by men, and vow that they will stop these cads from preying on helpless young girls.
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Dir: James W. Horne
A fascinating piece of cinema that shares thematic elements.
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Dir: James W. Horne
Adam, the proprietor of a country hotel, loses his heart to Nell, a soubrette. Unknown to the old man, the girl and his son Jack were formerly sweethearts, but had quarreled because of her refusal to leave the stage. Knowing of Adam's love for Nell, Mason, the leading man, and Eppstein, the manager, induce him to finance the show. This is on its last legs. The members of the company stop at Adam's hotel while in Preston and thus Nell meets Jack again. Upon her refusal to give up the stage, Jack angrily leaves her. When the show departs early next morning, Adam goes with it. Nell is fascinated by Mason and the latter plays her against Clara, who also fancies she loves him. Nell does not know that it is Adam's money which is backing the show. When she does discover the manner in which the old man is being fleeced, she promptly declares her intention of quitting the company. The conspirators vainly plead with the girl. Desperate, Mason and Eppstein kidnap Adam and wire Jack in the old man's name asking him to telegraph $600. His suspicions aroused, Jack determines to investigate. In the meantime, Nell has discovered Adam's predicament. Securing assistance, she rescues him just as Jack arrives. In gratitude, Adam advances enough money to send all the members, with the exception of the plotters, home. Nell, sick of the stage, returns to Preston with Jack and his father. The latter learns of their love affair, and concealing his own love, gives them his blessing.
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Dir: James W. Horne
Although she loves Clive, a young lawyer, Margaret weds Deering to save her father from financial ruin, while passing years bring fame to Clive and result in his being elected district attorney, the man cannot forget Margaret. Deering conducts a magnificent gambling establishment in his mansion. His conduct toward Margaret causes her to hate him. In the meantime, having promised to break up the ring, headed by Garvin, which is protecting the gamblers, Clive arranges a raid upon the Deering establishment. Due to a leak, however, this raid comes to naught. While in the mansion, Clive comes face to face with Margaret. Deering watching the two, sees their old love well up anew. It causes the man to become more brutal than ever to his wife. The district attorney discovers his secretary to be the source of the leak which had frustrated the raid. A second raid proves successful. Before this takes place, Clive dispatches a note to Margaret urging her to leave before his men arrive. Deering, believing his wife had known of this raid all along, is wild with rage and attempts to kill her. This is frustrated and the gambler is arrested. He later makes a sensational escape and returns to his mansion in time to see Ramon, his partner, rifling the secret safe containing their funds. After mortally wounding the man, Deering attempts to kill Margaret. Dying, Ramon summons Clive and the police. The latter come just in time to save the woman. Again Deering tries to escape, but this time he meets his death in leaping from a balcony.
View DetailsAnalysis relative to The Midnight Man
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Stepping Lively | Gothic | Linear | 92% Match |
| The Bronze Bell | Surreal | Abstract | 86% Match |
| Itching Palms | Ethereal | High | 92% Match |
| The Third Eye | Surreal | Layered | 89% Match |
| Blow Your Own Horn | Tense | Dense | 89% Match |
This guide was algorithmically generated using the cinematic metadata of James W. Horne's archive. Last updated: 5/22/2026.
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